Enter The Void full HD movie download free with screenpaly story, dialogue LYRICS and STAR Cast

Oscar (Nathaniel Brown) lives in Tokyo with his younger sister Linda (Paz de la Huerta) and supports himself by dealing drugs, against the advice of his friend Alex (Cyril Roy), who attempts to turn Oscar's interest toward The Tibetan Book of the Dead, a Buddhist book about the afterlife. The first segment begins with Linda leaving for work (at a local strip club) and then follows Oscar's nightly routine through strict point-of-view shots, including momentary blackouts that represent blinking, private internal thoughts, and extended sequences of a DMT-induced hallucination.

Next, Alex meets Oscar at the apartment and they leave so that Oscar can deliver drugs to his friend Victor (Olly Alexander). On the way, Alex explains parts of The Tibetan Book of the Dead to Oscar: how the spirit of a dead person sometimes stays among the living until it begins to experience nightmares, after which it attempts to reincarnate. They arrive at a bar called The Void. Oscar enters alone and sits down with a distressed Victor, who mutters "I'm sorry" before they are swarmed by police officers. Oscar seals himself in a bathroom stall and attempts to flush his drugs. When the flush does not work, he yells through the door that he has a gun and will shoot. In response, a police officer opens fire and hits Oscar, who falls to the floor.

Oscar's viewpoint rises and looks at his body from above, and then we begin to witness his life in a roughly chronological order. His loving parents were killed in a violent car crash; Oscar and Linda, devoted to each other, were sent to different foster homes; Oscar moved to Tokyo and earned money through drug dealing until he could afford to bring Linda to live with him; Oscar sleeps with his friend Victor's mother in return for extra money to help bring his sister over; Linda found work as a stripper for the nightclub owner Mario, to Oscar's distress; Oscar increased the scope of his dealing operations and started using potent psychedelics—in particular, DMT—more frequently; Alex discovered that Oscar slept with Victor's mother; and finally, we again see Oscar meet Victor at The Void to sell him drugs, only to be shot in the bathroom.

Afterwards, a disembodied Oscar floats over Tokyo and witnesses the aftermath of his death. Linda becomes withdrawn and despondent, especially after getting an abortion; Oscar's dealer, Bruno, destroys his stash; Alex lives in hiding on the streets; and Linda wishes she would have been with Alex instead of Mario, as Oscar had wanted. On one occasion, Linda wishes that Oscar would come back to life; Oscar then enters Linda's head, and experiences her dream in which he wakes up at the morgue, from which his body is taken to be cremated.

Meanwhile, Victor and his mother scream at each other because she had had sex with Oscar, and because of that Victor had informed the police about Oscar's drug dealing; Victor is then thrown out of his parents' home. He shows up at Linda's apartment and apologizes for having had her brother killed, but says Linda is partially to blame since she hung around with creeps. This angers Linda, who repeatedly screams that Victor should just go kill himself.

The perspective now hovers high above Tokyo and enters an airplane, where Oscar's mother breast-feeds a baby Oscar. The view then drops to Linda and Alex, who take a taxi to a Tokyo love hotel and have sex. The perspective moves among hotel rooms and observes several other couples having sex in various positions. Each couple emanates a pulsating electric-like pink glow from their genitals. Oscar enters Alex's head and witnesses the sex with Linda from Alex's point of view. He then travels inside Linda's vagina to witness Alex's thrusting, then observes his ejaculation and follows the semen into the fertilization of his sister's ovum. The final scene is shot from the perspective of a baby being born to Oscar's mother.

The cinematic experience itself is the main focus of the film, but there is also a central theme of emptiness. Noé describes the film's subject as "the sentimentality of mammals and the shimmering vacuity of the human experience." The dramaturgy after Oscar has been shot is loosely based on The Tibetan Book of the Dead, and ends with the spirit's search for a way to reincarnate. The director, who opposes all religious beliefs, says that "the whole movie is a dream of someone who read The Tibetan Book of the Dead, and heard about it before being . It's not the story of someone who dies, flies and is reincarnated, it's the story of someone who is stoned when he gets shot and who has an intonation of his own dream." Noé describes the ending of the film as Oscar's recollection of "the most traumatic moment of his life – his own birth". The director also leaves open the possibility that Oscar's life starts over again in an endless loop, due to the human brain's perception of time.

Development

The idea for the film had been growing since Noé's adolescence, when he first became interested in matters of death and existence. In his early twenties—while under influence of psilocybin mushrooms—he saw Robert Montgomery's Lady in the Lake, a 1947 film shot entirely in a first-person perspective. He then decided that, if he ever made a film about the afterlife, that was the way in which it would be filmed. Noé had been working on different versions of the screenplay for fifteen years before the film went into production. The story had initially been more linear, and the drafts were set in different locations, including the Andes, France, and New York City. Tokyo was chosen because it could provide colourful environments required for the film's hallucinogenic aspects, and because Japan's repressive drug laws add to the drama, explaining the intensity of the main character's fear of the police.

Noé first tried to get the film funded in the early 2000s. Several producers responded positively to the script, and it was briefly under development for Tom Tykwer's German company X-Filme Creative Pool. It was considered too expensive and the producers dropped out. Prospects changed when Irréversible (2002) became a commercial success. Noé had written and directed Irréversible for StudioCanal, and it was sold internationally by their subsidiary, Wild Bunch. When the producers at Wild Bunch asked Noé what he wanted to do next, he answered Enter the Void. The project was once again considered too expensive in relation to its commercial potential, but when Wild Bunch discovered that Noé had started to develop the film for Pathé instead of them, they said that they were willing to fund it. Since development went slowly at Pathé, Noé chose to not renew his contract with the studio and accepted Wild Bunch's offer.

Enter the Void was produced under Fidélité Films, with 70% of the budget invested by Wild Bunch. French co-producers included Noé's company Les Cinémas de la Zone and the visual effects studio BUF Compagnie. It received pre-sales investment from Canal+ and funding from Eurimages. Additional co-production support was provided by Essential Filmproduktion of Germany and BIM Distribuzione of Italy. The total budget was 12.38 million euro. In retrospect, Noé called Irréversible a bank robbery, a film made in order to finance Enter the Void. He also saw it as a helpful technical exercise.

Cast

The decision to use English-speaking actors was made early. Since the film would be very visual, the director wanted audiences to be able to focus on the images, and not have to rely on subtitles. He later expressed his approval of the use of dubbed voice tracks in non-English speaking countries.

The role of Linda was the first to be cast. Noé found Paz de la Huerta after holding auditions in New York City. "I met Paz and I really liked her. She had the profile for the character because she likes screaming, crying, showing herself naked—all the qualities for it." Due to a desire that Linda and Oscar should be believable as siblings, Nathaniel Brown, a non-professional, was cast because of his resemblance to Huerta. Noé feared that a professional actor would be frustrated by being shown almost exclusively from behind, but he felt that Brown, an aspiring director, would find it stimulating to merely be present on the set. Auditions were held for westerners living in Japan for other Tokyo-based roles. Cyril Roy went to an audition with a friend only because he wanted to talk with the director, whose previous films he admired. Roy was cast as Alex, since Noé found his talkative personality suitable for the role. Noé said about Brown and Roy:

The thought of acting in a film had never even entered their minds. They're easy-going people, they have a good time in front of the camera and I don't think there was a single moment where either of them felt they were working. Paz, however, was definitely conscious of the fact that she was interpreting a role.

Visual conception

Noé had tried various hallucinogens in his youth, and used those experiences as inspiration for the visual style. Later, when the director was already planning the film, he tried the psychoactive brew ayahuasca, in which the active substance is DMT. This was done in the Peruvian jungle, where the brew is legal due to its traditional use as an entheogen. Noé described the experience as very intense, and said he regarded it "almost like professional research." Since few on the design team had ever taken a hallucinogen, it was necessary for Noé to collect and provide visual references in the forms of paintings, photographs, music videos, and excerpts from films. One refer