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Easy Rider is a 1969 American independent road drama film written by Peter Fonda, Dennis Hopper, and Terry Southern, produced by Fonda, and directed by Hopper. Fonda and Hopper played two bikers who travel through the American Southwest and South carrying the proceeds from a cocaine deal. The success of Easy Rider helped spark the New Hollywood era of filmmaking during the early 1970s.

Easy Rider
Original theatrical release poster
Directed byDennis Hopper
Produced byPeter Fonda
Written by
  • Peter Fonda
  • Dennis Hopper
  • Terry Southern
Starring
  • Peter Fonda
  • Dennis Hopper
  • Jack Nicholson
Music by
  • The Band
  • The Byrds
  • The Jimi Hendrix Experience
  • Roger McGuinn
  • Steppenwolf
CinematographyLászló Kovács
Edited byDonn Cambern
Production
company
Raybert Productions
Pando Company
Distributed byColumbia Pictures
Release date
  • July 14, 1969 (1969-07-14)
Running time
95 minutes
CountryUnited States
LanguageEnglish
Budget$360,000–$400,000
Box office$60 million

A landmark counterculture film, and a "touchstone for a generation" that "captured the national imagination", Easy Rider explores the societal landscape, issues, and tensions in the United States during the 1960s, such as the rise of the hippie movement, drug use, and communal lifestyle. Real drugs were used in scenes showing the use of marijuana and other substances.

Easy Rider was released by Columbia Pictures on July 14, 1969, grossing $60 million worldwide from a filming budget of no more than $400,000. Critics have praised the performances, directing, writing, soundtrack, visuals, and atmosphere. The film was added to the Library of Congress National Film Registry in 1998.

Screenplay

Wyatt (Peter Fonda) and Billy (Dennis Hopper) are freewheeling motorcyclists. After smuggling cocaine from Mexico to Los Angeles, they sell their haul and receive a large sum. With the money stuffed into a plastic tube hidden inside the Stars & Stripes-painted fuel tank of Wyatt's California-style chopper, they ride eastward aiming to reach New Orleans, Louisiana, in time for the Mardi Gras festival.

During their trip, Wyatt and Billy stop to repair one of the bikes at a farmstead and have a meal with the farmer and his family. Later, Wyatt picks up a hippyish hitch-hiker, and he invites them to visit his commune, where they stay for the rest of the day. The notion of "free love" appears to be practiced, with two of the women, Lisa and Sarah, seemingly sharing the affections of the hitch-hiking commune member before turning their attention to Wyatt and Billy. As the bikers leave, the hitch-hiker gives Wyatt some LSD for him to share with "the right people".

Later, while riding along with a parade in a small town, the pair are arrested for "parading without a permit" and thrown in jail. There, they befriend ACLU lawyer George Hanson (Jack Nicholson), who has spent the night in jail after overindulging in alcohol. George helps them get out of jail and decides to travel with Wyatt and Billy to New Orleans. As they camp that night, Wyatt and Billy introduce George to marijuana. As an alcoholic and a "square", George is reluctant to try it due to the gateway drug theory but quickly relents.

Stopping to eat at a small-town Louisiana diner, the trio attracts the attention of the locals. The girls in the restaurant think they are exciting, but the local men and a police officer make denigrating comments and taunts. Wyatt, Billy, and George decide to leave without any fuss. They make camp outside town. In the middle of the night, a group of locals attack the sleeping trio, beating them with clubs. Billy screams and brandishes a knife, and the attackers leave. Wyatt and Billy suffer minor injuries, but George has been bludgeoned to death. Wyatt and Billy wrap George's body in his sleeping bag, gather his belongings, and vow to return the items to his family.

They continue to New Orleans and find a brothel George had told them about. Taking prostitutes Karen and Mary with them, Wyatt and Billy wander the parade-filled streets of the Mardi Gras celebration. They end up in a cemetery, where all four ingest the LSD the hitch-hiker had given to Wyatt and experience a bad trip.

The next morning, as they are overtaken on a two-lane country road by an old pickup truck, the passenger in the truck reaches for a shotgun, saying he will scare them. As they pass Billy, the passenger fires, and Billy has a lowside crash. Wyatt rides down the road towards the pickup as it makes a u-turn. Passing in the opposite direction, the passenger fires the shotgun out the window. The gunshot is shown as a red blotch that fills the screen, followed by a reverse cut of the riderless motorcycle, flying through the air before landing and becoming engulfed in flames while Wyatt lies motionless on the side of the road behind the wreck.

  • Peter Fonda as Wyatt
  • Dennis Hopper as Billy
  • Antonio Mendoza as Jesus
  • Phil Spector as Connection
  • Mac Mashourian as Bodyguard
  • Warren Finnerty as Rancher
  • Tita Colorado as Rancher's wife
  • Luke Askew as Stranger on highway

Commune

  • Luana Anders as Lisa
  • Sabrina Scharf as Sarah
  • Robert Walker, Jr. as Jack
  • Sandy Wyeth as Joanne
  • Robert Ball as Mime #1
  • Carmen Phillips as Mime #2
  • Ellie Walker as Mime #3
  • Michael Pataki as Mime #4
  • Bridget Fonda as Child in commune (uncredited)

Jail

  • Jack Nicholson as George Hanson
  • George Fowler, Jr. as Guard
  • Keith Green as Sheriff

Café

  • Hayward Robillard as Cat Man
  • Arnold Hess, Jr. as Deputy
  • Buddy Causey, Jr. as Customer #1
  • Duffy Lafont as Customer #2
  • Blasé M. Dawson as Customer #3
  • Paul Guedry as Customer #4
  • Suzie Ramagos as Girl #1
  • Elida Ann Hebert as Girl #2
  • Rose LeBlanc as Girl #3
  • Mary Kaye Hebert as Girl #4
  • Cynthia Grezaffi as Girl #5
  • Colette Purpera as Girl #6

House of Blue Lights

  • Toni Basil as Mary
  • Karen Black as Karen
  • Lea Marmer as Madame
  • Cathé Cozzi as Dancing Girl
  • Thea Salerno as Hooker #1
  • Anne McClain as Hooker #2
  • Beatriz Monteil as Hooker #3
  • Marcia Bowman as Hooker #4
  • Paul Ernest as Umbrella Man (uncredited)

Pickup Truck

  • David C. Billodeau
  • Johnny David

Writing

Hopper and Fonda's first collaboration was in The Trip (1967), written by Jack Nicholson, which had themes and characters similar to those of Easy Rider. Peter Fonda had become "an icon of the counterculture" in The Wild Angels (1966), where he established "a persona he would develop further in The Trip and Easy Rider." The Trip also popularized LSD, while Easy Rider went on to "celebrate 60s counterculture" but does so "stripped of its innocence." Author Katie Mills wrote that The Trip is a way point along the "metamorphosis of the rebel road story from a Beat relic into its hippie reincarnation as Easy Rider", and connected Peter Fonda's characters in those two films, along with his character in The Wild Angels, deviating from the "formulaic biker" persona and critiquing "commodity-oriented filmmakers appropriating avant-garde film techniques." It was also a step in the transition from independent film into Hollywood's mainstream, and while The Trip was criticized as a faux, popularized underground film made by Hollywood insiders, Easy Rider "interrogates" the attitude that underground film must "remain strictly segregated from Hollywood." Mills also wrote that the famous acid trip scene in Easy Rider "clearly derives from their first tentative explorations as filmmakers in The Trip."

When seeing a still of himself and Bruce Dern in The Wild Angels, Peter Fonda had the idea of a modern Western, involving two bikers travelling around the country and eventually getting shot by hillbillies. He called Dennis Hopper, and the two decided to turn that into a movie, The Loners, with Hopper directing, Fonda producing, and both starring and writing. They brought in screenwriter Terry Southern, who came up with the title Easy Rider. The film was mostly shot without a screenplay, with ad-libbed lines, and production started with only the outline and the names of the protagonists. Keeping the Western theme, Wyatt was named after Wyatt Earp and Billy after Billy the Kid. However, Southern disputed that Hopper wrote much of the script. In an interview published in 2016 he said, "You know if Den Hopper improvises a dozen lines and six of them survive the cutting room floor he'll put in for screenplay credit. Now it would be almost impossible to exaggerate his contribution to the film—but, by George, he manages to do it every time." According to Southern, Fonda was under contract to produce a motorcycle film with A.I.P., which Fonda had agreed to allow Hopper to direct. According to Southern, Fonda and Hopper didn't seek screenplay credit until after the first screenings of the film, which required Southern's agreement due to writers guild policies. Southern says he agreed out of a sense of camaraderie, and that Hopper later took credit for the entire script.

According to Terry Southern's biographer, Lee Hill, the part of George Hanson had been written for Southern's friend, actor Rip Torn. When Torn met with Hopper and Fonda at a New York restaurant in early 1968 to discuss the role, Hopper began ranting about the "rednecks" he had encountered on his scouting trip to the South. Torn, a Texan, took exception to some of Hopper's remarks, and the two almost came to blows, as a result of which Torn withdrew from the project. Torn was replaced by Jack Nicholson, whom Hopper had recently appeared with in Head (along with another Easy Rider co-star, Toni Basil). In 1994, Jay Leno interviewed Hopper about Easy Rider on The Tonight Show, and during the interview, Hopper alleged that Torn had pulled a knife on him during the altercation, prompting Torn to sue Hopper successfully for defamation.

Filming

The filming budget of Easy Rider was $360,000 to $400,000. Peter Fonda said that on top of this, he personally paid for the costs of travel and lodging for the crew, saying, "Everybody was taking my credit cards and would pay for all the hotels, the food, the gas, everything with Diner's Club". Laszlo Kovacs said that an additional $1 million, "about three times the budget for shooting the rest of the film" was spent licensing music that was added during the editing.

Hopper was also said to be difficult on set. During test shooting on location in New Orleans, Hopper fought with the production's ad hoc crew for control. At one point he entered into a physical confrontation with photographer Barry Feinstein, who was one of the camera operators for the shoot. After this turmoil, Hopper and Fonda decided to assemble a proper crew for the rest of the film.

Allegedly, the characters of Wyatt and Billy were respectively based on Roger McGuinn and David Crosby of The Byrds.

The hippie commune was recreated from pictures and shot at a site overlooking Malibu Canyon, since the New Buffalo commune in Arroyo Hondo near Taos, New Mexico, did not permit shooting there.

A short clip near the beginning of the film shows Wyatt and Billy on Route 66 in Flagstaff, Arizona, passing a large figure of a lumberjack. That lumberjack statue—once situated in front of the Lumberjack Cafe—remains in Flagstaff, but now stands inside the J. Lawrence Walkup Skydome on the campus of Northern Arizona University. A second, very similar statue was also moved from the Lumberjack Cafe to the exterior of the Skydome.

Most of the film is shot outside with natural lighting. Hopper said all the outdoor shooting was an intentional choice on his part, because "God is a great gaffer." The production used two five-ton trucks, one for the equipment and one for the motorcycles, with the cast and crew in a motor home. One of the locations was Monument Valley.

The restaurant scenes with Fonda, Hopper, and Nicholson were shot in Morganza, Louisiana. The men and girls in that scene were all Morganza locals. In order to inspire more vitriolic commentary from the local men, Hopper told them the characters of Billy, Wyatt, and George had raped and killed a girl outside of town. The scene in which Billy and Wyatt were shot was filmed on Louisiana Highway 105 North, just outside Krotz Springs, and the two other men in the scene—Johnny David and D.C. Billodeau—were Krotz Springs locals.

While shooting the cemetery scene, Hopper tried to convince Fonda

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