Evita 1996 Film full HD movie download free with screenpaly story, dialogue LYRICS and STAR Cast

In a cinema in Buenos Aires on July 26, 1952, a film is interrupted when news breaks of the death of Eva Perón, Argentina's First Lady, at the age of 33. As the nation goes into public mourning, Ché, a member of the public, marvels at the spectacle and promises to show how Eva did "nothing, for years". The rest of the film follows Eva (born Eva Duarte) from her beginnings as an illegitimate child of a lower-class family to her rise to become First Lady and Spiritual Leader of the Nation of Argentina; Ché assumes many different guises throughout Eva's story.

At the age of 15, Eva lives in the provincial town of Junín, and longs for a better life in Buenos Aires. She persuades a tango singer, Agustín Magaldi, with whom she is having an affair, to take her to the city. After Magaldi leaves her, she goes through several relationships with increasingly influential men, becoming a model, actress and radio personality. She meets Colonel Juan Perón at a fundraiser following the 1944 San Juan earthquake. Perón's connection with Eva adds to his populist image, since they are both from the working class. Eva has a radio show during Perón's rise and uses all of her skills to promote him, even when the controlling administration has him jailed in an attempt to stunt his political momentum. The groundswell of support that Eva generates forces the government to release Perón, and he finds the people enamored of him and Eva. Perón wins election to the presidency and marries Eva, who promises that the new government will serve the descamisados.

At the start of the Perón government, Eva dresses glamorously, enjoying the privileges of being the First Lady. Soon after, she embarks on what is called her "Rainbow Tour" to Europe. While there, she receives a mixed reception. The people of Spain adore her, the people of Italy call her a whore and throw things at her, and Pope Pius XII gives her a small, meager gift. Upon returning to Argentina, Eva establishes a foundation to help the poor. The film suggests the Perónists otherwise plunder the public treasury.

Eva is hospitalized and learns that she has cancer. She declines the position of Vice President due to her failing health, and makes one final broadcast to the people of Argentina. She understands that her life was short because she shone like the "brightest fire", and helps Perón prepare to go on without her. A large crowd surrounds the Casa Rosada in a candlelight vigil praying for her recovery when the light of her room goes out, signifying her death. At Eva's funeral, Ché is seen at her coffin, marveling at the influence of her brief life. He walks up to her glass coffin, kisses it, and joins the crowd of passing mourners.

Cast taken from Turner Classic Movies listing of Evita.

Failed projects: 1976–1986

Following the release of Evita (1976), a sung-through concept album by Tim Rice and Andrew Lloyd Webber detailing the life of Eva Perón, director Alan Parker met with their manager David Land, asking if Rice and Lloyd Webber had thought of making a film version. He understood that they were more interested in creating a stage version with the album's original lyrics. The original West End theatre production of Evita opened at the Prince Edward Theatre on June 21, 1978, and closed on February 18, 1986. The subsequent Broadway production opened at the Broadway Theatre on September 25, 1979, and closed on June 26, 1983, after 1,567 performances and 17 previews. Robert Stigwood, producer of the West End production, wanted Parker to direct Evita as a film but, after completing work on the musical Fame (1980), Parker turned down the opportunity to helm Evita, telling Stigwood that he "didn't want to do back-to-back musicals".

The film rights to Evita became the subject of a bidding war among a host of established film studios, including Warner Bros., Metro-Goldwyn-Mayer and Paramount Pictures. Stigwood sold the rights to EMI Films for over $7.5 million. He also discussed the project with Jon Peters, who promised that he would convince his girlfriend Barbra Streisand to play the lead role if he were allowed to produce. Stigwood turned down the offer, opting to stay involved as the film's sole producer. EMI ultimately dropped the project after merging with Thorn Electrical Industries to form Thorn EMI, as well as producing several box office flops under the banner.

In May 1981, Paramount Pictures acquired the film rights, with Stigwood attached as a producer. Paramount allocated a budget of $15 million, and the film was scheduled to go into production by year-end. To avoid higher production costs, Stigwood, Rice and Lloyd Webber each agreed to take a smaller salary but a higher percentage of the film's gross. Stigwood hired Ken Russell to direct the film, based on the success of their previous collaboration, Tommy (1975).

Stigwood and Russell decided to hold auditions with the eight actresses portraying Eva in the musical's worldwide productions, with an undisclosed number performing screen tests in New York and London. In November 1981, Russell continued holding screen tests at Elstree Studios. Karla DeVito was among those who auditioned for the role of Eva. Russell also travelled to London, where he screen tested Liza Minnelli wearing a blonde wig and custom-period gowns. He felt that Minnelli, a more established film actress, would be better suited for the role, but Rice, Stigwood and Paramount wanted Elaine Paige, the first actress to play Eva in the London stage production. Russell began working on his own screenplay without Stigwood, Rice or Lloyd Webber's approval. His script followed the outlines of the stage production, but established the character of Ché as a newspaper reporter. The script also contained a hospital montage for Eva and Ché, in which they pass each other on gurneys in white corridors as she is being treated for cancer, while Ché is beaten and injured by rioters. Russell was ultimately fired from the project after telling Stigwood he would not do the film without Minnelli.

As Paramount began scouting locations in Mexico, Stigwood began the search for a new director. He met with Herbert Ross, who declined in favor of directing Footloose (1984) for Paramount. Stigwood then met with Richard Attenborough, who deemed the project impossible. Stigwood also approached directors Alan J. Pakula and Hector Babenco, who both declined. In 1986, Madonna visited Stigwood in his office, dressed in a gown and 1940s-style hairdo to show her interest in playing Eva. She also campaigned briefly for Francis Ford Coppola to helm the film. Stigwood was impressed, stating that she was "perfect" for the part.

Oliver Stone: 1987–1994

In 1987, Jerry Weintraub's independent film company Weintraub Entertainment Group (WEG) obtained the film rights from Paramount. Oliver Stone, a fan of the musical, expressed interest in the film adaptation and contacted Stigwood's p