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For the 1973 television film of the same name, see Bram Stoker's Dracula (1973 film). For the video game based on this film, see Bram Stoker's Dracula (video game). For the original novel by Bram Stoker, see Dracula.

Bram Stoker's Dracula is a 1992 American gothic horror film directed and produced by Francis Ford Coppola, based on the novel Dracula by Bram Stoker. It stars Gary Oldman as Count Dracula, Winona Ryder as Mina Harker, Anthony Hopkins as Professor Abraham Van Helsing, and Keanu Reeves as Jonathan Harker.

Bram Stoker's Dracula
Theatrical release poster
Directed byFrancis Ford Coppola
Produced by
  • Francis Ford Coppola
  • Fred Fuchs
  • Charles Mulvehill
Screenplay byJames V. Hart
Based onDracula
by Bram Stoker
Starring
  • Gary Oldman
  • Winona Ryder
  • Anthony Hopkins
  • Keanu Reeves
Music byWojciech Kilar
CinematographyMichael Ballhaus
Edited by
  • Nicholas C. Smith
  • Glen Scantlebury
  • Anne Goursaud
Production
companies
  • American Zoetrope
  • Osiris Films
Distributed byColumbia Pictures
Release date
  • November 13, 1992 (1992-11-13)
Running time
128 minutes
CountryUnited States
LanguageEnglish
Budget$40 million
Box office$215.9 million

Dracula grossed $215 million on a $40 million budget. Rotten Tomatoes's consensus cited "some terrific performances", but Reeves' work has been widely criticized. It was nominated for four Academy Awards and won three for Best Costume Design, Best Sound Editing, and Best Makeup. Its score was composed by Wojciech Kilar; closing credits theme "Love Song for a Vampire", written and performed by Annie Lennox, became an international hit.

Screenplay

In 1462, Vlad Dracula, a member of the Order of the Dragon, returns from a victory against the Turks to find his wife, Elisabeta, having committed suicide after receiving a false report of his death. The priest proceeds to tell him that his wife's soul is condemned for committing suicide. Enraged, Dracula desecrates the chapel and renounces his faith, declaring that he will rise from the grave to avenge Elisabeta with all the powers of darkness. He then stabs the chapel's stone cross with his sword and drinks the blood that pours out of it.

In 1897, newly qualified solicitor Jonathan Harker takes the Transylvanian Count Dracula as a client from his colleague Renfield, who has gone insane. Jonathan travels to Transylvania to arrange Dracula's real estate acquisitions in London, including Carfax Abbey. Jonathan meets Dracula, who discovers a picture of Harker's fiancée, Mina and believes that she is the reincarnation of Elisabeta. Dracula leaves Jonathan to be attacked and fed upon by his brides, while he sails to England with boxes of his native Transylvanian soil, taking up residence at Carfax Abbey. His arrival is foretold by the ravings of Renfield, now an inmate in Dr. Jack Seward's insane asylum.

In London, Dracula emerges as a wolf-like creature amid a fierce thunderstorm and hypnotically seduces, then bites Lucy Westenra, with whom Mina is staying while Jonathan is in Transylvania. Lucy's deteriorating health and behavioral changes prompt her former suitors Quincey Morris and Dr. Seward, along with her fiancé, Arthur Holmwood, to summon Dr. Abraham Van Helsing, who recognizes Lucy as the victim of a vampire. Dracula, appearing young and handsome during daylight, meets and charms Mina. When Mina receives word from Jonathan, who has escaped the castle and recovered at a convent, she travels to Romania to marry him. In his fury, Dracula transforms Lucy into a vampire. Van Helsing, Holmwood, Seward and Morris kill the now undead Lucy the following night.

After Jonathan and Mina return to London, Jonathan and Van Helsing lead the others to Carfax Abbey, where they destroy the Count's boxes of soil. Dracula enters the asylum, where he kills Renfield for warning Mina of his presence. He visits Mina, who is staying in Seward's quarters while the others hunt Dracula, and confesses that he murdered Lucy and has been terrorizing Mina's friends. Confused and angry, Mina admits that she still loves him and remembers her previous life as Elisabeta. At her insistence, Dracula begins transforming her into a vampire. The hunters burst into the bedroom, and Dracula claims Mina as his bride before escaping. As Mina changes, Van Helsing hypnotizes her and learns via her connection with Dracula that he is sailing home in his last remaining box. The hunters depart for Varna to intercept him, but Dracula reads Mina's mind and evades them. The hunters split up; Van Helsing and Mina travel to the Borgo Pass and the castle, while the others try to stop the gypsies transporting the Count.

At night, Van Helsing and Mina are approached by Dracula's brides. Initially, they frighten Mina, but she eventually succumbs to their chanting and attempts to seduce Van Helsing. Before Mina can feed on his blood, Van Helsing places a communion wafer on her forehead, leaving a mark. He surrounds them with a ring of fire to protect them from the brides, then infiltrates the castle and decapitates them the following morning. As sunset approaches, Dracula's carriage arrives at the castle, pursued by the hunters. A fight between the hunters and gypsies ensues. Morris is stabbed in the back during the fight and at sunset Dracula bursts from his coffin. Harker slits his throat while a wounded Morris stabs him in the heart with a Bowie knife. As Dracula staggers, Mina rushes to his defense. Holmwood tries to attack but Van Helsing and Harker allow her to retreat with the Count. Morris dies of his wound, surrounded by his friends.

In the chapel where he renounced his faith, Dracula lies dying in an ancient demonic form. They share a kiss as the candles adorning the chapel light up and the cross repairs itself. Dracula turns back to his younger self and asks Mina to give him peace. Mina thrusts the knife through his heart and as he finally dies, the mark on her forehead disappears as Dracula's curse is lifted. She decapitates him and gazes up at the fresco of Vlad and Elisabeta ascending to Heaven together, reunited at long last.

  • Gary Oldman as Count Dracula / Vlad the Impaler
  • Winona Ryder as Mina Harker (née Murray) / Elisabeta
  • Anthony Hopkins as Professor Abraham Van Helsing / Priest / Principal Narrator
  • Keanu Reeves as Jonathan Harker
  • Richard E. Grant as Dr. Jack Seward
  • Cary Elwes as Sir Arthur Holmwood
  • Billy Campbell as Quincey P. Morris
  • Sadie Frost as Lucy Westenra
  • Tom Waits as R. M. Renfield
  • Monica Bellucci as Dracula's Bride
  • Michaela Bercu as Dracula's Bride
  • Florina Kendrick as Dracula's Bride
  • Jay Robinson as Mr Hawkins

Ryder initially brought the script (written by James V. Hart) to the attention of Coppola. The director had agreed to meet with her so the two could clear the air after her late withdrawal from The Godfather Part III caused production delays on that film and led her to believe Coppola disliked her. Coppola was attracted to the sensual elements of the screenplay and said that he wanted portions of the picture to resemble an "erotic dream". In the months leading up to its release, Hollywood insiders who had seen the movie felt Coppola's film was too odd, violent, and strange to succeed at the box office and dubbed it "Bonfire of the Vampires" after the notorious 1990 box office bomb The Bonfire of the Vanities. Due to delays and cost overruns on some of Coppola's previous projects such as Apocalypse Now and One from the Heart, Coppola was determined to bring the film in on time and on budget. To accomplish this he filmed on sound stages to avoid potential troubles caused by inclement weather.

 
Dracula's armor on display at Coppola's winery in California

Coppola chose to invest a significant amount of the budget in costumes in order to showcase the actors, whom he considered the "jewels" of the feature. He had an artist storyboard the entire film in advance to carefully illustrate each planned shot, a process which created around a thousand images. He turned the drawings into a choppy animated film and added music, then spliced in scenes from the French version of Beauty and the Beast that Jean Cocteau directed in 1946 along with paintings by Gustav Klimt and other symbolist artists. He showed the animated film to his designers to give them an idea of the mood and theme he was aiming for. Coppola also asked the set costume designers to simply bring him designs which were "weird". "'Weird' became a code word for 'Let's not do formula,'" he later recalled. "'Give me something that either comes from the research or that comes from your own nightmares.' I gave them paintings, and I gave them drawings, and I talked to them about how I thought the imagery could work."

Coppola brought in acting coach Greta Seacat to coach Frost and Ryder for their erotic scenes as he felt uncomfortable discussing sexuality with the young actresses. However he did ask Oldman to speak seductively off camera to Frost while they were filming a scene in which she writhed alone in her bed in ecstasy. She later classified the things Oldman said to her as "very unrepeatable". Winona Ryder found the intensity of Oldman's acting style too much at times; the two fell out early in the filming process and had difficulty working together from then on. Coppola stated, "they got along and then one day they didn't — absolutely didn't get along. None of us were privy to what had happened." Ryder has referred to the "trauma" of the experience and said that she "felt there was a danger" while working with Oldman. However, she has also referred to her friction with Oldman as "teen drama", stating, "He was going through a divorce, and I think I can say this because he's pretty open about it, but he's been sober for a long time now, and he's raised three kids, and he's a dream. He's a good friend of mine now..."

Coppola was insistent that he did not want to use any kind of contemporary special effects techniques such as computer-generated imagery when making the movie, instead wishing to use antiquated effects techniques from the early history of cinema, which he felt would be more appropriate given that the film's period setting coincides with the origin of film. He initially hired a standard visual effects team, but when they told him that the things he wanted to achieve were impossible without using modern digital technology, Coppola disagreed and fired them, replacing them with his son Roman Coppola. As a result, all of the visual effects seen in the film were achieved without the use of optical or computer generated effects, but were created using on-set and in-camera methods. For example, any sequences that would have typically required the use of compositing, were instead achieved by either rear projection with actors placed in front of a screen with an image projected behind them, or through multiple exposure by shooting a background slate then rewinding the film through the camera and shooting the foreground slate on the same piece of film, all the while using matting techniques to ensure that only the desired areas of film were exposed. Forced perspectives were often employed to combine miniature effects or matte paintings with full sized elements, or create distorted views of reality, such as holding the camera upside down or at odd angles to create the effect of objects defying the laws of physics.

Coppola said of his casting choice: "We tried to get some kind of matinée idol for the part of Jonathan, because it isn't such a great part. If we all were to go to the airport... Keanu is the one that the girls would just besiege."

Critical reaction

On Rotten Tomatoes, the film holds an approval rating of 72% based on 53 critics with an average rating of 6.5/10. The site's consensus reads, "Overblown in the best sense of the word, Francis Ford Coppola's vision of Bram Stoker's Dracula rescues the character from decades of campy interpretations — and features some terrific performances to boot." Vincent Canby described the film as having been created with the "enthusiasm of a precocious film student who has magically acquired a master's command of his craft."Dracula 1992 Film

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