Escape From L.a. full HD movie download free with screenpaly story, dialogue LYRICS and STAR Cast

In 1998, Los Angeles has become immensely crime-ridden and decadent, ultimately being directly governed and patrolled by the recently created United States Police Force. Two years later, on August 23, 2000, a massive earthquake strikes the city, the San Fernando Valley floods, and the Los Angeles area turns into an island from Malibu to Anaheim. A theocratic Presidential candidate declares L.A. to be sinful and punished by God.

When he is elected President for life, he declares that anyone not conforming to the new "Moral America" laws he creates, which ban such things as tobacco, alcoholic beverages, recreational drugs, red meat, firearms, profanity, atheism, freedom of religion and extra-marital sex, will be stripped of their citizenship and deported to Los Angeles Island unless they repent and choose death by electrocution. A containment wall is built around the island, armed guards and watchtowers are posted, and those sent to the island are exiled permanently.

Thirteen years later, Cuervo Jones, a Shining Path Peruvian Revolutionary, seduces the President's daughter, Utopia, via a holographic system and brainwashes her into stealing her father's remote control to the "Sword of Damocles" super weapon—a series of satellites capable of rendering all electronic devices anywhere on the planet useless. The President intends to use the system to destroy America's enemies' ability to function and eventually dominate the world. While traveling aboard Air Force Three, Utopia leaves the plane in an escape pod and lands on L.A. Island to join with Cuervo.

With the satellites under his control, Cuervo promises to take back America with the assistance of an allied invasion force of third world nations that are standing by to attack. Cuervo claims that if the President tries to stop him, he will "pull the plug" on the country and black out the capital. Cuervo also knows the secret world code that can knock out power for the entire planet.

Snake Plissken is captured for another series of crimes and is scheduled to be exiled to Los Angeles Island. Upon his arrival for deportation, Snake meets the President and is offered the mission of retrieving the weapon. The President says he will give him a full pardon if he is successful. The President indicates he does not care if Utopia is returned or not, declaring her a traitor. To ensure his compliance, Snake is infected with the man-made Plutoxin 7 virus that will kill him within ten hours. If he completes the mission, Snake will be cured.

Snake is given an assault rifle, a personal holographic projector, a thermal-camouflage overcoat, and a countdown clock for how long he has to live. Snake sneaks into the city with a mini submarine that he loses when the platform it landed on crumbles, causing the sub to sink. Making his way across the island, Snake meets "Map to the Stars" Eddie, a swindler who sells interactive tours of L.A..

Snake defeats Cuervo at his staging area of The Happy Kingdom By The Sea in Anaheim and takes the remote control. Snake leaves the island with Utopia and some other Cuervo resistors in a helicopter. Cuervo shoots at it with a rocket launcher just before Eddie kills him, but seeing the incoming rocket, Eddie leaps off the chopper, landing on an awning. The rocket hits the chopper and kills those in the back of the chopper but also causes a fire; Snake and Utopia bail out before it crashes. When the President's men reach the crash site, Commander Malloy believes that Snake is trying to trick the President by giving him the wrong remote and proceeds to find on Utopia another one. After checking the disc inside, Commander Malloy announces that they will take the one that Utopia unknowingly had in her possession. The President then has his men take Utopia to the electric chair despite her pleas for forgiveness. The Plutoxin 7 virus is revealed to be nothing more than a fast, hard-hitting case of the flu. The President tries using the satellites to stop a Cuban invasion force threatening Florida. Activating the remote, the President hears only Eddie's "Map to the Stars" intro over "I Love L.A.".

The President orders Snake's execution but Snake previously activated his hologram projector and the Snake that gets shot is an illusion. Snake activates the real control device, entering the world-code and ending all technological activity on the planet, against pleas to stop. At the deportation center, Utopia expresses her surprise that Snake shut down the Earth and thus saved her. Snake lights a cigarette and blows out the match used to light it, uttering "Welcome to the human race."

The film was in development for over ten years. At one point, a script was commissioned in 1987, being written by screenwriter Coleman Luck, with Dino De Laurentiis's company producing. Carpenter would later describe the script as "too light, too campy". In time, Carpenter and Kurt Russell got together to write with their long-time collaborator Debra Hill. Carpenter insists that it was Russell's persistence that allowed the film to be made, since "Snake Plissken was a character he loved and wanted to play again".

Box office

Escape from L.A. grossed $25,477,365 from its $50 million budget—about as much as its predecessor, but little more than half its significantly higher budget.

Critical

The film received mixed reviews and has a 53% approval rating from Rotten Tomatoes based on 47 reviews. Roger Ebert gave the film three-and-a-half stars out of a possible four and wrote that the movie felt it was an attempt to satirize the genre while exploiting it: " has such manic energy, such a weird, cockeyed vision, that it may work on some moviegoers as satire and on others as the real thing."

Todd McCarthy of Variety wrote, "A cartoonish, cheesy and surprisingly campy apocalyptic actioner, John Carpenter's Escape From L.A. is spiked with a number of funny and anarchic ideas, but doesn't begin to pull them together into a coherent whole."

Owen Gleiberman of Entertainment Weekly rated it C+ and wrote, "Carpenter never was the filmmaker his cult claimed him to be, but in Escape From L.A., he at least has the instinct to keep his hero moving, like some leather-biker Candide."

Stephen Holden of The New York Times wrote that the film's in-jokes "go a long way toward keeping afloat a hopelessly choppy adventure spoof that doesn't even to try to match the ghoulish surrealism of its forerunner".

Kevin Thomas of the Los Angeles Times wrote, "With much humor and high adventure, John Carpenter's Escape From L.A. brilliantly imagines a Dante-esque vision of the City of Angels".

Peter Stack of The San Francisco Chronicle rated it 3/4 stars and called it "dark, percussive and perversely fun". Esther Iverem of The Washington Post wrote that the film "tries but fails to be an action-hero flick or even a parody of one".

Marc Savlov of The Austin Chronicle rated it 3/5 stars and wrote, "Loud, rollicking, alternately ultra-violent and hilarious, Escape from L.A. is Snake redux, and what more do you need, really?" Nigel Floyd of Time Out London wrote, "After 15 years of computer-generated effects, apocalyptic sci-fi and Arnie movies with flippant kiss-off lines, the sequel feels hackneyed and pointless." Kim Newman of Empire rated it 2/5 stars and wrote, "Apart from a few good characters, this is really not up to scratch in most departments especially the ludicrous plot."

In a 2013 retrospective, Alan Zilberman of The Atlantic called Snake Plissken "a pro-nostalgia antihero, disgusted by the world around him". While contrasting the film's then-futuristic plot elements against modern day reality, Zilberman writes that the film's ending is more profound today, as Plissken would be annoyed by our fascination with technology, citing the example of two friends who ignore each other while transfixed with their smart phones.

John Carpenter later reflected:

Escape from L.A. is better than the first movie. Ten times better. It’s got more to it. It’s more mature. It’s got a lot more to it. I think some people didn’t like it because they felt it was a remake, not a sequel... I suppose it’s the old question of whether you like Rio Bravo or El Dorado better? They’re essentially the same movie. They both had their strengths and weaknesses. I don’t know–you never know why a movie’s going to make it or not. People didn’t want to see Escape that time, but they really didn’t want to see The Thing... You just wait. You’ve got to give me a little while. People will say, you know, what was wrong with me?

Paramount Home Video released the film on VHS on January 21, 1997. The film was released on Blu-ray on May 4, 2010.