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Falcons (Icelandic: Fálkar (pronunciation )), is the seventh film directed by Friðrik Þór Friðriksson. This film, released in 2002, is mostly in English language and therefore this drama is considered to be a film of both domestic and international appeal.

Falcons
Falcons (DVD).jpg
Directed byFriðrik Þór Friðriksson
Produced byFriðrik Þór Friðriksson, Anna María Karlsdóttir, Peter Rommel, Egil Ödegaard, Mike Downey, and Samantha Taylor
Written byFriðrik Þór Friðriksson and Einar Kárason
StarringKeith Carradine
Margrét Vilhjálmsdóttir
Ingvar E. Sigurðsson
Music byHilmar Örn Hilmarsson
Distributed byIcelandic Film Corporation
Release date
  • 2002 (2002)
Running time
95 minutes
LanguageEnglish/Icelandic

Screenplay

It is the story of an ex con, Simon (Carradine) who after returning to Iceland, where his mother was born visit relatives, looks for the loneliest place in the world to commit suicide. In a small village he met Dúa (Vilhjálmsdóttir), an Icelandic young lady, who is found to be an interesting, rather strange woman by Simon. Dúa has a caged falcon that she hopes to tame, but they get into trouble as it is illegal to possess this kind of animal in captivity.
In the story Simon is the embodiment of a jailed bird, one of the falcons and as she is an air sign, they join in a relationship ruled by Simon’s belief that she is his illegitimate daughter. Surrounded by tension between them, Simon serves as a protective figure to Dúa, who keeps him from committing suicide.
The couple escape to Hamburg, Germany to start all over again. The protagonists’ behaviours are opposite to each other: Simon is down to earth and find himself awkward by Dúa’s eccentric beliefs in astrology, who considers Simon as a typical Scorpio and thus avoid deepening into a more serious relationship, partly because of the feeling of his paternity.

Dúa’s falcon, that she nourished and protected when her uncle found it with a broken wing, has a high value to her, as she considers it as the last remnant of the beloved life in Iceland. The falcon travels with them on their escape and has a high monetary value. Later, as Dúa wasted their money, Simon tries to sell the falcon in order to cover with their expenditures, but he is cheated by some crooked Germans and the falcon is stolen.

  • Keith Carradine: Simon.
  • Margrét Vilhjálmsdóttir: Dúa.
  • Ingvar E. Sigurðsson: Jóhann.
  • Magnús Ólafsson: Lobbi.
  • Margrét Ólafsdóttir: Auntie.
  • Friðrik Friðriksson: Young Policeman.
  • Axel Prahl: Car Rental Dealer.
  • Marisa Calcagno: Sabine.
  • Margrét Helga Jóhannsdóttir: Barmaid.
  • Ramin Yazdani: Scarface.
  • Geo von Krogh: Salvation Army Host.
  • Hark Bohm: A Man of the World.
  • Ragnheidur Steindórsdóttir: Nurse.
  • Guðmundur Ólafsson: Doctor.
  • Pétur Ólafsson: Uncle Tóti.
  • Theódór Júlíusson: Bus Driver.
  • Randver Thorláksson: Customs Officer.
  • Zack-Volker Michalowski: Antique Dealer.
  • Jóhanna Vigdís Hjaltadóttir: TV Reporter I.
  • Ómar Ragnarsson: TV Reporter II.
  • Örlygur Kristfinnsson: Gallery Owner.
  • Darren Forman: American I.
  • Glenn Robert Hodge: American II.
  • Rafi Guessous: Doorman.
  • Bernd Gajkowski: Lübeck Bartender.
  • Frank Wieczorek: Sad Looking Man.
  • Werner Karle Jung: Shady Looking Man.

Identifying the characters of the film with the characteristics of a falcon is a creative means of description, which counteract previous characterizations of bohemian Icelandic artists and American ex-cons. There is, however, a feeble argument to support the immediate and close relationship developed between the two characters.

Falcons is written in a laconic and subtle style as previous works by director Friðriksson. The film portrays an exquisite visual direction where still landscape is sometimes contrasted by subtle human activity, a resource used without falling into an exaggeration of the landscape immensity, which helps to illustrate the isolation of Simon and Dúa. The characterization of actor Keith Carradine as Simon brings a charismatic presence and strength of personality that is highlighted by talkative Dúa’s naïve and strange personality.

The soundtrack was also released as a separate CD titled Fálkar. The music composition was mainly in charge of Hilmar Örn Hilmarsson and there were featured several important artists who set up a proper atmosphere to the film’s plot.

Production: Icelandic Film Corporation, Peter Rommel Productions, Filmhuset AS, Norway and Film and Music Entertainment UK in association with Invicta Capital Ltd., UK & ZDF/Arte, Germany.
Support: Eurimages, Icelandic Film Fund, Filmförderung Hamburg, and Nordic Film & TV-Fund.
Director: Friðrik Þór Friðriksson.
Producers: Friðrik Þór Friðriksson, Anna María Karlsdóttir, Peter Rommel, Egil Ödegaard, Mike Downey, and Sam Taylor.
Script: Einar Kárason and Friðrik Þór Friðriksson.
Production design: Árni Páll Jóhannsson.
Costume Design: Helga I. Stefánsdóttir.
Editor: Sigvaldi J. Kárason.
Director of photography: Harald Paalgard.
Sound Design: Kjartan Kjartansson.
Music composed, arranged and produced by: Hilmar Örn Hilmarsson.
Guitar: Guðlaugur Kristinn Óttarsson, Jón Þór Birgisson, Kristján Edelstein, and Orri Hardarson.
Bass: Georg Bjarnason, and Tómas Magnús Tómasson.
Percussion: Birgir Baldursson.
Cello: Stefán Örn Arnarson.
Sound Engineers: Georg Bjarnason, and Tómas Magnús Tómasson.
Music recorded at the People’s Studio, Reykjavík.
Re-recording: Kjartan Kjartansson, and Ingvar Lundberg.
Sound editing: Kjartan Kjartansson, Ingvar Lundberg, Steingrímur E. Gudmundsson, Björn Viktorsson, Nicolas Liebing, Vilhjálmur, Godi Friðriksson, Nicolas Pétur Blin, and Magnús Sigurðarson.
Foley: Gadou Naudin.
Foley Recording: Steingrímur E. Gudmundsson.
Foley re-recording: Steingrímur E. Gudmundsson.
ADR Recording: Björn Viktorsson.
Director of “Making of”: Ari Alexander Ergis Magnússon.

Commissioning Editor ZDF/ARTE Alexander Bohr.
Line Producer Iceland Hrönn Kristinsdóttir.
Line Producer Germany Bernd Lübke.
Script Consultants Kirsten Bonnén Rask, Martin Rosefeldt, Karin Laudenbach, and Sveinbjörn I. Baldvinsson.
1st AD Hálfdán Theódórsson.
Hair and Make up Ásta Haf?órsdóttir.
Gaffer Örn Marinó Arnarson.
2nd AC Wencke Hovet.
Grip: Jónas Gudmundsson, and Valdimar Jóhannsson.
Best Boy Ingvar Stefánsson.
2nd AD Harpa Elísa Þórsdóttir, and Dadi Hrafn Sveinbjörnsson.
Continuity María Valsdóttir.
Electricians Arnar Einarsson, Hinrik Jónsson, and Sigurður Steinarsson.
Sound Recordist Steingrímur E. Gudmundsson.
Boom Operator Gudmann Þór Bjargmundsson.
Property Master: Thorkell Hardarson.
Assistant Property Master: Atli Geir Grétarsson.
Asst. Production Designer: Steingrímur Þorvaldsson.
Assistant Costum

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