Godzilla is a 1998 American monster film directed and co-written by Roland Emmerich. The film is a reimagining of Toho's Godzilla franchise and is the 23rd film in the franchise and the first Godzilla film to be completely produced by a Hollywood studio. The film stars Matthew Broderick, Jean Reno, Maria Pitillo, Hank Azaria, Kevin Dunn, Michael Lerner, and Harry Shearer. The film is dedicated to Tomoyuki Tanaka, the co-creator and producer of various Godzilla films, who died in April 1997.
Godzilla | |
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Theatrical release poster | |
Directed by | Roland Emmerich |
Produced by | Dean Devlin |
Screenplay by | Dean Devlin Roland Emmerich |
Story by | Ted Elliott Terry Rossio Dean Devlin Roland Emmerich |
Based on | Godzilla by Toho |
Starring |
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Music by | David Arnold |
Cinematography | Ueli Steiger |
Edited by | Peter Amundson David J. Siegel |
Production company | Centropolis Entertainment Fried Films Independent Pictures |
Distributed by |
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Release date |
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Running time | 139 minutes |
Country | United States |
Language | English |
Budget | $130–150 million |
Box office | $379 million |
In October 1992, TriStar announced plans to produce a Godzilla film. Jan de Bont was hired in July 1994 to direct the film based on a script by Ted Elliott and Terry Rossio. De Bont left the project in December 1994 due to budget disputes and Emmerich was hired in May 1996 to direct and co-write a new script with producer Dean Devlin. Principal photography began in May 1997 and ended in September 1997.
Godzilla was released on May 20, 1998 to negative reviews but was a box office success, grossing $136 million domestically and $379 million worldwide, however, it was considered a box office disappointment. Planned sequels were cancelled and an animated series was produced instead. In 2004, Toho began trademarking new iterations of TriStar's Godzilla as "Zilla", with only the incarnations from the 1998 film and animated show retaining the Godzilla copyright/trademark.
Screenplay
An iguana nest is exposed to the fallout of radiation following a military nuclear test in French Polynesia. In the South Pacific Ocean, a Japanese fishing vessel is suddenly attacked by an enormous sea creature, with only one seaman surviving. Traumatized, he is questioned by a mysterious Frenchman in a hospital regarding what he saw, to which he only replies "Gojira."
Dr. Niko "Nick" Tatopoulos, an NRC scientist, is in the Chernobyl exclusion zone in Ukraine researching the effects of radiation on wildlife, but he is interrupted by the arrival of an official from the U.S. State Department. He is sent to Panama and Jamaica, escorted by the military, to observe a trail of wreckage across land leading to the recovered Japanese fishing ship with massive claw marks on it. Dr. Tatopoulos identifies skin samples he discovered in the shipwreck as belonging to an unknown species. He dismisses the military's theory that the creature is a living dinosaur, instead deducing that it is a mutant created by nuclear testing. It travels to New York City during the rainy season, leaving a path of destruction in its wake.
The city is evacuated before the U.S. military attempts to kill it but fails in an initial attempt. Nick collects a blood sample, and after performing a pregnancy test, discovers that the creature reproduces asexually and is collecting food for its offspring. Eventually, Dr. Tatopoulos meets up with his ex-girlfriend, Audrey Timmonds, a young news reporter who wants to find a story. While she visits him, she uncovers a classified tape in his provisional military tent which concerns the origins of the monster, and turns it over to the media. She hopes to have her report put on TV in hopes to become famous, but her superior and boss, Charles Caiman, uses the tape in his broadcast, declaring it as his own discovery, and dubs the creature "Godzilla".
With the classified information released mainly because of his actions, Nick is removed from the operation, and abandons Audrey. Soon, he is kidnapped by Philippe Roaché, an "insurance guy" he met before coming to Manhattan. Revealing himself as an agent of the French secret service, Philippe and his colleagues have been keeping close watch on the events and plan to cover up their country's role in the nuclear testing that created Godzilla. Suspecting a nest somewhere in the city, they cooperate with Nick to trace and destroy it. Following a second encounter with the military, Godzilla dives into the Hudson River to evade the military, where he is attacked by Navy submarines. After colliding with torpedoes, Godzilla sinks. Believing he is finally dead, the authorities celebrate.
Nick and Philippe's strike team, followed by Audrey and her cameraman Victor "Animal" Palotti, find the nest inside Madison Square Garden and locate over 200 eggs. Before the French can succeed in destroying them, the eggs suddenly hatch and the offspring attack. Nick, Animal, Audrey and Philippe take refuge in the Garden's broadcast booth and successfully send out a live news-report to alert the military of what will happen if the offspring escape. A prompt response involving an airstrike is initiated as the four escape moments before Air Force jets bomb the arena.
Audrey and Nick reconcile and kiss, before the adult Godzilla, having survived, emerges from the Garden's ruins. Enraged by the deaths of its young, it chases the four across Manhattan. After a taxi chase, they manage to trap Godzilla within the Brooklyn Bridge where the returning Air Force jets manage to shoot it down. Godzilla dies from its wounds, while the remaining citizens celebrate. Audrey tells Caiman that she quits working for him after what he did, before leaving with Nick. Philippe (taking a tape that Animal was recording and promising to return it after "removing a few items from it") thanks Nick for his help and parts ways. In the ruins of Madison Square Garden, a single surviving egg hatches and the emerging hatchling roars.
- Matthew Broderick as Dr. Niko "Nick" Tatopoulos
- Jean Reno as Philippe Roaché
- Maria Pitillo as Audrey Timmonds
- Hank Azaria as Victor "Animal" Palotti
- Kevin Dunn as Col. Anthony Hicks
- Michael Lerner as Mayor Ebert
- Harry Shearer as Charles Caiman
- Arabella Field as Lucy Palotti
- Vicki Lewis as Dr. Elsie Chapman
- Lorry Goldman as Gene
- Doug Savant as Sgt. O'Neal
- Malcolm Danare as Dr. Mendel Craven
- Ralph Manza as Fisherman Joe
- Glenn Morshower as Kyle Terrington
- Chris Ellis as Gen. Hunter Anderson
- Richard Gant as Admiral Phelps
- Clyde Kusatsu as Japanese Tanker Skipper
- Nancy Cartwright as Caiman's Secretary
- Gary A. Hecker as Creature Vocal Effects
- Frank Welker as Creature Vocal Effects
- Kurt Carley as Godzilla (suit performance, uncredited)
Development
American film producer and distributor Henry G. Saperstein (who had co-produced and distributed past Godzilla films for the American market through his studio UPA) received permission from Toho to pitch a new Godzilla film to Hollywood studios, stating, "For ten years I pressured Toho to make one in America. Finally they agreed." Saperstein initially met with Sony Pictures producers Cary Woods and Robert N. Fried for discussions regarding a live-action Mr. Magoo film but the discussions led to the availability of the rights to Godzilla.
Interested, Woods and Fried proposed the idea to Columbia Pictures, but were initially rejected. Woods stated, "We pitched the idea to Columbia and they passed outright. Their response was they felt it had the potential for camp". The two also tried to pitch the idea to TriStar Pictures but were also shot down, Fried stated, "TriStar did originally pass on the project. The people who were running the studio at that particular time may not have seen commercial potential there, may not have thought that it would make a great film."
Taking advice from his wife, Woods instead went over the executives' heads and proposed the idea to Peter Guber, the then-Chairman of the Board and CEO of Sony Pictures. Guber became enthusiastic about the idea, seeing Godzilla as an "international brand" and set the film up at TriStar, Woods recalled, "Peter got it; he saw the movie in his head. He was like, ‘Godzilla, the fire-breathing monster?! Yesss!'" TriStar Vice Chairman Ken Lemberger was sent to Tokyo to oversee the deal in obtaining the Godzilla rights from Toho in mid-1992. Sony's initial offer included a $300,000-400,000 advance payment with an annual licensing fee for the Godzilla character, as well as production bonuses, exclusive distribution and merchandising rights for Japan, a profit percentage from international ticket sales and merchandising, usage rights to some of the monsters from the first 15 Godzilla films, and allow Toho to continue producing domestic Godzilla films while TriStar developed their film. Sequentially, Toho sent Sony a document of rules on how to treat Godzilla, Robert Fried stated, "They even sent me a four-page, single-spaced memo describing the physical requirements the Godzilla in our film had to have. They’re very protective."
In October 1992, TriStar formally announced their acquisition of the rights to Godzilla from Toho to produce a trilogy of Godzilla films, with the promise of "remaining true to the original series—cautioning against nuclear weapons and runaway technology." After TriStar's announcement, many of the original Godzilla filmmakers expressed support for the film; Haruo Nakajima (who portrayed Godzilla from 1954-1972) stated, "I'm pleased. I hope that a competition will spring up between Toho and TriStar," Koichi Kawakita (special effects director of the Heisei Godzilla films) stated, "I have great expectations. I’m looking forward to seeing it, not only because I direct special effects for Godzilla films but also because I am a movie fan," Teruyoshi Nakano (special effects director of the late Showa Godzilla films) stated, "I'm pleased that a new approach will be taken", and Ishir? Honda (director of various Showa Godzilla films) stated, "It will probably be much more interesting than the ones being produced in Japan."
Screenwriters Ted Elliott and Terry Rossio were tapped to write the script and submitted their final draft in late 1994. Earlier that year, Jan de Bont became attached to direct and began pre-production on the film for a 1996 summer release. De Bont's Godzilla would have discarded the character's atomic origin and replaced it with one wherein Godzilla is an artificial creation constructed by Atlantians to defend humanity against a shape-shifting extraterrestrial monster called "The Gryphon". Stan Winston and his company were employed to do the effects for the film. Winston crafted sculptures of Godzilla and The Gryphon. De Bont later left the project after TriStar refused to approve his budget of $100–120 million.
In November 2018, an unofficial digital graphic novel adaptation of Elliott and Rossio's unproduced Godzilla script was released online. Entitled Godzilla '94, the graphic novel features artwork by Todd Tennant, who worked with Rossio on the project.
Emmerich and Devlin
Prior to the release of Independence Day, director Roland Emmerich and producer Dean Devlin signed on to do Godzilla under the condition they would be able to handle the film their way, Devlin stated, "I told Sony that I would do the film but on my own terms, with Godzilla as a fast-moving animal out of nature, rather than some strange kind of creature." Emmerich and Devlin were the first filmmakers approached by then TriStar executive Chris Lee to do Godzilla but initially turned the offer down, Devlin stated, "Both of us thought it was a dopey idea the first time we talked. When Chris came back to us, we still thought it was a dopey idea."
Despite praising Elliott and Rossio's script, Emmerich discarded it, stating, "It had some really cool things in it, but it is something I never woul
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