Django 1966 Film full HD movie download free with screenpaly story, dialogue LYRICS and STAR Cast

On the Mexico-United States border, a drifter, wearing a Union uniform and dragging a coffin, witnesses María, a mixed-race prostitute, being tied to a bridge and whipped by Mexican bandits. The bandits are dispatched by henchmen of Major Jackson – a racist ex-Confederate officer – who prepare to kill María by crucifying her atop a burning cross. The drifter, who identifies himself as Django, easily shoots the men, and offers María protection. The pair arrive in a ghost town, populated by Nathaniel, a bartender, and five prostitutes. Nathaniel explains that the town is a neutral zone in a conflict between Jackson’s Red Shirts and General Hugo Rodríguez’s revolutionaries.

Jackson and his men arrive at the saloon to extract protection money from Nathaniel. Django verbally confronts two of the Klansmen when they harass a prostitute, and ridicules Jackson’s beliefs. Django then shoots his men, and challenges Jackson to return with all of his accomplices. Afterwards, he seduces María when she thanks him for his protection.

Jackson returns with his entire gang. Using a machine gun contained in his coffin, Django guns down much of the Klan, allowing Jackson and a handful of men to escape. While helping Nathaniel bury the corpses, Django visits the grave of Mercedes Zaro, his former lover who was killed by Jackson. Hugo and his revolutionaries arrive and capture Jackson's spy, Brother Jonathan. As punishment, Hugo cuts off Jonathan's ear, forces him to eat it, and shoots him in the back. Later, Django proposes to Hugo, who he had once saved in prison, that they steal Jackson’s gold, currently lodged in the Mexican Army’s Fort Charriba.

Nathaniel, under the guise of bringing prostitutes for the soldiers, drives a horse cart containing Django, Hugo and four revolutionaries, two of whom are named Miguel and Ricardo, into the Fort, allowing them to massacre many of the soldiers – Miguel uses Django’s machine gun, while Django, Hugo and Ricardo fight their way to the gold. As Django and the revolutionaries escape, Jackson gives chase, but is forced to stop when the thieves reach American territory. Django asks for his share of the gold, but Hugo, wanting to use it to fund his attacks on the Mexican Government, promises to pay Django once he is in power.

When Ricardo tries to force himself onto María during the post-heist party, a fight erupts between Django and Ricardo, resulting in the latter’s death. Hugo allows Django to spend the night with María, but he chooses another prostitute. Django has the prostitute distract the men guarding the safehouse containing the gold, and enters the house via the chimney. Stealing the gold in his coffin and activating his machine gun as a diversion, Django loads the coffin onto a wagon. María implores Django to take her with him.

Arriving at the bridge where they first met, Django tells María that they should part ways, but María begs him to abandon the gold so they can start a new life together. When María’s rifle misfires, the coffin falls into the quicksand below. Django nearly drowns when he tries to recover the gold, and María is wounded by Hugo’s men while trying to save him. Miguel crushes Django’s hands as punishment for being a thief, and Hugo’s gang leave for Mexico. Upon arrival, the revolutionaries are massacred by Jackson and the army. Django and María return to the saloon, finding only Nathaniel there, and Django tells them that, despite his crushed hands, he must kill Jackson to prevent further bloodshed.

Jackson learns that Django is waiting for him at Tombstone Cemetery and kills Nathaniel, but not before the latter hides María. Django, resting himself on the back of Mercedes Zaro’s cross, pulls the trigger guard off his revolver with his teeth and rests it against the cross, just as Jackson’s gang arrive. Believing that Django cannot make the sign of the cross with his mutilated hands, Jackson shoots the corners of Zaro's cross. Django then kills Jackson and his men by pushing the trigger against the cross and repeatedly pulling back the hammer. Leaving his pistol on Zaro’s cross, Django staggers out of the cemetery, ready to start a new life with María.

Development and writing

During the production of Ringo and his Golden Pistol, Sergio Corbucci was approached by Manolo Bolognini, an ambitious young producer who had previously worked as Pier Paolo Pasolini's production manager on The Gospel According to St. Matthew, to write and direct a Spaghetti Western that would recoup the losses of his first film as producer, The Possessed. Corbucci immediately accepted Bolognini's offer, leaving Ringo and his Golden Pistol to be completed by others. The director wanted to create a film inspired by Akira Kurosawa's Yojimbo, which he had seen two years prior on recommendation from his regular cinematographer, Enzo Barboni. Corbucci also wanted to make a film that would rival the success of A Fistful of Dollars, a Yojimbo adaptation directed by his friend Sergio Leone. According to Ruggero Deodato, Corbucci's assistant director, the director borrowed the idea of a protagonist who dragged a coffin behind him from a comic magazine he found on a news-stand in Via Veneto, Rome.

Bolognini gave Corbucci a very short schedule in which to write the film's screenplay. The first outlines of the story were written by Corbucci with his friend Piero Vivarelli; the pair wrote backwards from the final scene of the film. The destruction of the lead character's hands prior to the final showdown was influenced by Corbucci's previous film, Minnesota Clay, which depicted a blind protagonist who attempts to overcome his disability. It was also from this that the name "Django" was conceived for the hero - according to Alex Cox, Django's name is "a sick joke on the part of Corbucci and his screenwriter-brother Bruno" referencing jazz guitarist Django Reinhardt, who was known for his exceptional musicianship in spite of the fourth and fifth fingers on his left hand being paralysed. Additionally, because Corbucci was a left-wing "political director", Cox suggests that the plot device of Django's machine gun being contained in a coffin, along with the cemetery-buried gold hunted by the lead characters of The Good, the Bad and the Ugly, may have been inspired by rumours surrounding the anti-Communist Gladio terrorists, who hid many of their 138 weapons caches in cemeteries. Major Jackson's use of Mexican peons as target practice also has historical precedence - Indigenous Brazilians had been used as target practice by white slavers as late as the 1950s. Corbucci is also alleged to have studied newsreel footage of the Ku Klux Klan while writing scenes featuring Major Jackson and his men, who wear red hoods and scarves in the film.

Corbucci and Vivarelli's outline was then revised by Franco Rossetti. By the time filming began, Corbucci was directing from a "scaletta like a synopsis, but more detailed, still not a full screenplay". Further screenplay contributions and revisions were made throughout production, namely by José Gutiérrez Maesso, Fernando Di Leo (who was not credited for his work on the script) and especially Bruno Corbucci. Actor Mark Damon has also claimed to have collaborated with Corbucci on the story prior to the film's production. Italian prints credit the Corbucci brothers with "story, screenplay & dialogue", while Rossetti, Maesso and Vivarelli are credited as "screenplay collaborators". English prints do not list Maesso, and credit Geoffrey Copleston for the English-language script.