Ed Wood Film full HD movie download free with screenpaly story, dialogue LYRICS and STAR Cast

In 1952, Ed Wood is struggling to join the film industry. Upon hearing of an announcement in Variety magazine that producer George Weiss is trying to purchase Christine Jorgensen's life story, Wood wants to meet Weiss. Weiss explains that Variety's announcement was a news leak, and it is impossible to purchase Jorgensen's rights. The producer decides to fictionalize the film, titled I Changed My Sex!. Wood tries to convince Weiss that he is perfect to direct the film, owing to the fact that he himself is a closeted transvestite and knows what it's like to live with a secret and worry what people might think, but is unsuccessful since Weiss wants a director with experience. Wood meets his longtime idol Bela Lugosi and the two become friends. Wood persuades Weiss to let him direct the film by convincing him that having a star in the film would sell tickets, and they could sign Lugosi for a low price.

Wood and Weiss argue over the film's title and subject matter: Weiss has the poster printed, which Wood changes to Glen or Glenda and writes the film about a transvestite rather than a sex change. Weiss allows Wood to shoot whatever he wants as long as the film meets the required length. Wood takes to film production with an unusual approach; shooting only one take per scene, giving actors very little direction and using stock footage to fill in gaps. The movie is released to critical and commercial failure. Because of this, Wood is unsuccessful in getting a job at Weiss' Screen Classics or making a partnership with Warner Bros. executive Feldman, but his girlfriend, Dolores Fuller, tells him that he should try financing his next film independently. Wood is unsuccessful in finding money for Bride of the Atom, but is introduced to the psychic The Amazing Criswell who gives him advice on how to sell himself better.

Wood meets Loretta King, whom he thinks has enough money to fund Bride of the Atom and ends up casting her as the lead instead of Fuller as planned. Filming begins, but is halted when it is revealed that King is actually poor, and Wood has no money to continue production. Wood convinces meat packing industry tycoon Don McCoy to take over funding the film, who agrees as long as the film stars his son Tony as the leading man and the film ends with an explosion. The filming finishes with the title being changed to Bride of the Monster, but Fuller breaks up with Wood after the wrap party because of his circle of misfit friends, his work, and transvestism. Lugosi attempts to conduct a double suicide with Ed after the government cuts off his unemployment, but is talked out of it. Lugosi checks himself into rehab, and Wood meets Kathy O'Hara, who is visiting her father there. He takes her on a date and reveals to her his transvestism, which she accepts.

Wood shoots a film with Lugosi outside his home. When Wood and company attend the premiere for Bride of the Monster, an angry mob chases them out of the theater. Lugosi passes away, leaving Wood without a star. Wood convinces his landlord, a church leader named Reynolds, that funding Wood's script for Grave Robbers from Outer Space would result in a box office success, and generate enough money for Reynolds' dream project. Dr. Tom Mason, O'Hara's chiropractor, is chosen to be Lugosi's stand-in for resembling Lugosi. Wood and the Baptists have conflicts over the title and content of the script which they want to have changed to Plan 9 from Outer Space, along with Ed's B movie directing style, his casting decisions and his transvestism. Wood leaves the set to go to the nearest bar, where he encounters his idol, Orson Welles. Filming for Plan 9 finishes with Ed taking action against his producers. After attending the premiere of Plan 9, Wood and O'Hara go to Las Vegas to get married.

• Johnny Depp as Ed Wood: Burton approached Depp and "within 10 minutes of hearing about the project, I was committed," the actor remembers. At the time, Depp was depressed about films and filmmaking. By accepting this part, it gave him a "chance to stretch out and have some fun", and working with Martin Landau, "rejuvenated my love for acting". Depp was already familiar with some of Wood's films through John Waters, who had shown him Plan 9 from Outer Space and Glen or Glenda. To get a handle on how to portray Wood, Depp studied the performance of Jack Haley as the Tin Man in The Wizard of Oz, and the acting of Mickey Rooney, Ronald Reagan and Casey Kasem. He watched several Reagan speeches because the actor felt that "he had a kind of blind optimism that was perfect for Ed Wood." Depp also borrowed some of Kasem's cadence and "that utterly confident, breezy salesman quality in his voice".
• Martin Landau as Bela Lugosi: An old A-list horror film actor whom Ed brings back into the spotlight. Rick Baker created the prosthetic makeup designs. Baker did not use extensive make-up applications, only enough to resemble Lugosi and allow Landau to use his face to act and express emotion. For research, Landau watched 25 of Lugosi's films and seven interviews between the years of 1931 and 1956. Landau did not want to deliver an over-the-top performance. "Lugosi was theatrical, but I never wanted the audience to feel I was an actor chewing the scenery... I felt it had to be Lugosi's theatricality, not mine."
• Sarah Jessica Parker as Dolores Fuller: Ed's girlfriend before his relationship with Kathy. Dolores is embarrassed by Ed's transvestism, which leads to their breakup. Dolores later becomes a successful songwriter for Elvis Presley.
• Patricia Arquette as Kathy O'Hara: Ed's girlfriend after his relationship with Dolores. Kathy does not have a problem with Ed's transvestism, and is eventually married to Ed. Their marriage lasts until Ed's death in 1978. She never remarried. Arquette met her real-life counterpart during filming. The actress found her to be "very graceful and very nice".
• Lisa Marie as Vampira: Hostess of the local Vampira Show. She is dismissive of Ed at first, but decides to join the cast of Plan 9 from Outer Space, on the condition that she has no lines.
• Jeffrey Jones as The Amazing Criswell: A local psychic TV entertainer. Criswell helps Ed with usual production duties, finding investors and acting in Ed's films.
• Max Casella and Brent Hinkley portray Paul Marco and Conrad Brooks: Two of Ed's all-around production assistants and frequent actors. Paul is hired to find the Lugosi stand-in for Plan 9 from Outer Space, while Conrad accidentally has a brief dispute with Lugosi during Glen or Glenda.
• Bill Murray as John "Bunny" Breckinridge: Ed's drag queen friend who helps him with Plan 9 from Outer Space
• George "The Animal" Steele as Tor Johnson: A Swedish professional wrestler hired by Wood to be in two of his films, Bride of the Monster and Plan 9.
• Juliet Landau as Loretta King: King replaces Dolores in Bride of the Monster after Wood mistakes her for an heiress able to front the money for the production costs.
• Ned Bellamy as Tom Mason: Kathy's chiropractor who is chosen to be Lugosi's stand-in for Plan 9.
• Mike Starr as George Weiss: Foul-mouthed Z movie producer known for his work on exploitation films. Weiss hires Ed to direct Glen or Glenda.
• Stanley DeSantis as Mr. Feldman: an executive at Warner Bros., to whom Wood shows the first cut of Glen or Glenda in an attempt to make movies for Warners; he later tells Wood over the phone that it is the worst picture he has ever seen.
• Rance Howard as Old Man McCoy: a meat packing tycoon, who agrees to fund Ed's next picture, Bride of The Monster, in exchange for his son Tony being the leading man and the film ending with an explosion.
• Vincent D'Onofrio as Orson Welles: Appears in a cameo late in the film. Maurice LaMarche provided Welles' voice in an uncredited performance.
• Korla Pandit, credited as "Indian Musician", essentially appears as himself; like he originally did on his 1950s TV program, Pandit plays organ and does not speak in this cameo.

The film also includes cameos from actors who worked with Wood on Plan 9 from Outer Space, Gregory Walcott and Conrad Brooks.

Writers Scott Alexander and Larry Karaszewski conceived the idea for a biopic of Ed Wood when they were students at the USC School of Cinematic Arts. Alexander even proposed making a documentary about Wood, The Man in the Angora Sweater, in his sophomore year at USC. However, Karaszewski figured, "there would be no one on the planet Earth who would make this movie or want to make this movie, because these aren't the sort of movies that are made." Irritated at being thought of solely as writers for family films for their work on Problem Child and Problem Child 2, Alexander and Karaszewski wrote a 10-page film treatment for Ed Wood and pitched the idea to Heathers director Michael Lehmann, with whom they attended USC film school. The basis for their treatment came from Rudolph Grey's Nightmare of Ecstasy, a full-length biography, which draws on interviews from Wood's family and colleagues. Lehmann presented their treatment to his producer on Heathers, Denise Di Novi. Di Novi had previously worked with Tim Burton on Edward Scissorhands, Batman Returns and The Nightmare Before Christmas, and a deal was struck with Lehmann as director and Burton and Di Novi producing.

Burton began reading Nightmare of Ecstasy and some of Wood's letters. He was taken by how he "wrote about his films as if he was making Citizen Kane, you know, whereas other people perceived them as, like, the worst movies ever". Burton admits to having always been a fan of Ed Wood, which is why the biopic is filmed with an aggrandizing bias borne of his admiration for Wood's work, rather than the derisive attitude of Wood's detractors. The relationship between Wood and Lugosi in the script echoes closely Burton's relationship with his own idol and two-time colleague, Vincent Price. He said in an interview, "Meeting Vincent had an incredible impact on me, the same impact Ed must have felt meeting and working with his idol." Meanwhile, Burton had been asked to direct Mary Reilly for Columbia Pictures with Winona Ryder in the title role.

However, Burton dropped out of Mary Reilly over Columbia's decision to fast track the film and their interest with Julia Roberts in the title role instead of Ryder. This prompted Burton to becoming interested in directing Ed Wood himself, on the understanding it could be done quickly. Lehmann said, "Tim wanted to do this movie immediately and direct, but I was already committed to Airheads." Lehmann was given executive producer credit. Alexander and Karaszewski delivered a 147-page screenplay in six weeks. Burton read the first draft and immediately agreed to direct the film as it stood, without any changes or rewrites. Ed Wood gave Burton the opportunity to make a film that was more character-driven as opposed to style-driven. He said in an interview, "On a picture like this I find you don't need to storyboard. You're working mainly with actors, and there's no effects going on, s