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Elizabeth is a 1998 British biographical drama film written by Michael Hirst, directed by Shekhar Kapur, and starring Cate Blanchett in the title role of Queen Elizabeth I of England, alongside Geoffrey Rush, Christopher Eccleston, Joseph Fiennes, John Gielgud, Fanny Ardant, and Richard Attenborough. The film is based on the early years of Elizabeth's reign. Blanchett and Rush reprised their roles in the sequel, Elizabeth: The Golden Age (2007), covering the later part of her reign.

Elizabeth
Original film poster
Directed byShekhar Kapur
Produced by
  • Tim Bevan
  • Eric Fellner
  • Alison Owen
Written byMichael Hirst
Starring
  • Cate Blanchett
  • Geoffrey Rush
  • Christopher Eccleston
  • Joseph Fiennes
  • Eric Cantona
  • Richard Attenborough
Music byDavid Hirschfelder
CinematographyRemi Adefarasin
Edited byJill Bilcock
Production
company
  • PolyGram Filmed Entertainment
  • Kapurfilm
  • Working Title Films
  • Film4 Productions
  • Le Studio Canal+
Distributed byGramercy Pictures
Release date
  • 8 September 1998 (1998-09-08) (VFF)
  • 23 October 1998 (1998-10-23) (United Kingdom)
Running time
123 minutes
CountryUnited Kingdom
Language
  • English
Budget$30 million
Box office$82.1 million

The film brought Australian actress Blanchett to international attention. She won several awards for her portrayal of Elizabeth, notably a BAFTA and a Golden Globe in 1998. The film was named the 1998 BAFTA Award for Best British Film and was nominated for seven awards at the 71st Academy Awards, including Best Picture and Best Actress, winning Best Makeup.

The film sees a young Elizabeth elevated to the throne on the death of her half-sister Mary I, who had imprisoned her. Elizabeth's reign over the divided and bankrupt realm is perceived as weak and under threat of invasion by France or Spain. For the future stability and security of the crown she is urged by advisor William Cecil to marry; she has suitors in the Catholic Philip II of Spain and the French Henri, Duc d'Anjou. However, she instead embarks on an affair with the wholly unsuitable Robert Dudley.

Elizabeth must counter threats from within, such as the powerful Thomas Howard, 4th Duke of Norfolk, and from the armies of Mary of Guise garrisoned in Scotland. She also faces plots from Rome directed by Pope Pius V. Assisted by her "spymaster" Francis Walsingham, she puts down the threats both internal and external, ruthlessly executing the plotters. Elizabeth eventually ends her and Robert's affair and resolves to marry nobody except England. The film ends with Elizabeth assuming the persona of the "Virgin Queen", and saying: "I am married to England," initiating England's Golden Age.

Screenplay

In 1558, Catholic Queen Mary dies of a uterine tumour. Mary's Protestant half-sister, Elizabeth, under house arrest for conspiracy charges, is freed and crowned the Queen of England.

As briefed by her adviser William Cecil, Elizabeth inherits a distressed England besieged by debts, crumbling infrastructure, hostile neighbours and treasonous nobles within her administration, chief among them the Duke of Norfolk. Cecil advises Elizabeth to marry, produce an heir, and secure her rule. Unimpressed with her suitors, Elizabeth delays her decision and continues her secret affair with Lord Robert Dudley while Cecil appoints Francis Walsingham, a Protestant exile returned from France, to act as Elizabeth's bodyguard and adviser.

Mary of Guise lands an additional 4,000 French troops in neighbouring Scotland. Unfamiliar with military strategy and browbeaten by Norfolk at the war council, Elizabeth orders a military response, which proves disastrous when the younger, ill-trained English forces are defeated by the professional French soldiers. Walsingham tells Elizabeth that Catholic lords and priests intentionally deprived Elizabeth's army of proper soldiers and used their defeat to argue for Elizabeth's removal. Realizing the depth of the conspiracy against her and her dwindling options, Elizabeth accepts Mary of Guise's conditions, to consider marrying her nephew Henry of France.

To stabilize her rule and heal England's religious divisions, Elizabeth proposes the Act of Uniformity, which unites English Christians under the Church of England and severs their connection to the Vatican. In response to the Act's passage, the Vatican sends a priest to England to aid Norfolk and his cohorts in their growing plot to overthrow Elizabeth. Unaware of the plot, Elizabeth meets Henry of France but ignores his advances in favour of Lord Robert. William Cecil confronts Elizabeth over her indecisiveness about marrying and reveals Lord Robert is married to another woman. Elizabeth rejects Henry's marriage proposal when she discovers he is a cross-dresser and confronts Lord Robert about his secrets, fracturing their idyllic affair and banishing him from her private residence.

Elizabeth survives an assassination attempt, whose evidence implicates Mary of Guise. Elizabeth sends Walsingham to secretly meet with Mary in Scotland, under the guise of once again planning to marry Henry. Instead, Walsingham assassinates Guise, inciting French enmity against Elizabeth. When William Cecil orders her to solidify relations with the Spanish, Elizabeth dismisses him from her service, choosing instead to follow her own counsel.

Walsingham warns of another plot to kill Elizabeth spearheaded by the priest from Rome carrying letters of conspiracy. Under Elizabeth's orders, Walsingham apprehends the priest who divulges the names of the conspirators and a Vatican agreement to elevate Norfolk to the English crown if he weds Mary, Queen of Scots. Walsingham arrests Norfolk and executes him and every conspirator except Lord Robert. Elizabeth grants Lord Robert his life as a reminder to herself to never be blinded by romance again.

Drawing inspiration from the divine, Elizabeth cuts her hair and models her appearance after the Virgin Mary. Proclaiming herself married to England, she ascends the throne as "the Virgin Queen".

  • Cate Blanchett as Queen Elizabeth I
  • Geoffrey Rush as Francis Walsingham
  • Joseph Fiennes as Robert Dudley, 1st Earl of Leicester
  • Richard Attenborough as William Cecil, 1st Baron Burghley
  • Christopher Eccleston as Thomas Howard, 4th Duke of Norfolk
  • Kathy Burke as Queen Mary I
  • Fanny Ardant as Mary of Guise
  • Vincent Cassel as Henry, Duc d'Anjou
  • Eric Cantona as Paul de Foix
  • Emily Mortimer as Kat Ashley
  • Kelly Macdonald as Isabel Knollys
  • John Gielgud as Pope Pius V
  • Daniel Craig as John Ballard
  • James Frain as Álvaro de la Quadra
  • Edward Hardwicke as Henry FitzAlan, 19th Earl of Arundel
  • Jamie Foreman as Earl of Sussex
  • Terence Rigby as Bishop Stephen Gardiner
  • Angus Deayton as Waad, Chancellor of the Exchequer
  • Amanda Ryan as Lettice Howard
  • Kenny Doughty as Sir Thomas Elyot
  • George Yiasoumi as King Philip II of Spain
  • Wayne Sleep as Dance Tutor
  • Alfie Allen as Arundel's Son
  • Lily Allen as Lady-in-waiting

The costuming and shot composition of the coronation scene are based on Elizabeth's coronation portrait.

 
This portrait "The Coronation of Elizabeth" was used as the basis for the photography and costume of Cate Blanchett during the coronation scene in the film. This is a copy of a now lost original, this copy attrib. Nicholas Hilliard

Kapur's original choice for the role was Emily Watson, however she turned it down. Cate Blanchett was chosen to play Elizabeth after Kapur saw a trailer of Oscar and Lucinda. According to the director's commentary, Kapur mentioned that the role of the Pope (played by Sir John Gielgud) was originally offered to, and accepted by, Marlon Brando. However, plans changed when Kapur noted that many on set would probably be concerned that Brando would be sharing the set with them for two days. Later, when Gielgud had taken the role, Kapur at one point suggested (in vain) that the Pope's accent should be Italian; he added that every British actor within earshot was horrified that any director was asking Sir John Gielgud to speak in an accent that "wasn't John Gielgud".

A large proportion of the indoor filming, representing the royal palace, was conducted in various corners of Durham Cathedral—its unique nave pillars are clearly identifiable.

The film was received well by critics and the public, it holds an 81% "fresh" rating on film aggregate website Rotten Tomatoes based on 59 film critic reviews. The site's consensus was: "No mere historical drama, Elizabeth is a rich, suspenseful journey into the heart of British Royal politics and features a typically outstanding performance from Cate Blanchett."

The film takes considerable factual liberties and misconstrues several historic events to depict them as having occurred in the early years of Elizabeth's reign. Furthermore, the timeline of events prior to her accession is also inaccurate. For instance, the film depicts Mary I of England as being pregnant prior to Elizabeth's imprisonment. In actuality, Elizabeth was imprisoned on 18 March 1554 whereas it was not announced that the Queen was believed to be pregnant until September of that same year. Elizabeth was also released from the Tower of London in May, again, before Mary was thought to be pregnant. Mary's false pregnancy was not caused by a cancerous tumor or a tumor of any kind. Mary had another false pregnancy between the fall of 1557, and March 1558 that is not mentioned in the movie, and she died on the 17 November 1558, four years after Elizabeth's imprisonment in the Tower.

Elizabeth was put under house arrest at Woodstock, not Hatfield, and did not remain there until her sister's death. On 17 April 1555 she was summoned from this location to Hampton Court to be with Mary during the Queen's delivery. When the Queen did not deliver, Elizabeth remained at court though 18 October 1555 until after it had become apparent that Mary was not pregnant and after the Queen's husband Philip II of Spain had gone abroad. It was only after this time that Elizabeth was finally able to return to Hatfield.

Robert Dudley, Earl of Leicester was also imprisoned in the Tower under suspicion of involvement with the Wyatt Revolt. However, he was imprisoned before Elizabeth. Dudley is also wrongly depicted as having been a co-conspirator in the plot against Elizabeth. In fact, he remained one of Elizabeth's closest friends until his death in 1588, long after their romantic relationship had ended.

Mary of Guise was not assassinated by Walsingham, but died naturally from edema on 11 June 1560.

William Cecil, Baron Burghley was not an old man when Elizabeth began her reign, he was only thirteen years older than her. Likewise she never compelled him to retire, as is depicted in the film. He remained her chief advisor and was Lord High Treasurer from 1572 until his death in 1598. Similarly, the film depicts Cecil being given the title Lord Burghley before the Northern Rising of 1569. In fact, he was given this title two years after this in 1571.

Elizabeth began to paint her face white with lead pigment after she was left scarred from an attack of smallpox in 1563, not after the 1569 Northern Rising as depicted. Although the idea of marriage to Henry, Duke of Anjou was briefly entertained in 1570, Elizabeth never actually met him and there is no evidence that he was a transvestite, as depicted in the film. It was his brother Francis, Duke of Anjou, 22 years younger than Elizabeth, whom she seriously courted beginning in 1578, when she was 45 years old and he was 23. At the end of the film, Elizabeth is shown as having decided permanently against marriage. In fact, she entertained the idea of marriage with several European monarchs well into middle-age. These included her former brother-in-law, Philip II of Spain, Archduke Charles of Austria, Eric XIV of Sweden, Adolphus, Duke of Holstein, and the Valois princes Francis and Henry (later King Henry III of France and Poland.)

The Catholic League for Religious and Civil Rights accused the film of anti-Catholicism, stating that the film gives the "impression that the religious strife was all the doing of the Catholic Church," noting that the review in The New York Times considered it "resolutely anti-Catholic" complete with a "scheming pope" and repeating the charge made in the Buffalo News that "every single Catholic in the film is dark, cruel and devious."Elizabeth Film

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