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Die Hard is a 1988 American action thriller film directed by John McTiernan and written by Steven E. de Souza and Jeb Stuart. It was produced by the Gordon Company and Silver Pictures, and distributed by 20th Century Fox.

Die Hard
Die hard.jpg
Theatrical release poster
Directed byJohn McTiernan
Produced by
  • Lawrence Gordon
  • Joel Silver
Screenplay by
  • Jeb Stuart
  • Steven E. de Souza
Based onNothing Lasts Forever
by Roderick Thorp
Starring
  • Bruce Willis
  • Alan Rickman
  • Alexander Godunov
  • Bonnie Bedelia
Music byMichael Kamen
CinematographyJan de Bont
Edited by
  • Frank J. Urioste
  • John F. Link
Production
companies
  • Gordon Company
  • Silver Pictures
Distributed by20th Century Fox
Release date
  • July 12, 1988 (1988-07-12) (Los Angeles)
  • July 15, 1988 (1988-07-15) (United States)
Running time
132 minutes
CountryUnited States
LanguageEnglish
Budget$28 million
Box office$140.8 million

The film follows off-duty New York City Police Department officer John McClane (Bruce Willis) who is caught in a Los Angeles skyscraper during a heist led by Hans Gruber (Alan Rickman). It is based on Roderick Thorp's 1979 novel Nothing Lasts Forever, the sequel to 1966's The Detective, adapted into a 1968 film of the same name starring Frank Sinatra. Fox was contractually obligated to offer Sinatra the lead role in Die Hard, but he turned it down; after Arnold Schwarzenegger declined to shoot the film as a sequel to his 1985 action film Commando, Fox reluctantly gave the role to Willis, then known as a comedic television actor.

Made for $28 million, Die Hard grossed over $140 million theatrically worldwide, with the film turning Willis into an action star, and became a metonym for an action film in which a lone hero fights overwhelming odds. The film's success created the Die Hard franchise, which includes four sequels, a number of video games, and a comic book, and later in 2017 was selected for preservation in the United States National Film Registry. Die Hard has been named one of the best action and Christmas-themed films ever made. The film also ranks No.?20 on Empire's 2017 list of the 100 greatest movies of all time.

Screenplay

On Christmas Eve, NYPD detective John McClane arrives in Los Angeles, intending to reconcile with his estranged wife, Holly, at the Christmas party of her employer, the Nakatomi corporation. McClane is driven to the party by Argyle, an airport limousine driver. While McClane changes clothes, the party is disrupted by the arrival of a German terrorist, Hans Gruber, and his heavily armed team: Karl, Tony, Franco, Theo, Alexander, Marco, Kristoff, Eddie, Uli, Heinrich, Fritz, and James. The group seizes the tower and secures those inside as hostages except for McClane, who slips away, and Argyle, who gets trapped in the garage.

Gruber interrogates Nakatomi executive Joseph Takagi for the code to the building's vault and reveals that he plans to steal $640 million in bearer bonds, with the terrorist act merely a distraction. Takagi refuses to cooperate and is killed by Gruber. McClane secretly watches, but accidentally gives himself away and escapes. He sets off a fire alarm in an attempt to alert authorities, so Gruber sends Tony to investigate. McClane kills Tony, pocketing his weapon and radio, using it to contact the LAPD. As Sgt. Al Powell is sent to investigate, Gruber sends Heinrich and Marco to stop McClane, who kills them both. Powell arrives and is greeted by Eddie, posing as a concierge. Finding nothing unusual, Powell prepares to leave, but McClane drops Marco's corpse onto his patrol car to gain his attention while Alexander shoots at the car from the building with an automatic rifle. Powell summons the LAPD, who lay siege to the building. McClane steals Heinrich's bag containing C-4 explosives and detonators.

James and Alexander use anti-tank missiles to disable a SWAT armored car before McClane violently kills both of them by pushing C-4 attached to an office chair and computer down the elevator shaft, blowing up their floor. Holly's coworker, Harry Ellis, attempts to mediate between Hans and McClane for the return of the detonators. McClane refuses, prompting Gruber to execute Ellis. While checking explosives attached to the roof, Gruber encounters McClane; Gruber passes himself off as an escaped hostage. McClane offers him a gun and Gruber attempts to shoot McClane, but the gun is empty. Karl, Franco, and Fritz arrive; McClane kills Fritz and Franco, but is forced to flee, abandoning the detonators.

FBI agents take command of the siege, ordering the building's power shut off; this, as Gruber anticipated, disables the vault's final lock. Gruber demands a helicopter on the rooftop for transport, but the FBI prepare to double-cross him by sending helicopter gunships. McClane discovers that Gruber intends to detonate the explosives on the roof, faking the deaths of his team so they can escape with the bearer bonds. While making final preparations, Gruber sees a news report by intrusive reporter Richard Thornburg that features McClane's children and - from a desk photo - deduces that McClane is Holly's husband. The criminals order the hostages to the roof, but Gruber takes Holly with him to use against McClane - who in the meantime defeats Karl in a fight before heading up to the roof, killing Uli in the process. He sends the hostages downstairs just as the FBI appear and start shooting at McClane, believing him to be a terrorist. Gruber then detonates the explosives, destroying the roof and the FBI helicopter; McClane barely manages to survive.

Theo retrieves their getaway vehicle, but is incapacitated by Argyle. A weary McClane finds Holly with Gruber and his remaining men; Eddie and Kristoff. After knocking Kristoff unconscious, he confronts Gruber and is ordered to surrender his machine gun. McClane does this to spare Holly, but distracts Gruber and Eddie, allowing him to grab a concealed pistol with only two bullets taped to his back. McClane shoots Gruber and kills Eddie with a single shot to the forehead; Gruber crashes through a window, but grabs onto Holly's wrist. Gruber raises a pistol and attempts to shoot them, but McClane removes Holly's wristwatch and Gruber falls to his death.

Outside, McClane and Holly meet Powell. Karl emerges and attempts to shoot McClane, but is shot dead by Powell with his police revolver. Argyle crashes through the parking garage door in the limo. Thornburg arrives and attempts to interview McClane, but Holly punches him before she and McClane leave the area with Argyle.

 
 
Bruce Willis in 2010 (left) and Alan Rickman in 2011
  • Bruce Willis as John McClane, a streetwise New York cop who has come to Los Angeles to reconcile with his wife
  • Alan Rickman as Hans Gruber, a German mastermind and the leader of the terrorists
  • Alexander Godunov as Karl, Hans's main henchman
  • Bonnie Bedelia as Holly Gennero-McClane, John's estranged wife
  • Reginald VelJohnson as Sgt. Al Powell
  • Paul Gleason as Dwayne T. Robinson, the Deputy Chief of Police
  • De'voreaux White as Argyle, John's limousine driver
  • William Atherton as Richard Thornburg, an arrogant reporter
  • Clarence Gilyard as Theo, Hans's tech specialist
  • Hart Bochner as Harry Ellis, a sleazy Nakatomi executive
  • James Shigeta as Joseph Yoshinobu Takagi, Nakatomi's head executive

Additional cast includes Hans's henchmen: Bruno Doyon as Franco, Andreas Wisniewski as Tony, Joey Plewa as Alexander, Lorenzo Caccialanza as Marco, Gerard Bonn as Kristoff, Dennis Hayden as Eddie, Al Leong as Uli, Gary Roberts as Heinrich, Hans Buhringer as Fritz, and Wilhelm von Homburg as James. Robert Davi and Grand L. Bush appear as FBI Special Agent Big Johnson and Agent Little Johnson, respectively, Tracy Reiner appears as Thornburg's assistant, and Taylor Fry and Noah Land make minor appearances as McClane's children Lucy McClane and John Jr.

 
Fox Plaza, which served as the setting for Nakatomi Plaza

The Detective, the 1968 movie based on Roderick Thorp's first novel, was a box-office success. When a movie based on Thorp's sequel went into production, the studio was contractually obligated to offer Frank Sinatra the lead role. Sinatra, then in his early 70s, turned down the project. The story was then changed to have no connection to The Detective.

Although it has been rumored that at this point the project was repurposed to be a sequel to the 1985 Arnold Schwarzenegger action film Commando, scriptwriter de Souza has denied this. De Souza has said he wrote the script as if Hans Gruber were the protagonist. "If he had not planned the robbery and put it together, Bruce Willis would have just gone to the party and reconciled or not with his wife. You should sometimes think about looking at your movie through the point of view of the villain who is really driving the narrative.”

The script was offered to a variety of action stars, including Sylvester Stallone, Harrison Ford, and Don Johnson, all of whom turned it down. Demographic data from CinemaScore helped persuade the studio and director John McTiernan to cast Willis. He was paid $5 million to star in the film, a figure virtually unheard of at the time for an actor who had starred in only one moderately successful film, and normally only paid to major stars such as Dustin Hoffman and Warren Beatty. Then-20th Century Fox president Leonard Goldberg justified the cost, stating the film was reliant on its lead actor, while other sources within the studio would state that Fox was desperate for a star for Die Hard, intended to be its big summer action blockbuster, and they had already been turned down by several actors, including Richard Gere, Clint Eastwood, and Burt Reynolds. At the time, Willis was largely known for his comedic role as detective David Addison on the television series Moonlighting, and the studio did not believe in his action star appeal. The marketing campaign's initial billboards and posters reflected this, and Willis' face was not a focal point, consistent with CinemaScore's suggestion to emphasize the film's action instead of a star without experience in such films.

McTiernan did not want the villains to be terrorists, considering them too mean. He chose to avoid the terrorists' politics in favor of making them thieves in pursuit of monetary gain, believing it would make the film more suitable for summer entertainment. The film's ending had not been finalized by the time filming had begun; one result is that the truck depicted as transporting the terrorists to the building is too small to house the ambulance that was later revealed to be ins

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