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For Your Eyes Only is a 1981 British spy film, the twelfth in the James Bond series produced by Eon Productions, and the fifth to star Roger Moore as the fictional MI6 agent James Bond. It marked the directorial debut of John Glen, who had worked as editor and second unit director on three other Bond films.

For Your Eyes Only
British cinema poster for For Your Eyes Only, designed by Bill Gold
Directed byJohn Glen
Produced byAlbert R. Broccoli
Screenplay byMichael G. Wilson
Richard Maibaum
Based onFor Your Eyes Only
by Ian Fleming
StarringRoger Moore
Carole Bouquet
Topol
Lynn Holly Johnson
Julian Glover
Music byBill Conti
CinematographyAlan Hume
Edited byJohn Grover
Production
company
Eon Productions
Distributed byUnited Artists
Release date
  • 24 June 1981 (1981-06-24)
Running time
127 minutes
CountryUnited Kingdom
United States
LanguageEnglish
Budget$28 million
Box office$195.3 million

The screenplay by Richard Maibaum and Michael G. Wilson takes its characters and combines elements from the plots from two short stories from Ian Fleming's For Your Eyes Only collection: the title story and "Risico". In the plot, Bond attempts to locate a missile command system while becoming tangled in a web of deception spun by rival Greek businessmen along with Melina Havelock, a woman seeking to avenge the murder of her parents. Some writing elements were inspired by the novels Live and Let Die, Goldfinger and On Her Majesty's Secret Service.

After the science fiction-focused Moonraker, the producers wanted a return to the style of the early Bond films and the works of 007 creator Fleming. For Your Eyes Only followed a grittier, more realistic approach and a narrative theme of revenge and its consequences. Filming locations included Greece, Italy and England, while underwater footage was shot in The Bahamas.

For Your Eyes Only was released on 24 June 1981 to a mixed critical reception; the film was a financial success, generating $195.3 million worldwide. This was the final Bond film to be distributed solely by United Artists; the studio merged with Metro-Goldwyn-Mayer soon after this film's release.

Screenplay

The British information gathering vessel St Georges, which holds the Automatic Targeting Attack Communicator (ATAC), the system used by the Ministry of Defence to communicate with and coordinate the Royal Navy's fleet of Polaris submarines, is sunk after accidentally trawling an old naval mine in the Ionian Sea. MI6 agent James Bond is assigned by the Minister of Defence, Sir Frederick Gray and MI6 Chief of Staff, Bill Tanner, to retrieve the ATAC before the Soviets, as the transmitter could order attacks by the submarines' Polaris ballistic missiles.

The head of the KGB, General Gogol, has also learned of the fate of the St Georges and already notified his contact in Greece. A marine archaeologist, Sir Timothy Havelock, who had been asked by the British to secretly locate the St Georges, prepares to send his report in, but before the task is completed, Havelock is killed with his wife Iona by a Cuban hitman, Hector Gonzales. Bond goes to Spain to find out who hired Gonzales.

While spying on Gonzales at his villa, Bond is captured by Gonzales' henchmen, but manages to escape as Gonzales is killed by a crossbow bolt while diving into his swimming pool. On the grounds, he finds the assassin was Melina Havelock, the daughter of Sir Timothy, and the pair escape. With the help of Bond, Q uses computerized technology to identify the man Bond saw paying off Gonzales as Emile Leopold Locque a former enforcer in the Brussels underworld, and then goes to Locque's possible base in Cortina, Italy. There, Bond meets his contact, Luigi Ferrara, and Aris Kristatos, a well-connected Greek businessman, shipping tycoon, and intelligence informant. Kristatos, who tells Bond that Locque is employed by Milos Columbo, known as "the Dove" in the Greek underworld, Kristatos' former resistance partner during the Second World War. After Bond goes with Kristatos' protégée, figure skater Bibi Dahl, to a biathlon course, a group of men, which includes East German biathlete Eric Kriegler, chases Bond, trying to kill him. Bond escapes and then goes with Ferrara to bid Bibi farewell in an ice rink, where he fends off another attempt on his life by hoods in ice hockey gear. Ferrara is killed in Bond's car, with a dove pin in his hand. Bond then travels to Corfu in pursuit of Columbo.

There, at the casino, Bond meets Kristatos and asks how to meet Columbo, not knowing that Columbo's men are secretly recording their conversation. After Columbo and his mistress, Countess Lisl von Schlaf, argue, Bond offers to escort her home with Kristatos' car and driver. The two then spend the night together. In the morning Lisl and Bond are ambushed by Locque and Lisl is killed. Bond is captured by Columbo's men before Locque can kill him; Columbo then tells Bond that Locque was actually hired by Kristatos, who is working for the KGB to retrieve the ATAC. Bond accompanies Columbo and his crew on a raid on one of Kristatos' opium-processing warehouse in Albania, where Bond uncovers naval mines similar to the one that sank the St Georges, suggesting that it was not an accident. When the base is destroyed, Bond chases Locque and pushes his car off a cliff, killing Locque in the process.

Afterwards, Bond meets Melina, and they recover the ATAC from the wreckage of the St Georges, but Kristatos is waiting for them when they surface and he takes the ATAC. After getting dragged over a coral reef in shark-infested waters and survive the ordeal, they discover Kristatos' rendezvous point when Melina's parrot repeats the phrase "ATAC to St Cyril's". With the help of Columbo and his men, Bond and Melina break into St Cyril's, an abandoned mountaintop monastery. As Columbo is confronting Kristatos, Bond uses a spiked candelabra to force Kriegler headlong through a window and Kriegler takes a deadly plummet off the mountain.

Bond retrieves the ATAC system and prevents Melina from killing Kristatos after he surrenders. Kristatos tries to kill Bond with a hidden flick knife, but is killed by a knife thrown by Columbo; Gogol arrives by helicopter to collect the ATAC, but Bond throws it off the cliff. Bond and Melina later spend a romantic evening aboard her father's yacht when he receives a call from the Prime Minister.

  • Roger Moore as James Bond: MI6 agent 007, who is sent to retrieve a stolen "ATAC" system that could be misused for controlling British military submarines.
  • Carole Bouquet as Melina Havelock: The daughter of marine archaeologists who are murdered while tracking down the ATAC's whereabouts. Bouquet had auditioned for the role of Holly Goodhead in Moonraker, but was unsuccessful.
  • Chaim Topol (credited as "Topol") as Milos Columbo: Kristatos' former smuggling partner who assists Bond in his mission. Named after Gioacchino Colombo, the Ferrari engine designer, specifically Ferrari 125, which Fleming admired. Topol suggested the pistachios as a trademark of the character, which are used in a scene to orient Columbo's men on where to shoot.
  • Julian Glover as Aristotle Kristatos: Initially shown as an ally, later as the main villain. A smuggler planning to expand his fortune by selling the ATAC to the KGB. Glover had been shortlisted as a possible Bond for Live and Let Die, eventually losing out to Moore.
  • Lynn-Holly Johnson as Bibi Dahl: An ice-skating prodigy who is training with the financial support of Kristatos. Johnson was an ice skater before turning to acting, and achieved second place at the novice level of the 1974 United States Figure Skating Championships.
  • Michael Gothard as Emile Leopold Locque: A Belgian hired killer and associate of Kristatos.
  • Cassandra Harris as Countess Lisl von Schlaf: Columbo's mistress. At the time of filming Harris was married to future Bond actor Pierce Brosnan, and the couple lunched with the film's producer Albert R. Broccoli during filming.
  • John Wyman as Erich Kriegler: An East German Olympic class biathete and Kristatos' henchman/KGB contact. The academic Jeremy Black said that he resembles Hans of You Only Live Twice and Stamper of Tomorrow Never Dies.
  • Desmond Llewelyn as Q, the head of MI6's technical department.
  • Jill Bennett as Jacoba Brink: Bibi's skating coach.
  • Jack Hedley as Sir Timothy Havelock: A marine archaeologist hired by the British Secret Service to secretly locate the wreck of St. Georges.
  • Lois Maxwell as Miss Moneypenny, M's secretary.
  • Geoffrey Keen as Sir Frederick Gray: The British Minister of Defence, a minister in the British government. The role, along with Bill Tanner as Chief of Staff, was used to brief Bond in place of M, following the death of Bernard Lee.
  • James Villiers as MI6 Chief of Staff Bill Tanner. The role of Tanner first appeared on film in The Man with the Golden Gun, although in an un-credited capacity. Villiers presumed he would play the role of M in subsequent films and was disappointed not to be asked; the producers thought him too young for the role and wanted an actor in his 70s.
  • John Moreno as Luigi Ferrara: 007's MI6 contact in northern Italy.
  • Walter Gotell as General Gogol: Head of the KGB.
  • Toby Robins as Iona Havelock: Melina's mother and wife of Sir Timothy.
  • Jack Klaff as Apostis: One of Kristatos's henchmen and chauffeur.
  • Stefan Kalipha as Hector Gonzales: A Cuban hitman hired by Kristatos to kill the Havelocks.
  • Charles Dance as Claus, an associate of Locque. The role was early in Dance's career; in 1989 he would play Ian Fleming in Anglia Television's Goldeneye: The Secret Life of Ian Fleming, a dramatised portrayal of the life of Ian Fleming.
  • Eva Reuber-Staier as Rublevich: General Gogol's secretary.
  • Janet Brown as the British Prime Minister Margaret Thatcher, who appears in the closing scene alongside John Wells as Denis.
  • John Hollis as the "bald villain in wheelchair", voiced by Robert Rietti. The character appears in the pre-credits sequence and is both unnamed and uncredited. The character contains a number of characteristics of Ernst Stavro Blofeld, but could not be identified as such because of the legal reasons surrounding the Thunderball controversy with Kevin McClory claiming sole rights to the Blofeld character, a claim disputed by Eon.
  • Bob Simmons, who previously portrayed Bond in the gun barrel sequences in the first three films and SPECTRE agent Colonel Jacques Bouvar in Thunderball, cameos as another villain as Gonzales' henchman who falls victim to Bond's exploding Lotus.

We had gone as far as we could into space. We needed a change of some sort, back to the grass roots of Bond. We wanted to make the new film more of a thriller than a romp, without losing sight of what made Bond famous – its humour.

—?John Glen

For Your Eyes Only marked a change in the make up of the production crew: John Glen was promoted from his duties as a film editor to director, a position he would occupy for four subsequent films. The transition in directors resulted in a harder-edged directorial style, with less emphasis on gadgetry and large action sequences in huge arenas (as was favored by Lewis Gilbert). Emphasis was placed on tension, plot and character in addition to a return to Bond's more serious roots, whilst For Your Eyes Only "showed a clear attempt to activate some lapsed and inactive parts of the Bond mythology."

The film was also a deliberate effort to bring the series more back to reality, following the success of Moonraker in 1979. As co-writer Michael G. Wilson pointed out, "If we went through the path of Moonraker things would just get more outlandish, so we needed to get back to basics". To that end, the story that emerged was simpler, not one in which the world was at risk, but returning the series to that of a Cold War thriller; Bond would also rely more on his wits than gadgets to survive. Glen decided to symbolically represent it with a scene where Bond's Lotus blows itself up and forces 007 to rely on Melina's more humble Citroën 2CV. Since Ken Adam was busy with Pennies from Heaven, Peter Lamont, who had worked in the art department since Goldfinger, was promoted to production designer. Following a suggestion of Glen, Lamont created realistic scenery, instead of the elaborate set pieces for which the series had been known.For Your Eyes Only Film

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