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Ferris Bueller's Day Off is a 1986 American teen comedy film written, co-produced, and directed by John Hughes, and co-produced by Tom Jacobson. The film stars Matthew Broderick as Ferris Bueller, a high-school slacker who spends a day off from school, with Mia Sara and Alan Ruck. Ferris regularly "breaks the fourth wall" to explain techniques and inner thoughts.

Ferris Bueller's Day Off
Theatrical release poster
Directed byJohn Hughes
Produced by
  • John Hughes
  • Tom Jacobson
Written byJohn Hughes
Starring
  • Matthew Broderick
  • Alan Ruck
  • Mia Sara
Music byIra Newborn
CinematographyTak Fujimoto
Edited byPaul Hirsch
Distributed byParamount Pictures
Release date
  • June 11, 1986 (1986-06-11)
Running time
103 minutes
CountryUnited States
LanguageEnglish
Budget$5.8 million
Box office$70.1 million

Hughes wrote the screenplay in less than a week. Filming began in September 1985 and finished in November. Featuring many landmarks, including the then Sears Tower and the Art Institute of Chicago, the film was Hughes' love letter to Chicago: "I really wanted to capture as much of Chicago as I could. Not just in the architecture and landscape, but the spirit."

Released by Paramount Pictures on June 11, 1986, the film became one of the top-grossing films of the year, receiving $70.1 million over a $5.8 million budget, and was enthusiastically acclaimed by critics and audiences alike. In 2014, the film was selected for preservation in the National Film Registry by the Library of Congress, being deemed "culturally, historically, or aesthetically significant." In 2016, Paramount, Turner Classic Movies, and Fathom Events re-released the film and Pretty in Pink to celebrate their 30th anniversary.

Screenplay

In suburban Chicago, Illinois, near the end of the school year, high school senior Ferris Bueller fakes being sick to stay home. Throughout the film, Ferris frequently breaks the fourth wall to talk about his friends and give the audience advice on how to skip school. His parents believe him, though his sister Jeanie is not convinced. Dean of Students Edward R. Rooney suspects Ferris is being truant again and commits to catching him. Ferris convinces his friend Cameron Frye, who is legitimately absent due to illness, to help lure Ferris' girlfriend Sloane Peterson out of school by reporting that her grandmother has died. To trick Rooney, Ferris sways Cameron to let them use his father's prized 1961 Ferrari 250 GT California Spyder to collect Sloane. Cameron is dismayed when Ferris continues to use the car to drive them into downtown Chicago to spend the day, but Ferris promises they will return it as it was.

The trio leave the car with parking garage attendants who immediately take the car for a joy ride after they leave. Ferris, Cameron, and Sloane sight-see around the city, including the Art Institute of Chicago, Sears Tower, Chicago Mercantile Exchange, and Wrigley Field, while narrowly dodging Mr. Bueller. Cameron remains disinterested, and Ferris attempts to cheer him up by spontaneously joining a parade float during the Von Steuben Day parade and lip-syncing Wayne Newton's cover of "Danke Schoen", as well as a rendition of The Beatles' "Twist and Shout" that excites the gathered crowds.

Meanwhile, Rooney investigates the Bueller home to try to prove Ferris' truancy, getting into several pratfalls. At the same time, Jeanie, frustrated that the entire school believes Ferris has come down with a deadly illness, skips class and returns home to confront him, only to run into, attack, and knock out Rooney. Rooney flees while she calls the police; when they arrive, they arrest her for filing a false report and contact her mother to collect her. While waiting, she meets a juvenile delinquent (Charlie Sheen) who advises her not to worry so much about Ferris. Mrs. Bueller arrives at the station, upset about having to forgo a house sale, only to find Jeanie kissing the delinquent, infuriating her more.

Ferris and his friends collect the Ferrari and depart for home, but shortly discover many miles have been added to the odometer and Cameron becomes catatonic. Back at Cameron's garage, Ferris sets the car on blocks and runs it in reverse to try to take miles off the odometer without success. Cameron finally snaps, and lets out his anger against his controlling father by repeatedly kicking the car. This causes it to fall off the blocks and race in reverse through the back of the garage and into the ravine below. Ferris offers to take the blame, but Cameron asserts he will stand up against his father.

Ferris returns Sloane home and realizes his parents are due home soon. As he races on foot through the neighborhood he is nearly hit by Jeanie, who is driving their mother home. She speeds off trying to beat Ferris home. Ferris makes it home first to find Rooney waiting for him outside. Jeanie races into the house as their mother talks to their father about her behavior that day. Jeanie discovers Rooney threatening Ferris and tells Rooney that she was just helping to return Ferris from the hospital and shows Rooney his wallet that she had found from his earlier break-in. Rooney flees from the family dog while Ferris rushes back to his bedroom to greet his parents while feigning his waning illness. As they leave, Ferris reminds the audience, "Life moves pretty fast. If you don't stop and look around once in a while, you could miss it."

During the end credits, a defeated Rooney heads home and is picked up by a school bus, further humiliated by the students. After the credits, Ferris tells the audience the film is over and to go home.

 
Broderick in Sweden during his promotion of Ferris Bueller's Day Off, June 1986
  • Matthew Broderick as Ferris Bueller
  • Alan Ruck as Cameron Frye
  • Mia Sara as Sloane Peterson
  • Jennifer Grey as Jeanie Bueller
  • Jeffrey Jones as Edward R. Rooney
  • Lyman Ward as Tom Bueller
  • Cindy Pickett as Katie Bueller
  • Edie McClurg as Grace
  • Ben Stein as Economics Teacher
  • Del Close as English Teacher
  • Charlie Sheen as Garth Volbeck
  • Virginia Capers as Florence Sparrow
  • Richard Edson as Garage Attendant
  • Larry "Flash" Jenkins as Attendant's co-pilot

Writing

As he was writing the film in 1985, John Hughes kept track of his progress in a spiral-bound logbook. He noted that the basic storyline was developed on February 25. It was successfully pitched the following day to Paramount Studios chief Ned Tanen. Tanen was intrigued by the concept, but wary that the Writers Guild of America was hours away from picketing the studio. Hughes wrote the screenplay in less than a week. Editor Paul Hirsch explained that Hughes had a trance-like concentration to his script-writing process, working for hours on end, and would later shoot the film on essentially what was his first draft of the script. "The first cut of Ferris Bueller's Day Off ended up at two hours, 45 minutes. The shortening of the script had to come in the cutting room", said Hirsch. "Having the story episodic and taking place in one day...meant the characters were wearing the same clothes. I suspect that Hughes writes his scripts with few, if any costume changes just so he can have that kind of freedom in the editing."

Hughes intended the movie to be more focused on the characters rather than the plot. "I know how the movie begins, I know how it ends", said Hughes. "I don't ever know the rest, but that doesn't seem to matter. It's not the events that are important, it's the characters going through the event. Therefore, I make them as full and real as I can. This time around, I wanted to create a character who could handle everyone and everything."

Casting

Hughes said that he had Broderick in mind when he wrote the screenplay, saying Broderick was the only actor he could think of who could pull off the role, calling him clever and charming. "Certain guys would have played Ferris and you would have thought, 'Where's my wallet?'" Hughes said. "I had to have that look; that charm had to come through. Jimmy Stewart could have played Ferris at 15...I needed Matthew." Alan Ruck later told the AV Club that Anthony Michael Hall, who had previously worked with Hughes on three films, was originally offered the part but turned it down. Other actors who were considered for the role included Jim Carrey, John Cusack, Tom Cruise and Michael J. Fox.

Sara surprised Hughes when she auditioned for the role of Sloane Peterson. "It was funny. He didn't know how old I was and said he wanted an older girl to play the 17-year-old. He said it would take someone older to give her the kind of dignity she needed. He almost fell out of his chair when I told him I was only 18." Molly Ringwald had also wanted to play Sloane, but according to Ringwald, "John wouldn't let me do it: he said that the part wasn't big enough for me."

Ruck had previously auditioned for the Bender role in The Breakfast Club which went to Judd Nelson, but Hughes remembered Ruck and cast him as the 17-year-old Cameron Frye. According to Hughes, the character of Cameron was largely based on a friend of his in high school. "He was sort of a lost person. His family neglected him, so he took that as license to really pamper himself. When he was legitimately sick, he actually felt good, because it was difficult and tiring to have to invent diseases but when he actually had something, he was relaxed." Ruck said the role of Cameron had originally been offered to Emilio Estevez who turned it down. "Every time I see Emilio, I want to kiss him", said Ruck. "Thank you!" Ruck, then 29, worried about the age difference. "I was worried that I'd be 10 years out of step, and I wouldn't know anything about what was cool, what was hip, all that junk. But when I was going to high school, I didn't know any of that stuff then, either. So I just thought, well, hell—I'll just be me. The character, he's such a loner that he really wouldn't give a damn about that stuff anyway. He'd feel guilty that he didn't know it, but that's it." Ruck was not surprised to find himself cast young. "No, because, really, when I was 18, I sort of looked 12", he said. "Maybe it's a genetic imbalance."

Ruck and Broderick had previously acted together in the Broadway production of Biloxi Blues. Cameron's Mr. Peterson voice was an in-joke imitation of their former director Gene Saks. Ruck felt at ease working with Broderick, often crashing in his trailer. "We didn't have to invent an instant friendship like you often have to do in a movie", said Ruck. "We were friends."

Jones was cast as Rooney based on his role in Amadeus, where he played the emperor; Hughes thought that character's modern equivalent was Rooney. "My part was actually quite small in the script, but what seemed to be the important part to me was that I was the only one who wasn't swept along by Ferris", recalls Jones. "So I was the only one in opposition, which presented a lot of opportunities, some of which weren't even in the script or were expanded on. John was receptive to anything I had to offer, and indeed got ideas along the way himself. So that was fun, working with him." "Hughes told me at the time — and I thought he was just blowing his own horn — he said, 'You are going to be known for this for the rest of your life.' And I thought, 'Sure'... but he was right." To help Jones study for the part, Hughes took him to meet his old vice principal. "This is the guy I want you to pay close attention to," Jones explained to Hughes' biographer Kirk Honeycutt. While meeting him, the VP's coat momentarily flew open revealing a holster and gun attached to the man's belt. This made Jones realize what Hughes had envisioned."The guy was 'Sign up for the Army quick before I kill you!'" Jones exclaimed.

Stein says he got the role of Bueller's Economics teacher through six degrees of separation. "Richard Nixon introduced me to a man named Bill Safire, who's a New York Times columnist. He introduced me to a guy who's an executive at Warner Brothers. He introduced me to a guy who's a casting director. He introduced me to John Hughes. John Hughes and I are among the only Republicans in the picture business, and John Hughes put me in the movie", Stein said. Hughes said that Stein was an easy and early choice for the role of the teacher: "He wasn't a professional actor. He had a flat voice, he looked like a teacher."

Filming

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