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Creation

Artist Steve Ditko and writer Stan Lee have described the character as having been originally the idea of Ditko, who wrote in 2008, "On my own, I brought in to Lee a five-page, penciled story with a page/panel script of my idea of a new, different kind of character for variety in Marvel Comics. My character wound up being named Dr. Strange because he would appear in Strange Tales." In a 1963 letter to Jerry Bails, Lee called the character Ditko's idea, saying:

Well, we have a new character in the works for Strange Tales (just a 5-page filler named Dr. Strange) Steve Ditko is gonna draw him. It has sort of a black magic theme. The first story is nothing great, but perhaps we can make something of him-- 'twas Steve's idea and I figured we'd give it a chance, although again, we had to rush the first one too much. Little sidelight: Originally decided to call him Mr. Strange, but thought the "Mr." bit too similar to Mr. Fantastic -- now, however, I remember we had a villain called Dr. Strange just recently in one of our mags, hope it won't be too confusing!

20th century

Early years

Doctor Strange debuted in Strange Tales #110 (July 1963), a split book shared with the feature "The Human Torch". Doctor Strange appeared in issues #110–111 and #114 before the character's eight-page origin story in #115 (December 1963). Scripter Lee's take on the character was inspired by the Chandu the Magician radio program that aired on the Mutual Broadcasting System in the 1930s. He had Doctor Strange accompany spells with elaborate incantations, such as the "Eye of Agamotto", the "Wand of Watoomb", and "Hoary Hosts of Hoggoth"; though these often referenced established mythological figures, Lee has said he never had any idea what the incantations meant and used them simply because they sounded mystical and mysterious. Ditko showcased surrealistic mystical landscapes and increasingly vivid visuals that helped make the feature a favorite of college students at the time. Comics historian Mike Benton wrote:

The Dr. Strange stories of the 1960s constructed a cohesive cosmology that would have thrilled any self-respecting theosophist. College students, minds freshly opened by psychedelic experiences and Eastern mysticism, read Ditko and Lee's Dr. Strange stories with the belief of a recent Hare Krishna convert. Meaning was everywhere, and readers analyzed the Dr. Strange stories for their relationship to Egyptian myths, Sumerian gods, and Jungian archetypes.

"People who read Doctor Strange thought people at Marvel must be heads ," recalled then-associate editor and former Doctor Strange writer Roy Thomas in 1971, "because they had had similar experiences high on mushrooms. But I don't use hallucinogens, nor do I think any artists do."

Originating in the early 1960s, the character was a predictor of counter-cultural trends in art prior to them becoming more established in the later 1960s. As historian Bradford W. Wright described:

Steve Ditko contributed some of his most surrealistic work to the comic book and gave it a disorienting, hallucinogenic quality. Dr. Strange's adventures take place in bizarre worlds and twisting dimensions that resembled Salvador Dalí paintings. Inspired by the pulp-fiction magicians of Stan Lee's childhood as well as by contemporary Beat culture, Dr. Strange remarkably predicted the youth counterculture's fascination with Eastern mysticism and psychedelia. Never among Marvel's more popular or accessible characters, Dr. Strange still found a niche among an audience seeking a challenging alternative to more conventional superhero fare.

As co-plotter and later sole plotter in the Marvel Method, Ditko took Strange into ever-more-abstract realms. In a 17-issue story arc in Strange Tales #130-146 (March 1965 – July 1966), Ditko introduced the cosmic character Eternity, who personified the universe and was depicted as a silhouette filled with the cosmos. Golden Age artist/writer Bill Everett succeeded Ditko as artist with issues #147-152, followed by Marie Severin through #160 and Dan Adkins through #168, the final issue before the Nick Fury feature moved to its own title and Strange Tales was renamed Doctor Strange. Expanded to 20 pages per issue, the Doctor Strange solo series ran 15 issues, #169-183 (June 1968 – November 1969), continuing the numbering of Strange Tales. Thomas wrote the run of new stories, joined after the first three issues by the art team of penciler Gene Colan and inker Tom Palmer through the end.

After plans were announced for a never-realized split book series featuring Doctor Strange and Iceman, each in solo adventures, Strange next appeared in the first three issues (December 1971 – June 1972) of the quarterly showcase title Marvel Feature. He appeared in both the main story detailing the formation of superhero "non-team" the Defenders, and the related back-up story. The character then starred in a revival solo series in Marvel Premiere #3-14 (July 1972 – March 1974). This arc marked the debut of another recurring foe, the entity Shuma-Gorath, created by writer Steve Englehart and artist Frank Brunner, who took over as the regular creative team starting with Marvel Premiere #10. Englehart and Brunner collaborated closely on the stories, meeting over dinner every two months to discuss the series, and their run became known for its psychedelic visuals and plots. In issues #8-10 (May–September 1973), Strange is forced to shut down the Ancient One's mind, causing his mentor's physical death. Strange then assumes the title of Sorcerer Supreme. Englehart and Brunner created another multi-issue storyline featuring sorcerer Sise-Neg ("Genesis" spelled backward) going back through history, collecting all magical energies, until he reaches the beginning of the universe, becomes all-powerful and creates it anew, leaving Strange to wonder whether this was, paradoxically, the original creation. Stan Lee, seeing the issue after publication, ordered Englehart and Brunner to print a retraction saying this was not God but a god, to avoid offending religious readers. The writer and artist concocted a fake letter from a fictitious minister praising the story, and mailed it to Marvel from Texas. Marvel unwittingly printed the letter and dropped the retraction.

Due to the growing number of Doctor Strange readers, the Marvel Premiere series segued to the character's second ongoing title, Doctor Strange: Master of the Mystic Arts, also known as Doctor Strange vol. 2, which ran 81 issues (June 1974 – February 1987). Doctor Strange #14 featured a crossover story with The Tomb of Dracula #44, another series which was being drawn by Gene Colan at the time. In Englehart's final story, he sent Dr. Strange back in time to meet Benjamin Franklin.

1980s

Strange met his allies Topaz in #75 (Feb, 1986) and Rintrah in #80 (December 1986). The series ended with a cliffhanger as his home, the Sanctum Sanctorum, was heavily damaged during a battle. Among the losses was Doctor Strange's entire collection of mystic books and other important artifacts. As a consequence, Strange was now considerably weaker and several spells designed to protect humanity from vampires and the evil serpent god Set expired.

The title was discontinued so that the character's adventures could be transferred to another split book format series. Strange Tales vol. 2, #1-19 (April 1987 – October 1988) was shared with street heroes Cloak and Dagger. This new Doctor Strange series resolved Strange's quest to reclaim his power and missing artifacts, as well as resurrecting the Defenders, who had died in the last issue of that team's title.

1990s

Strange was returned to his own series, this time titled Doctor Strange: Sorcerer Supreme, which ran 90 issues (November 1988 – June 1996). The initial creative team was writer Peter B. Gillis and artists Richard Case and Randy Emberlin, with storylines often spanning multiple issues. Strange lost the title of "Sorcerer Supreme" in issues #48-49 (December 1992 – January 1993) when he refused to fight a war on behalf of the Vishanti, the mystical entities that empower his spells. During this time the series became part of the "Midnight Sons" group of Marvel's supernatural comics. Doctor Strange found new sources of magical strength in the form of chaos magic, as well as a magic construct he used as a proxy. He would form the Secret Defenders with a rotating roster of heroes, and reunite with the original Defenders. Strange regained his title in Doctor Strange: Sorcerer Supreme #80 (August 1995).

Strange appeared with the Human Torch and the Thing in the one-shot publication Strange Tales vol. 3, #1 (November 1994).

The character was featured in several limited series. The first was Doctor Strange: The Flight of Bones #1-#4 (February – May 1999), with a series of spontaneous combustions by criminals instigated by old foe Dormammu. Strange was the catalyst for the creation of a trio of sorceresses in Witches #1-#4 (August–November 2004). The Strange limited series (November 2004 – July 2005) by writers J. Michael Straczynski and Samm Barnes updated the character's origin. Another limited series, Doctor Strange: The Oath #1-5 (December 2006 – April 2007), written by Brian K. Vaughan and illustrated by Marcos Martin, focused on Strange's responsibilities as sorcerer and doctor.

Doctor Strange has appeared in four graphic novels: Doctor Strange: Into Shamballa (1986); Doctor Strange & Doctor Doom: Triumph and Torment (1989); Spider-Man/Dr. Strange: The Way to Dusty Death (1992); and Dr. Strange: What Is It That Disturbs You, Stephen? (1997).