Eastern Promises Film full HD movie download free with screenpaly story, dialogue LYRICS and STAR Cast

Anna Khitrova, a British-Russian midwife at a London hospital, finds a Russian-language diary on the body of Tatiana, a 14-year-old girl who dies in childbirth. She also finds a card for the Trans-Siberian Restaurant, which is owned by Semyon, an old vor in the Russian mafia. Anna sets out to track down the girl's family so that she can find a home for the baby girl, and meets with Semyon, who offers to help. Anna's mother Helen does not discourage her, but Anna's Russian uncle Stepan, who claims he is a former KGB officer, urges caution. When Stepan translates Tatiana's diary, Anna comes to learn that Semyon had raped the girl, gotten her addicted to heroin and forced her into prostitution. Ultimately, Anna realizes that the baby was fathered by Semyon.

Semyon's driver, Nikolai Luzhin, also serves as the family "cleaner", removing evidence and dumping murdered bodies in the River Thames. Through Nikolai, Semyon, fearing prosecution, promises to give the location of the girl's family to Anna if she hands back the diary. Nikolai takes the diary and gives a location, but urges Anna to keep the baby in London. Semyon orders Nikolai to kill Stepan, who soon goes missing. As Nikolai's star rises within the vory, Semyon sponsors him as a full member, due in part to Nikolai's protection of Semyon's playboy son Kirill, who authorized an ill-advised hit on a rival Chechen vory leader with the help of a Kurdish associate, Azim, and without Semyon's approval. Two Chechen hit men soon arrive in London seeking vengeance and kill Azim's mentally handicapped nephew, who also took part in the hit. Semyon hatches a plan to trick Nikolai into taking Kirill's place during a meeting at the baths with Azim. The Chechens attack, thinking Nikolai is Kirill, but Nikolai kills them both, ending up in the hospital with severe wounds.

It is revealed that Nikolai is actually an FSB agent who has infiltrated the gang, working under license from the British Government. As part of his undercover duties, Nikolai was able to read Tatiana's diary before Semyon destroyed it, and hatches a plan with his handler to have Semyon arrested for statutory rape, with a paternity test of Tatiana's baby as evidence. Nikolai tells Anna that Stepan is safe, in a 5-star hotel in Edinburgh for protection. Semyon orders Kirill to kidnap the baby girl and kill her. However, as Kirill sits by the Thames working up the courage to throw the child in, Nikolai and Anna find him and persuade him to give the baby back. Nikolai and Kirill embrace as Nikolai tells him that his father is finished and they are now the bosses. Nikolai succeeds Semyon as boss of the organization and Anna gains custody of Tatiana's baby, whom she names Christine.

Locations

Shooting began in November 2006, and various scenes were filmed in St John Street, Farringdon, London. Filming also took place in Broadway Market, Hackney and in Brompton Cemetery in the London Borough of Kensington & Chelsea.

The "Trans-Siberian Restaurant" is located in The Farmiloe Building, 34 St John Street, next to Smithfield Market. This is the 6th most popular film and TV location in London, having also been used for Spooks, Penelope and Batman Begins.

When Anna, her mother Helen, and her uncle Stepan meet Nikolai at a fast food restaurant, this was filmed in Bermondsey, south-east London at a Wimpy bar.

The entrance to the "Ankara Social Club" of the film is actually the front door of a residential flat. The Broadway Market hair dresser known as "Broadway Gents Hairstylist" was changed to "Azim's Hair Salon", where in the film one of the Russians is murdered. The owner Mr. Ismail Yesiloglu decided to keep most of the shop front after filming. In the original script, the name was "Ozim's Hair Salon", but it was later changed to "Azim's" as there is no such name as Ozim in Turkish.

The "Trafalgar Hospital" is actually the Middlesex Hospital, a hospital in the Fitzrovia area of London, which closed to patients in December 2005. The building in central London, which was knocked down in 2008, had the inscription 'Trafalgar Hospital', matching the style and apparent age of the old Middlesex Hospital, inserted into the legend above the main door.

The fight scene in the Turkish Baths was filmed on a custom set based on the Ironmonger Row Baths in Islington.

Tattoos

Viggo Mortensen studied Russian gangsters and their tattoos. Mortensen spent a lot of time with a Russian Mafia specialist, Gilly McKenzie (organised crime specialist for the UN) and also consulted a documentary on the subject called The Mark of Cain (2000). The tattoos that he wore, according to the New York Daily News, were so realistic that diners in a Russian restaurant in London fell silent out of fear, until Mortensen revealed his identity and admitted the tattoos were for a film. From that day on he washed off his tattoos whenever he went off the set. Mortensen said of the significance of the tattoos:

I talked to them about what they meant and where they were on the body, what that said about where they'd been, what their specialties were, what their ethnic and geographical affiliations were. Basically their history, their calling card, is their body.

The crucifix on his chest was once believed to be inappropriate for a mob chauffeur, but it is accurate because during his vor ceremony it is discovered that he was a thief and left his regular life behind at 15.

Violence

Consistent with the trademark violence in much of Cronenberg's work, Eastern Promises features a graphically violent fight scene in a steam bath where the combatants wield linoleum knives. When asked in an interview about the difference between "gun violence" and "knife violence," Cronenberg replied, "We have no guns in this movie. There were no guns in the script. The choice of those curved knives we use in the steam bath was mine. They're not some kind of exotic Turkish knives, they're linoleum knives. I felt that these guys could walk around in the streets with these knives, and if they were ever caught, they could say 'we're linoleum cutters'."

Adam Nayman of Eye Weekly reported that director Cronenberg said "just don't give the plot away" and Nayman wrote "his request is understandable." Nayman said "there is one scene – the in-depth discussion of which prompted the director's anti-spoiler request referenced at the top of this story – that should rank not only in his personal pantheon of spectacularly deployed gore but among the most exhilaratingly visceral patches of cinema, period, full stop." Chicago Sun-Times critic Roger Ebert noted Cronenberg's quote and agreed, saying: "He is correct that it would be fatal, because this is not a movie of what or how, but of why. And for a long time you don't see the why coming."

The film premiered September 8, 2007 at the 2007 Toronto International Film Festival where it won the Audience Prize for best film on September 15, 2007. Eastern Promises opened in limited release in Russia on September 13, 2007.

In the United States and Canada, the film opened in limited release in 15 theaters on September 14, 2007 and grossed $547,092 — averaging $36,472 per theater. The film opened in wide release in the United States and Canada on September 21, 2007 (expanding to 1,404 theaters) and ranked #5 at the box office, grossing $5,659,133 — an average of $4,030 per theater. The film has grossed $51,202,291 worldwide as of January 31, 2008 — $17,266,000 in the United States and Canada and $33,936,291 in other territories.

The film took part in competition at the San Sebastian Film Festival September 20, 2007.

The film was shown at the London Film Festival on October 17, 2007 and was released in the United Kingdom on October 26, 2007.

The film received widespread critical acclaim. As of June 5, 2010, the review aggregator Rotten Tomatoes reported that 89% of critics gave the film positive reviews, based on 186 reviews. On Metacritic, the film had an average score of 82/100, based on 35 reviews. Todd McCarthy of Variety, David Elliott of The San Diego Union-Tribune, and film critic Tony Medley noted the twists in the film.

Roger Ebert of the Chicago Sun-Times gave the film four out of four stars and wrote "Eastern Promises is no ordinary crime thriller, just as Cronenberg is no ordinary director", and said that "Cronenberg has moved film by film into the top rank of directors, and here he wisely reunites with Mortensen" who "digs so deeply into the role you may not recognize him at first." Ebert said the film has a fight scene that "sets the same kind of standard that The French Connection set for chases. Years from now, it will be referred to as a benchmark."