Fletch Film full HD movie download free with screenpaly story, dialogue LYRICS and STAR Cast

Los Angeles Times reporter Irwin "Fletch" Fletcher (Chase) is writing an article exposing drug trafficking on the beaches of Los Angeles. Posing as an addict during his investigation, he is approached by Boyd Aviation executive vice president Alan Stanwyk (Matheson) who mistakenly assumes Fletch is a junkie. Stanwyk claims to have bone cancer, with only months left to live, and wishes to avoid the pain and suffering. Stanwyk offers $50,000 for Fletch to come to his mansion in a few days time, kill him, and then escape to Rio de Janeiro, staging the murder to look like a burglary.

Fletch, while not completely convinced on the truth of Stanwyk's story, reluctantly agrees to the plan. Along with his colleague Larry (Davis), he begins investigating Stanwyk instead of completing his drug trafficking exposé, much to the disapproval of his overbearing editor Frank Walker (Libertini). Disguised as a doctor, Fletch accesses Stanwyk's file at the hospital and learns Stanwyk lied about having cancer.

Fletch visits Stanwyk's wife Gail (Wheeler-Nicholson) at her tennis club. Pretending to be a tennis instructor and friend of Alan's, he flirts with her during an impromptu tennis lesson. Looking into Stanwyk's finances, Fletch finds that Gail recently converted $3 million of her personal stock in Boyd Aviation into cash for her husband, to buy a ranch in Provo, Utah. Fletch breaks into the realtor's office and discovers the deed lists the sale price as only $3,000.

Meanwhile, LAPD Chief Jerry Karlin (Baker) learns of Fletch's drug article. He warns Fletch that the article will jeopardize his undercover operation on the beach. Karlin threatens to kill Fletch unless he agrees to drop the investigation. At the tennis club, Fletch overhears an arrogant club member, Mr. Underhill, insulting a waiter and decides to use Underhill's tab to treat Gail to an expensive lunch in her private cabana. Fletch reveals Alan's murder scheme to her and tells her the true price of the ranch.

Fletch watches Stanwyk making a suspicious briefcase exchange with Chief Karlin, but is unable to determine the nature of their relationship. He returns home to find LAPD officers lying in wait at his apartment. He flees, but is pursued in a harrowing car chase. Forced to go into hiding, Fletch returns to Provo. Posing as an insurance investigator, he interviews Stanwyk's parents. Fletch discovers Stanwyk has been secretly married to another woman for eight years; his bigamous marriage to Gail allowed him access to her personal wealth.

Fletch arrives at Stanwyk's mansion on the night of the planned murder, but finds Stanwyk prepared to kill him instead. Fletch reveals his discovery of Stanwyk's real plan: to fake his own death by killing Fletch and burning his body beyond recognition, then escape to Brazil with his first wife and Gail's $3 million. Stanwyk was also using his private jet to smuggle cocaine from South America to supply Chief Karlin, who blackmailed ex-convicts to peddle it on the beaches. Karlin arrives unexpectedly; learning of Stanwyk's intention to flee with $800,000 of the Chief's drug money, he kills Stanwyk. Karlin and Fletch fight over the gun until Gail strikes Karlin from behind, rendering him unconscious.

Karlin is indicted with Fletch's testimony. Fletch begins dating Gail and, in the final scene, takes her on a vacation to Rio, again using Mr. Underhill's tab.

• Chevy Chase as Irwin M. "Fletch" Fletcher
• Joe Don Baker as Chief Jerry Karlin
• Dana Wheeler-Nicholson as Gail Stanwyk
• Richard Libertini as Frank Walker
• Geena Davis as Larry
• Larry "Flash" Jenkins as Gummy
• Tim Matheson as Alan Stanwyk
• M. Emmet Walsh as Dr. Joseph Dolan
• George Wendt as Fat Sam
• Kenneth Mars as Stanton Boyd
• George Wyner as Marvin Gillet
• Kareem Abdul-Jabbar as Himself
• Chick Hearn as Himself
• William Sanderson as Jim Swarthout

Casting Fletch

Gregory Mcdonald's Fletch books were optioned around the mid to late 1970s, but the author retained the right to veto casting choices. He rejected both Burt Reynolds and Mick Jagger as Fletch. When the studio mentioned Chevy Chase as Fletch, Mcdonald agreed, although he had never seen Chase perform.

When producer Alan Greisman and screenwriter Andrew Bergman got involved, Chase agreed to do it. Mcdonald sent Chase a telegram saying, "I am delighted to abdicate the role of Fletch to you."

Screenplay

Bergman was hired to adapt McDonald's book into screenplay form. Bergman remembers that he wrote the screenplay "very fast – I did the first draft in four weeks... Then there was a certain amount of improv, and something that we used to call dial-a-joke." Phil Alden Robinson also did some uncredited work on the script.

Mcdonald read the script and was angered by the deviations from his original text. He wrote to the studio and listed his many objections. Director Ritchie invited Mcdonald to the set of the film, and took him out to dinner where, according to Mcdonald, "Point by point, he showed me where I was wrong. I was beautifully chewed out."

Shooting

Filming started in May 1984. Parts of the film were shot in Salt Lake City International Airport, Provo and Orem, Utah.

According to actor Tim Matheson, Fletch was the first film Chase did after cleaning up his drug problem. However, the studio hired director Michael Ritchie to keep Chase in check. During principal photography, Ritchie would do one take sticking close to the script and then another take allowing Chase to ad-lib.

Chase enjoyed the role because it allowed him to play a wide variety of different characters. He said in an interview, "I love props, like wigs and buck-teeth and glasses. At one point I wear an Afro and play basketball with Kareem Abdul-Jabbar. There were some scenes where I didn't recognize myself." The comedian enjoyed working with director Ritchie because he gave him the freedom to improvise: "It all began when Tim Matheson asked me what my name was. Right away, with a straight face: 'Ted Nugent'."

Chase recalls Ritchie as "Very intelligent. Very Tall (6'7"?) Trusting; allowing me so much freedom. Fine Filmmaker!"

Post production

"Chevy was very hot," recalled Bergman. "And the great thing was that Universal always thought Fletch was a hit movie, and they treated it like a hit, even when the first previews weren’t that good. They never got frightened. They just said this is a hit, they were selling it like a hit, and then it was a hit. That was a very fun project."

The narration was added during post production.

Fletch was released on May 31, 1985, in 1,225 theaters, debuting at second place behind Rambo: First Blood Part II with a gross of $7 million. It went on to make $50.6 million in North America and $9 million in the rest of the world for a worldwide total of $59.6 million. The film performed well on home video, earning $24.4 million in rentals.

Fletch received generally positive reviews and has a 76% rating on Rotten Tomatoes from 29 critics with the consensus: "Quotably funny – and fast-paced enough to smooth over the jokes that don't land – Fletch is one of the best big-screen vehicles for Chevy Chase's brand of smug silliness". Film critic Roger Ebert gave the film two-and-a-half stars out of four and wrote, "The problem is, Chase's performance tends to reduce all the scenes to the same level, at least as far as he is concerned. He projects such an inflexible mask of cool detachment, of ironic running commentary, that we're prevented from identifying with him ... Fletch needed an actor more interested in playing the character than in playing himself." Vincent Canby in his review for The New York Times praised Chase's performance, writing, "He manages simultaneously to act the material with a good deal of nonchalance and to float above it, as if he wanted us to know that he knows that the whole enterprise is somewhat less than transcendental." Time magazine's Richard Schickel wrote, "In Fletch, the quick, smartly paced, gags somehow read as signs of vulnerability. Incidentally, they add greatly to the movie's suspense. Every minute you expect the hero's loose lip to be turned into a fat one." In his review for the Chicago Reader, Dave Kehr wrote, "Chase and Ritchie make a strong, natural combination: the union of their two flip, sarcastic personalities produces a fairly definitive example of the comic style of the 80s, grounded in detachment, underreaction, and cool contempt for rhetorically overblown authority figures."

Fletch became a cult film. In an interview for the New York Post, Bergman tried to explain its appeal: "It's so bizarre, but Fletch strikes a chord. There's a group of movies like that in the '80s, like Caddyshack, too, that captured a certain wise-ass thing." In particular, the film appeals to college students who have asked Chase to talk about it at film classes. The actor has said that the appeal of the character is "the cheekiness of the guy ... everybody at that age would like to be as quick-witted as Fletch, and as uncaring about what others think." Chase has said that this film is his favorite to date because "it allowed me to be myself. Fletch was the first one with me really winging it. Even though there was a script, the director allowed me to just go, and in many ways, I was directing the comedy." Perhaps the most meaningful praise comes from Mcdonald himself: "I watched it recently, and I think Chevy and Michael