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Ghost World is a 2001 black comedy film directed by Terry Zwigoff and starring Thora Birch, Scarlett Johansson and Steve Buscemi. Based on the comic book of the same name by Daniel Clowes, with a screenplay co-written by Clowes and Zwigoff, the story focuses on the lives of Enid (Birch) and Rebecca (Johansson), two teenage outsiders in an unnamed American city. They face a rift in their relationship as Enid takes interest in an older man named Seymour (Buscemi), and becomes determined to help his romantic life.

Ghost World
Theatrical release poster
Directed byTerry Zwigoff
Produced by
  • Lianne Halfon
  • John Malkovich
  • Russell Smith
Screenplay by
  • Daniel Clowes
  • Terry Zwigoff
Based onGhost World
by Daniel Clowes
Starring
  • Thora Birch
  • Scarlett Johansson
  • Brad Renfro
  • Illeana Douglas
  • Steve Buscemi
Music byDavid Kitay
CinematographyAffonso Beato
Edited by
  • Carole Kravetz-Aykanian
  • Michael R. Miller
Production
companies
  • Advanced Medien
  • Granada Film
  • Jersey Shore
  • Mr. Mudd
Distributed by
  • United Artists (United States)
  • Icon Film Distribution (United Kingdom)
  • Advanced Film (Germany)
Release date
  • June 16, 2001 (2001-06-16) (SIFF)
  • July 20, 2001 (2001-07-20) (United States)
  • October 18, 2001 (2001-10-18) (Germany)
  • November 16, 2001 (2001-11-16) (United Kingdom)
Running time
112 minutes
Country
  • United States
  • United Kingdom
  • Germany
LanguageEnglish
Budget$7 million
Box office$8.8 million

The film debuted at the Seattle International Film Festival in 2001. It had little box office impact, but was nominated for the Academy Award for Best Adapted Screenplay and has become a cult film.

Screenplay

Best friends Enid and Rebecca face the summer after their high school graduation, with no plans for their future other than to find jobs and live together. The girls are cynical social outcasts, but Rebecca is more popular with boys than Enid. Enid's diploma is withheld on the condition that she attend a remedial art class. Even though she is a talented artist, her art teacher, Roberta, believes that art must be socially meaningful and dismisses Enid's sketches as nothing more than "light entertainment".

The girls see a personal ad in which a lonely, middle-aged man named Seymour asks a woman he met recently to contact him. Enid makes a prank phone call to Seymour, pretending to be the woman and inviting him to meet her at a diner. The two girls and their friend, Josh, secretly watch Seymour at the diner and make fun of him. Enid soon begins to feel sympathy for Seymour, and they follow him to his apartment building. Later they find him selling vintage records in a garage sale. Enid buys an old blues album from him, and they become friends. She decides to try to find women for him to date.

Enid has meanwhile been attending her remedial art class, and she persuades Seymour to lend her an old poster depicting a grotesquely caricatured black man, which was once used as a promotional tool by Coon Chicken Inn, the fried chicken franchise now known as Cook's Chicken, where Seymour works as a manager. Enid presents the poster in class as a social comment about racism, and Roberta is so impressed with the concept that she offers Enid a scholarship to an art college.

Seymour receives a phone call from Dana, the intended recipient of his personal ad. Enid encourages him to pursue a relationship with Dana, but she becomes unexpectedly jealous when he does so.

Enid and Rebecca's lives start to diverge. While Enid has been spending time with Seymour, Rebecca has found a job at a coffee shop, has made new friends and has become more interested in clothing and boys. Enid also finds a job so she can afford to rent an apartment with Rebecca, but her attitude gets her fired after only one day. The girls argue, and Rebecca abandons the idea of living with Enid.

At the end of the summer, Enid and Seymour's lives fall apart. When Enid's poster is displayed in an art show, school officials find it so offensive they force Roberta to give her a failing grade and revoke the scholarship. Enid turns to Seymour for solace, resulting in a drunken one-night stand. Seymour breaks up with Dana, and is called to account at work when the Coon Chicken poster is publicized in a local newspaper. He unsuccessfully tries to contact Enid, only for Rebecca to tell him about Enid's prank phone call, describing the way they mocked him at the diner. Seymour is upset and ends up in a violent confrontation with Josh, resulting in his being injured and hospitalized. Enid visits him in an effort to apologize, causing him to realize that he has no chance of any kind of future with her.

After everything that has occurred, Rebecca and Enid have ceased to be friends, and Enid gives in to her childhood fantasy of running away from home and disappearing. She has seen an old man, Norman, continually waiting at an out-of-service bus stop for a bus that will never come. Finally, as Enid watches from across the street, Norman boards an out-of-service bus. The next day, while Seymour discusses the summer's events with his therapist, Enid returns to the bus stop and boards the out-of-service bus when it arrives.

  • Thora Birch as Enid
  • Scarlett Johansson as Rebecca
  • Steve Buscemi as Seymour
  • Brad Renfro as Josh
  • Pat Healy as John Ellis
  • Illeana Douglas as Roberta Allsworth
  • Bob Balaban as Enid's father
  • Stacey Travis as Dana
  • Teri Garr as Maxine
  • Dave Sheridan as Doug
  • Tom McGowan as Joe
  • David Cross as Gerrold
  • Brian George as the convenience store owner
  • Debra Azar as Melorra
  • Rini Bell as the graduation speaker
  • Ezra Buzzington as Weird Al
  • Ashley Peldon as Margaret
  • Patrick Fischler as the video store cashier

The film was directed by Terry Zwigoff with cinematography by Affonso Beato. Zwigoff and Ghost World comic creator Daniel Clowes wrote the screenplay together. Years later, Clowes admitted that learning how to write the screenplay came with a significant learning curve. He recalled, "I started by trying to transcribe the comic into Final Draft. I figured that’s how you do an adaptation. Then I tried throwing everything away and writing an entirely new story that was very different from the book. And I synthesized those two things into a final screenplay. The actual film itself is very different from the script we wrote. We ended up jettisoning the last twenty pages and rethought the whole thing as we were filming. It was really held together by hair and spit."

Zwigoff and Clowes presented Beato with the task of making a comic book look to the movie. They asked for a fresh technique: earlier examples of the form such as X-Men and Dick Tracy were dismissed as literal-minded and "insulting" to the art form. According to Clowes, cameraman Beato "really took it to heart," carefully studying the style and color of the original comics. The final cut is just slightly oversaturated, purposefully redolent of "the way the modern world looks where everything is trying to get your attention at once."

Zwigoff also added his individual vision to the adaptation, particularly in his capture and editing of languid, lingering shots, a technique derived from his experience as a documentarian. Another notable touch is his minimal use of extras in the film, making the city and its streets intentionally empty – Clowes notes approvingly, "It captures this weird feeling of alienation in the endless modern consumer culture."

Ghost World: Original Motion Picture Soundtrack
 
Soundtrack album by various artists
ReleasedJune 20, 2005 (2005-06-20)
GenreBollywood, string band, blues, jazz
Length62:58
LabelShanachie
Professional ratings
Review scores
SourceRating
Allmusic     

Music in the film includes "Jaan Pehechan Ho" by Mohammed Rafi, a dance number choreographed by Herman Benjamin from the 1965 Bollywood musical Gumnaam which Enid watches and dances to early in the film, and "Devil Got My Woman" by Skip James (1931), as well as "Pickin' Cotton Blues" by the bar band, Blueshammer.

There are songs by other artists mentioned in the film, including Lionel Belasco, which are reflective of the character Seymour, and of director Terry Zwigoff. Zwigoff is a collector of 78 RPM records, as portrayed by Seymour. Other tracks are by Vince Giordano, a musician who specializes in meticulous recreations of songs from old 78 RPM records.

Referenced in the film is R. Crumb & His Cheap Suit Serenaders, a band that Zwigoff played in. Enid asks Seymour about the band's second album, Chasin' Rainbows, and Seymour replies, "Nah, that one's not so great."

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