Fanny And Alexander full HD movie download free with screenpaly story, dialogue LYRICS and STAR Cast

In 1907, the young boy Alexander, his sister Fanny and their well-to-do family, the Ekdahls, live in a Swedish town and run a moderately profitable theatre. At Christmastime, the Ekdahls hold a Nativity play and later a large Christmas party. The siblings' parents, Emilie and Oscar, are happily married until Oscar suddenly dies from a stroke. Shortly thereafter, Emilie marries Edvard Vergérus, the local bishop and a widower, and moves into his home where he lives with his mother, sister, aunt and maids.

Emilie initially expects that she will be able to carry over the free, joyful qualities of her previous home into the marriage, but realises that Edvard's harsh authoritarian policies are unshakable. The relationship between the bishop and Alexander is especially cold, as Alexander invents stories, for which Edvard punishes him severely. As a result, Emilie asks for a divorce, which Edvard will not consent to; though she may leave the marriage, this would be legally considered desertion, placing the children in his custody. Meanwhile, the rest of the Ekdahl family has begun to worry about their condition, and Emilie secretly visits her former mother-in-law, Helena, revealing she is pregnant.

During Emilie's absence, Edvard confines the children to their bedroom, ostensibly for their safety. There, Alexander shares a story, claiming he was visited by the ghosts of the Vergérus family, who revealed the bishop was responsible for their deaths. The maid Justina reports the story to Edvard, who responds with corporal punishment. After Emilie returns, the Ekdahl family friend Isak Jacobi helps smuggle the children from the house. They live temporarily with Isak and his nephews in their store.

Emilie, now in the later stages of her pregnancy, refuses to restore the children to Edvard's home. Emilie allows Edvard to drink a large dosage of her bromide sedative. She explains to him, as the medication takes effect, that she intends to flee the home as he sleeps. He threatens to follow her family and ruin their lives, but blacks out. After Emilie gets away, Edvard's dying Aunt Elsa knocks over a gas lamp, setting her bedclothes, nightgown and hair on fire. She runs through the house in flames to seek Edvard's help, igniting him. Despite the sedative, he is able to get her off him, but dies shortly thereafter.

Alexander had fantasised about his stepfather's death while living with Isak and his nephews Aron and Ismael Retzinsky. The mysterious Ismael explains that fantasy can become true as he dreams it.

The Ekdahl family reunites for the christening celebration of Emilie's and the late bishop's daughter as well as the extra-marital daughter of Alexander's uncle, Gustav Adolf, and the family maid, Maj. Alexander encounters the ghost of the bishop who knocks him to the floor, and tells him that he will never be free. Emilie, having inherited the theatre, hands Helena a copy of August Strindberg's play A Dream Play to read, and tells her that they should perform it together onstage. Initially scoffing at the idea and declaring Strindberg a "misogynist," Helena takes to the idea and begins reading it to a sleeping Alexander.

The cast consists of:

Development

Director Ingmar Bergman conceived of Fanny and Alexander while working on his 1980 film From the Life of the Marionettes, and wrote the screenplay at Fårö in summer 1979. Bergman intended Fanny and Alexander to be his last feature film, although he wrote several screenplays afterwards and directed for television. He told the press he decided to retire, because, "I don't have the strength any more, neither psychologically nor physically". The screenplay was semi-autobiographical, attempting to portray Bergman's fondest memories in what he called a "happy and privileged" childhood; Alexander himself was meant as a representation of the young Ingmar. His recollections of his grandmother's home were a particular inspiration. He commented on his boyhood:

It was difficult to differentiate between what was fantasy and what was considered real. If I made an effort, I was perhaps able to make reality stay real. But, for instance, there were ghosts and specters. What should I do with them? And the sagas, were they real?

Bergman also recalled receiving his own magic lantern at age 10, from his aunt; in his autobiography, he described it as personally significant, and previously depicted a magic lantern in his 1972 Cries and Whispers.

However, the Ekdahls do not entirely match the Bergmans. Ingmar's relationship with his sister Margareta during their shared childhood is depicted through the character Fanny, who is included in the title though she is not as large a character as Alexander. Bergman had previously modeled characters after his mother, Karin Åkerblom, as simultaneously "virgin and seductress": Emilie also fits that self-contradictory design.

Margareta and Ingmar's father was the strict Erik Bergman, a Lutheran pastor. Edvard is based on Erik, and like Edvard, Erik was raised in a family almost completely made up of women. Erik and Ingmar also often conflicted over "truth" and honesty, much as Edvard and Alexander do. The story Alexander tells of being sold to a circus resembles one Ingmar had told as a boy, and he was accosted by Erik much as Edvard lectures Alexander. However, Bergman also stated that "It has been suggested ... that 12-year-old Alexander is my alter-ego. But this is not quite true. Fanny and Alexander is a story, the chronicle of a middle-class, perhaps upper-middle-class family sticking closely together ... There's a lot of me in the Bishop, rather than in Alexander. He is haunted by his own devils".

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