Fritz The Cat Film full HD movie download free with screenpaly story, dialogue LYRICS and STAR Cast

In a New York City park, hippies have gathered with guitars to sing protest songs. Fritz and his buddies show up in an attempt to meet girls. When a trio of attractive females walk by, Fritz and his friends exhaust themselves trying to get their attention, but find that the girls are more interested in the crow standing a few feet away. The girls attempt to flirt with the crow, making unintentionally condescending remarks about blacks, while Fritz looks on in annoyance. Suddenly, the crow rebukes the girls with a snide remark, indicates that he is gay and walks away. Fritz invites the girls to "seek the truth", bringing them up to his friend's apartment, where a wild party is taking place. Since the other rooms are crowded, Fritz drags the girls into the bathroom and the four of them have group sex in the bathtub.

Meanwhile, the police (portrayed as pigs) arrive to raid the party. As the two officers walk up the stairs, one of the party-goers finds Fritz and the girls in the bath tub. Several others jump in, pushing Fritz to the side where he takes solace in marijuana. The two officers break into the apartment, but find that it is empty because everyone has moved into the bathroom. Fritz takes refuge in the toilet when one of the pigs enters the bathroom and begins to beat up the partygoers. As the pig becomes exhausted, a very stoned Fritz jumps out, grabs the pig's gun, and shoots the toilet, causing the water main to break and flooding everybody out of the apartment. The pigs chase Fritz down the street into a synagogue. Fritz manages to escape when the congregation gets up to celebrate the United States' decision to send more weapons into Israel.

Fritz makes it back to his dormitory, where his roommates ignore him. He decides to ditch his bore of a life and sets all of his notes and books on fire. The fire spreads throughout the dorm, finally setting the entire building ablaze. In a bar in Harlem, Fritz meets Duke the Crow at a billiard table. After narrowly avoiding getting into a fight with the bartender, Duke invites Fritz to "bug out", and they steal a car, which Fritz drives off a bridge, leading Duke to save his life by grabbing onto a railing. The two arrive at the apartment of a drug dealer named Bertha, whose cannabis joints increase Fritz's libido. While having sex with Bertha, he comes to a realization that he "must tell the people about the revolution!" He runs off into the city street and incites a riot, during which Duke is shot and killed.

Fritz hides in an alley where his older fox girlfriend, Winston Schwartz, finds him and drags him on a road trip to San Francisco. When the car runs out of gas in the middle of the desert, he decides to abandon her. He later meets up with Blue, a heroin-addicted Nazi rabbit biker. Along with Blue's horse girlfriend, Harriet, they take a ride to an underground hide-out, where several other revolutionaries tell Fritz of their plan to blow up a power station.

When Harriet tries to get Blue to leave with her to go to a Chinese restaurant, he hits her several times and ties her down with a chain. When Fritz objects to their treatment of her, he is hit in the face with a candle by a member of the group. Blue and the other revolutionaries then gang-rape her. After setting the dynamite at the power plant, Fritz suddenly has a change of heart, and unsuccessfully attempts to remove it before being caught in the explosion. At a Los Angeles hospital, Harriet (disguised as a nun) and the girls from the New York park come to comfort him in what they believe to be his last moments. Fritz, after reciting the speech he used to pick up the girls from New York, becomes revitalized and has sex with the trio of girls while Harriet watches in astonishment.

• Skip Hinnant as Fritz the Cat
• Rosetta LeNoire as Big Bertha / Additional voices
• John McCurry as Duke / Additional voices
• Judy Engles as Winston Schwartz / Lizard Leader
• Phil Seuling as Pig Cop #2 / Additional voices
• Ralph Bakshi (uncredited) as Pig Cop #1 / Narrator
• Mary Dean (uncredited) as Girl #1 / Girl #2 / Girl #3 / Harriet
• Charles Spidar (uncredited) as Bar Patron / Duke the Crow

Robert Crumb (b. 1943) was still a teenager when he created the character Fritz the Cat for self-published comics magazines he made with his older brother Charles. The character first appeared to a wider public in Harvey Kurtzman's humor magazine Help! in 1965. The strips place anthropomorphic characters—normally associated with children's comics—in stories with drugs, sex, and other adult-oriented content. Crumb left his wife in 1967 and moved to San Francisco, where he took part in the counterculture and indulged in drugs such as LSD. He had countercultural strips published in underground periodicals and in 1968 published the first issue of Zap Comix. Crumb's cartoons became progressively more transgressive, sexually explicit, and violent, and Crumb became the center of the burgeoning underground comix movement. Fritz became one of Crumb's best-known creations, particularly outside the counterculture.

Ralph Bakshi majored in cartooning at the High School of Art and Design. He learned his trade at the Terrytoons studio in New York City, where he spent ten years animating characters such as Mighty Mouse, Heckle and Jeckle, and Deputy Dawg. At the age of 29, Bakshi was hired to head the animation division of Paramount Pictures as both writer and director, where he produced four experimental short films before the studio closed in 1967. With producer Steve Krantz, Bakshi founded his own studio, Bakshi Productions. In 1969, Ralph's Spot was founded as a division of Bakshi Productions to produce commercials for Coca-Cola and Max, the 2000-Year-Old Mouse, a series of educational shorts paid for by Encyclopædia Britannica. However, Bakshi was uninterested in the kind of animation he was producing, and wanted to produce something personal. In a 1971 article for the Los Angeles Times Bakshi said that the idea of "grown men sitting in cubicles drawing butterflies floating over a field of flowers, while American planes are dropping bombs in Vietnam and kids are marching in the streets, is ludicrous." Bakshi soon developed Heavy Traffic, a tale of inner-city street life. However, Krantz told Bakshi that studio executives would be unwilling to fund the film because of its content and Bakshi's lack of film experience.

While browsing the East Side Book Store on St. Mark's Place, Bakshi came across a copy of R. Crumb's Fritz the Cat (1969). Impressed by Crumb's sharp satire, Bakshi purchased the book and suggested to Krantz that it would work as a film. Bakshi was interested in directing the film because he felt that Crumb's work was the closest to his own. Krantz arranged a meeting with Crumb, during which Bakshi showed Crumb drawings that had been created as the result of Bakshi attempting to learn Crumb's style to prove that he could translate the look of Crumb's artwork to animation. Impressed by Bakshi's tenacity, Crumb lent him one of his sketchbooks as a reference.

As Krantz began to prepare the paperwork, preparation began on a pitch presentation for potential studios, including a poster-sized painted cel setup featuring the strip's cast against a traced photo background, as Bakshi intended the film to appear. In spite of Crumb's enthusiasm, he was unsure about the film's production, and refused to sign the contract. Cartoonist Vaughn Bodé warned Bakshi against working with Crumb, describing him as "slick". Bakshi later agreed with Bodé's assessment, calling Crumb "one of the slickest hustlers you'll ever see in your life". Krantz sent Bakshi to San Francisco, where Bakshi stayed with Crumb and his wife Dana in an attempt to persuade Crumb to sign the contract. After a week, Crumb left, leaving the film's production status uncertain, but Dana had power of attorney and signed the contract. Crumb received US$50,000, which was delivered throughout different phases of the production, in addition to ten percent of Krantz's take.

Funding and distribution

With the rights to the character, Krantz and Bakshi set out to find a distributor. "When I say that every major distributor turned it down, this is not an exaggeration", remembers Krantz. "There has never been a project that was received with less enthusiasm. Animation is essentially a dirty word for distributors, who think that only Disney can paint a tree, and in addition to that, Fritz was so far out that there was a failure to understand that we were onto something very important."

In the spring of 1970, Warner Bros. agreed to fund and distribute the film. The Harlem sequences were the first to be completed. Krantz intended to release these scenes as a 15-minute short if the film's funding was pulled; Bakshi was nevertheless determined to complete the film as a feature.