Frenzy full HD movie download free with screenpaly story, dialogue LYRICS and STAR Cast

Set in the early 1970s, the plot centres on a serial killer terrorizing London by raping and then strangling women with a tie. Bob Rusk (Barry Foster), a Covent Garden wholesale produce merchant, is the murderer. However, circumstantial evidence, partially engineered by Rusk, will implicate Rusk's friend Richard Blaney (Jon Finch), who becomes a fugitive attempting to prove his innocence.

Blaney, newly fired from his pub job, visits his ex-wife, Brenda (Barbara Leigh-Hunt), at her matchmaking business. They briefly argue, but Brenda invites Blaney out to dinner. Broke, Blaney ends up spending the night at a Salvation Army shelter; while there he discovers that Brenda had slipped money into his coat pocket.

Soon after, Rusk arrives at Brenda's office. Brenda had previously refused him as a client due to his sexual peculiarities. When Brenda spurns his advances, he rapes and strangles her with his tie. After Rusk leaves, Blaney arrives to see Brenda, only to find the office locked. Suspicion falls on Blaney after Brenda's secretary tells police that she saw Blaney leaving the building just as she was returning from lunch.

Blaney meets up with Barbara "Babs" Milligan (Anna Massey), his girlfriend and former pub co-worker. They soon learn about Brenda's murder and that Blaney is the suspect. They hide out at the flat of a friend who offers them jobs in Paris. Babs returns to the pub to fetch her and Blaney's belongings, intending to meet him the next morning to go to Paris. At the pub, Babs runs into Rusk, who claims he is leaving town and offers her his flat for the night; after leading her there, he rapes and murders her (off-screen).

That night, Rusk hides Babs' body in a sack and stows it in the back of a lorry hauling potatoes. Back in his room, Rusk discovers his distinctive jewelled tie pin (with the initial R) is missing, and realizes that Babs must have torn it off. Knowing the tie pin will incriminate him, he goes to retrieve it, but the lorry starts off on its northern journey while Rusk is still inside. Rigor mortis has set in, forcing Rusk to break Babs' fingers to get the pin. Disheveled and dirty, he gets out when the lorry stops at a roadside cafe. Babs' body is discovered when it falls off the truck onto the road.

Blaney, now the prime suspect in Babs' murder as well as the others, seeks out Rusk's help. Although the police are actively searching Covent Garden, Rusk offers to hide Blaney at his flat. Rusk goes there first with Blaney's bag and plants Babs' belongings inside it. He then tips off the police, who arrest Blaney and find the clothing. Blaney is convicted, but he so strongly protests his innocence and accuses Rusk that Chief Inspector Oxford (Alec McCowen) reconsiders the evidence and secretly investigates Rusk. Oxford discusses the case with his wife (Vivien Merchant) in several comic relief scenes concerning her pretensions as a gourmet cook.

Blaney, now in prison, deliberately injures himself and is taken to the hospital where his fellow inmates help him escape the locked ward. He intends to murder Rusk in revenge. Oxford, learning of Blaney's escape, suspects he is heading to Rusk's flat and immediately goes there. Blaney arrives first and finds the door unlocked. He strikes what he assumes is the sleeping Rusk with a tyre iron. However, the person in the bed is not Rusk but the corpse of Rusk's latest female victim.

Oxford arrives as Blaney is standing next to the body, holding the tyre iron. He begins to proclaim his innocence, but a large banging noise coming up the staircase interrupts them. Rusk enters, dragging a large trunk into the flat. The film ends with Oxford's urbane but pointed comment, "Mr. Rusk, you're not wearing your tie." Rusk drops the trunk in defeat. The credits roll in front of the trunk, with its cross motif.

Cast notes

• Alfred Hitchcock's cameo appearance can be seen three minutes into the film in the centre of a crowd scene, wearing a bowler hat. Teaser trailers show a Hitchcock-like dummy floating in the River Thames and Hitchcock introducing the audience to Covent Garden via the fourth wall.
• Michael Caine was Hitchcock's first choice for the role of Rusk, the main antagonist, but Caine thought the character was disgusting and said "I don't want to be associated with the part." Foster was cast after Hitchcock saw him in Twisted Nerve (which also featured Frenzy co-star Billie Whitelaw).
• Vanessa Redgrave reportedly turned down the role of Brenda, and Deep Red's David Hemmings (who had co-starred with Redgrave in Blowup) was considered to play Blaney.
• Helen Mirren, who later in life played a film version of Hitchcock's wife Alma Reville in Hitchcock, met with the director and eventually turned down the role of Babs Milligan, and years later said she regretted it.

After a pair of unsuccessful films depicting political intrigue and espionage, Hitchcock returned to the murder genre with this film. The narrative makes use of the familiar Hitchcock theme of an innocent man overwhelmed by circumstantial evidence and wrongly assumed to be guilty. Some critics consider Frenzy the last great Hitchcock film and a return to form after his two previous works, Topaz and Torn Curtain.

Hitchcock announced the project in March 1968.

Hitchcock approached Vladimir Nabokov to write the script, but the author turned him down because he was busy on a book. He then hired Anthony Schaffer.

"It will be done comedically," said Hitchcock.

The film starred relative newcomers in the lead roles. "I prefer a fresh face," he said.

Shooting

Filming started July 1971.

Hitchcock set and filmed Frenzy in London after many years making films in the United States. The film opens with a sweeping shot along the Thames to Tower Bridge, and while the interior scenes were filmed at Pinewood Studios, much of the location filming was done in and around Covent Garden and was an homage to the London of Hitchcock's childhood. The son of a Covent Garden merchant, Hitchcock filmed several key scenes showing the area as the working produce market that it was. Aware that the area's days as a market were numbered, Hitchcock wanted to record the area as he remembered it. According to the 'making-of' feature on the DVD, an elderly man who remembered Hitchcock's father as a dealer in the vegetable market came to visit the set during the filming and was treated to lunch by the director.

No. 31, Ennismore Gardens Mews, was used as the home of Brenda Margaret Blaney during the filming of Frenzy.

During shooting for the film, Hitchcock's wife and longtime collaborator Alma had a stroke. As a result, some sequences were shot without Hitchcock on the set so he could tend to his wife.

The film was the first Hitchcock film to have nudity (with the arguable exception of the shower scene in Psycho). There are a number of classic Hitchcock set pieces in the film, particularly the long tracking shot down the stairs when Babs is murdered. The camera moves down the stairs, out the doorway (with a rather clever edit just after the camera exits the door which marks where the scene moves from the studio to the location footage) and across the street where the usual activity in the market district goes on with patrons unaware that a murder is occurring in the building. A second sequence set in the back of a delivery truck full of potatoes increases the suspense as the murderer Rusk attempts to retrieve his tie pin from the corpse of Babs. Rusk struggles with the hand and has to break the fingers of the corpse in order to retrieve his tie pin and try to escape unseen from the truck.

The part of London shown in the film still exists more or less intact, but the fruit and vegetable market no longer operates from that site, having relocated in 1974. The buildings seen in the film are now occupied by banks and legal offices, restaurants and nightclubs, such as Henrietta Street, where Rusk lived (and Babs met her untimely demise). Oxford Street, which had the back alley (Dryden Chambers, now demolished) leading to Brenda Blaney's matrimonial agency, is the busiest shopping area in Britain. Nell of Old Drury, which is the public house where the doctor and solicitor had their frank, plot-assisting discussion on sex killers, is still a thriving bar. The lanes where merchants and workers once carried their produce, as seen in the film, are now occupied by tourists and street performers.

Novelist La Bern later expressed his dissatisfaction with Shaffer's adaptation of his book.

Soundtrack

Henry Mancini was originally hired as the film's composer. "If the same film was made ten years ago it would've had twice the amount of music in it," he said.

His opening theme was written in Bachian organ andante, opening in D minor, for organ and an orchestra of strings and brass, and was intended to express the formality of the grey London landmarks, but Hitchcock thought it sounded too much like Bernard Herrmann's scores. According to Mancini, "Hitchcock came to the recording session, listened awhile and said 'Look, if I want Herrmann, I'd ask for Herrmann.'" After an enigmatic, behind-the-scenes melodrama, the composer was fired. He never understood the experience, insisting that his score sounded nothing like Herrmann's. Mancini had to pay all transportation and accommodations himself. In his autobiography, Mancini reports that the discussions between himself and Hitchcock seemed clear, he thought he understood what was wanted, but he was replaced and flew back home to Hollywood. The irony was that Mancini was now being second-guessed for being too dark and symphonic after having been criticized for being too light before. Mancini's experience with Frenzy was a painful topic for the composer for years to come.

Hitchcock then hired composer Ron Goodwin to write the score after being impressed with some of his earlier work. He had Goodwin rescore the opening titles in the style of a London travelogue - the director had heard his score for the Peter Sellers sketch, Balham, Gateway to the South. Goodwin's music had a lighter tone in the opening scenes, and scenes featuring London scenery, while there were darker undertones in certain other scenes.

Frenzy received positive reviews from critics. Vincent Canby of The