Fatal Attraction is a 1987 American psychological erotic thriller film directed by Adrian Lyne from a screenplay written by James Dearden, based on his 1980 short film Diversion. Starring Michael Douglas, Glenn Close and Anne Archer, the film centers on a married man who has a weekend affair with a woman who refuses to allow it to end and becomes obsessed with him.
Fatal Attraction | |
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Theatrical release poster | |
Directed by | Adrian Lyne |
Produced by |
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Screenplay by | James Dearden |
Based on | Diversion by James Dearden |
Starring |
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Music by | Maurice Jarre |
Cinematography | Howard Atherton |
Edited by |
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Production company | Jaffe/Lansing Productions |
Distributed by | Paramount Pictures |
Release date |
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Running time | 119 minutes |
Country | United States |
Language | English |
Budget | $14 million |
Box office | $320.1 million |
Fatal Attraction was released on September 18, 1987 by Paramount Pictures. It received generally positive critical response and generated controversy at the time of its release. The film became a huge box office success, grossing $320.1 million against a $14 million budget, becoming the highest grossing film of 1987 worldwide.
At the 60th Academy Awards, it received six nominations: Best Picture, Best Director, Best Actress (for Close), Best Supporting Actress (for Archer), Best Adapted Screenplay, and Best Film Editing.
Screenplay
Dan Gallagher is a successful, happily married Manhattan lawyer whose work leads him to meet Alexandra "Alex" Forrest, an editor for a publishing company. While his wife, Beth, and daughter, Ellen, are out of town for the weekend, Dan has an affair with Alex. Though it was initially understood by both as just a fling, Alex starts clinging to him.
Dan spends a second unplanned evening with Alex after she persistently asks him over. When Dan tries to leave, she cuts her wrists in a suicide attempt. He helps her bandage the cuts and then leaves. He thinks the affair is forgotten, but she shows up at various places to see him. She waits at his office one day to apologize and invites him to a performance of Madame Butterfly, but he politely turns her down. She then continues to call him until he tells his secretary that he will no longer take her calls. Alex then phones his home at all hours, claiming that she is pregnant and plans to keep the baby. Although he wants nothing to do with her, she argues that he must take responsibility. After he changes his home phone number, she shows up at his apartment (which is for sale) and meets Beth, feigning interest as a buyer. Later that night, Dan goes to Alex's apartment to confront her, which results in a scuffle. In response, she replies that she will not be ignored.
Dan moves his family to Bedford, but this does not deter Alex. She has a tape recording delivered to him filled with verbal abuse. She stalks him in a parking garage, pours acid on his car, and follows him home one night to spy on him, Beth, and Ellen from the bushes in their yard; the sight of their content family literally makes her sick to her stomach. Her obsession escalates further when Dan approaches the police to apply for a restraining order against Alex (claiming that it is "for a client"). The lieutenant claims that he cannot violate her rights without probable cause, and that the "client" has to own up to his adultery.
At one point, while the Gallaghers are not home, Alex kills Ellen's pet rabbit, and puts it on their stove to boil. After this, Dan tells Beth of the affair and Alex's supposed pregnancy. Enraged, she demands that Dan leave. Before he goes, Dan calls Alex to tell her that Beth knows about the affair. Beth gets on the phone and warns Alex that she will kill her if she persists. Without Dan and Beth's knowledge, Alex picks up Ellen from school and takes her to an amusement park. Beth panics when she realizes that she does not know where Ellen is. She drives around frantically searching and rear-ends a car stopped at an intersection. Beth gets injured and is then hospitalized. Alex later takes Ellen home, asking her for a kiss on the cheek. Following Beth's release from the hospital, she forgives Dan and they return home.
Dan barges into Alex's apartment and attacks her, choking her and coming close to strangling her. He stops himself, but as he does, she lunges at him with a kitchen knife. He overpowers her but decides to put the knife down and leave, while Alex is leaning against the kitchen counter, smiling. The police begin to search for her after Dan confronts them about having her arrested.
Beth prepares a bath for herself when Alex suddenly appears, again with the kitchen knife. She starts to explain her resentment of Beth, nervously fidgeting (which causes Alex to cut her own leg) and then attacks Beth. Dan hears the screaming, rushes in, wrestles Alex into the bathtub, and seemingly drowns her. She suddenly emerges from the water, swinging the knife. Beth, who went searching for Dan's gun, shoots Alex in the chest, killing her. The final scene shows police cars outside the Gallaghers' house. As Dan finishes delivering his statement to the police, he walks inside, where Beth is waiting for him. They embrace and proceed to the living room as the camera focuses on a picture of them and Ellen.
- Michael Douglas as Dan Gallagher
- Glenn Close as Alexandra "Alex" Forrest
- Anne Archer as Beth Rogerson Gallagher
- Ellen Hamilton Latzen as Ellen Gallagher
- Stuart Pankin as Jimmy
- Ellen Foley as Hildy
- Fred Gwynne as Arthur
- Meg Mundy as Joan Rogerson, Beth's mother
- Tom Brennan as Howard Rogerson, Beth's father
- Lois Smith as Martha, Dan's secretary
- Mike Nussbaum as Bob Drimmer
- J. J. Johnston as O'Rourke
- Michael Arkin as Lieutenant
- Jane Krakowski as Christine, the babysitter
Writing
The film was adapted by James Dearden (with some help from Nicholas Meyer) from Diversion, an earlier 1980 short film by Dearden for British television. In Meyer's book "The View from the Bridge: Memories of Star Trek and a Life in Hollywood", he explains that in late 1986 producer Stanley R. Jaffe asked him to look at the script developed by Dearden, and he wrote a four-page memo making suggestions for the script including a new ending for the movie. A few weeks later he met with director Adrian Lyne and gave him some additional suggestions. Ultimately Meyer was asked to redraft the script on the basis of his suggestions, which ended up being the shooting script.
Casting
Producers Sherry Lansing and Stanley Jaffe both had serious doubts about casting Glenn Close because they didn't think she could be sexual enough for the role of Alex. Close was persistent, so that after meeting with Jaffe several times in New York, she was asked to fly out to Los Angeles to read with Michael Douglas in front of Adrian Lyne and Lansing. Before the audition, she let her naturally frizzy hair "go wild" because she was impatient at putting it up, and she wore a slimming black dress she thought made her look "fabulous" to audition. This impressed Lansing, because Close "came in looking completely different...right away she was into the part." Close and Douglas performed a scene from early in the script, where Alex flirts with Dan in a café, and Close came away "convinced my career was over, that I was finished, I had completely blown my chances." Lansing and Lyne, however, were both convinced that she was right for the role; Lyne stated that "an extraordinary erotic transformation took place. She was this tragic, bewildering mix of sexuality and rage—I watched Alex come to life.”
To prepare for her role, Glenn Close consulted several psychologists, hoping to understand Alex's psyche and motivations. She was uncomfortable with the bunny boiling scene, which she thought was too extreme, but she was assured on consulting the psychologists that such an action was entirely possible and that Alex's behavior corresponded to someone who had experienced incestual sexual abuse as a child.
Alternate ending
Alex Forrest was originally scripted slashing her throat at the film's end with the knife Dan had left on the counter, so as to make it appear that Dan had murdered her. After seeing her husband being taken away by police, Beth finds a revealing cassette tape that Alex sent Dan in which she threatens to kill herself. Upon realizing Alex's intentions, Beth takes the tape to the police, which acquits Dan of the murder. The last scene shows, in flashback, Alex taking her own life by slashing her throat while listening to Madame Butterfly.
After doing test screenings, Joseph Farrell (who handled the test screenings) suggested Paramount to reshoot a new ending. Alex was killed by a gunshot during the three-week reshoot of the action scene. Alex's murder by Beth juxtaposes the relationship between the two characters; with Alex being victimized and Beth violently protecting her family.
In the 2002 Special Edition DVD, Close comments that she had doubts about re-shooting the film's ending because she believed the character would "self-destruct and commit suicide". Close eventually gave in on her concerns, and filmed the new sequence after having fought against the change for two weeks. Close has described how protective she was of her character, whom she "never thought of as a villain", stating that: "I wasn't playing a generality, I wasn't playing a cliché. I was playing a very specific, deeply disturbed, fragile human being, whom I had grown to love." However, though the ending made Alex into a "psychopath" against Close's wishes, she has also acknowledged that the film would not have experienced the enormous success it did without the new ending, because it gave the audience "...a sense of catharsis, a hope, that somehow the family unit would survive the nightmare."
The film was initially released in Japan with the original ending. The original ending also appeared on a special edition VHS and LaserDisc release by Paramount in 1992, and was included on the film's DVD release a decade later.
Roles
In the earlier phase of the film, when it was under the title Diversion, Alex committed suicide in the end. After showing this version to a test audience, they felt this was not a good enough way for Alex to go. Instead, the producers decided to shoot the last scene as a more vengeful and violent death for Alex. Close has spoken of the decision to change the ending as "a terrible betrayal of the character that I created...I desperately wanted to remind the audience that this character was more self-destructive than destructive."
After spending $1.3 million, Alex's death and Beth's survival was determined to be the official ending of the film. However, this presented a more traditionalist message to the audience. This new ending gave the idea that a professional woman and a wife/mother are two very divided choices. With Alex being shot by Beth, in the official ending of the film, this is viewed as death to the bad woman (a career woman), and a win for the good woman (a wife/mother). Close insisted on adding the shot in the confrontation scene where Alex mutilates her own leg with a kitchen knife to show that she was "as self-destructive as she was aggressive". However, according to Close, "the image of Alex wielding that knife was too horrifying for any subtle nuance, and it transformed her into a psychopath as a result. And she became the most hated woman in America."
After its release, Fatal Attraction engendered much discussion of the
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