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Dawn of the Dead (also known internationally as Zombi or Zombie) is a 1978 American independent zombie horror film directed by George A. Romero. It was written by Romero in collaboration with the Italian filmmaker Dario Argento and produced by Richard P. Rubinstein. It was the second film made in Romero's Night of the Living Dead series and shows in a larger scale the apocalyptic effects on society, though it contains no characters or settings from the film Night of the Living Dead. In the film, a phenomenon of unidentified origin has caused the reanimation of the dead, who prey on human flesh. David Emge, Ken Foree, Scott Reiniger, and Gaylen Ross star as survivors of the outbreak who barricade themselves inside a suburban shopping mall amid mass hysteria.

Dawn of the Dead
Theatrical release poster
Directed byGeorge A. Romero
Produced byRichard P. Rubinstein
Written byGeorge A. Romero
Starring
  • David Emge
  • Ken Foree
  • Scott Reiniger
  • Gaylen Ross
Music by
  • The Goblins
  • Dario Argento
CinematographyMichael Gornick
Edited byGeorge A. Romero
Production
company
Laurel Group Inc.
Distributed byUnited Film Distribution Company
Release date
  • September 1, 1978 (1978-09-01) (Italy)
  • April 20, 1979 (1979-04-20) (United States)
Running time
127 minutes
CountryUnited States
LanguageEnglish
Budget$1.5 million
Box office$55 million

Dawn of the Dead was filmed over approximately four months, from late 1977 to early 1978, in the Pennsylvania cities of Pittsburgh and Monroeville. Its primary filming location was the Monroeville Mall. The film was made on a budget estimated at $1.5 million and grossed approximately $55 million worldwide. The film has a 93% approval rating at Rotten Tomatoes, which calls it "one of the most compelling and entertaining zombie films ever made" in its critical consensus.

In addition to four official sequels, the film has spawned numerous parodies and pop culture references. A remake premiered in the United States on March 19, 2004. The remake was directed by Zack Snyder and written by James Gunn, the latter of whom labeled it a "re-imagining" of the original film's concept. In 2008, Dawn of the Dead was chosen by Empire magazine as one of The 500 Greatest Movies of All Time, along with Night of the Living Dead.

Screenplay

The United States is devastated by a mysterious phenomenon that reanimates recently deceased human beings as flesh-eating zombies. Three weeks after it began—despite the best efforts of the US government and local authorities to control the situation—millions of people have been killed and reanimated; social order is collapsing. Some rural communities and the National Guard have been effective in fighting the zombie hordes in open country, but urban centers are helpless and largely overrun.

Confusion reigns at the WGON television studio in Philadelphia by the phenomenon's third week, where staff members Stephen Andrews and Francine Parker are planning to steal the station's traffic helicopter to escape the city. Meanwhile, police SWAT officer Roger DiMarco and his team raid a housing project where the residents are defying the martial law of delivering their dead to National Guardsmen. Some residents fight back with handguns and rifles, and are killed by both the overzealous SWAT team and their own reanimated dead. During the raid, Roger meets Peter Washington, part of another SWAT team, and they partner up together. Roger tells Peter that his friend Stephen intends to steal his workplace's helicopter and flee, and suggests that Peter come with them. They are informed of a group of zombies trapped in the basement, which they assist in the grim job of destroying.

That night, Roger and Peter rendezvous with Francine and Stephen and leave Philadelphia in the helicopter. Following some close calls while stopping for fuel, the group comes across a shopping mall, which they decide to make their sanctuary. The group devise an operation to block the mall entrances with trucks to keep the undead masses outside from building up enough cumulative force to break through. Peter and Stephen also craft a wooden barrier to cover the access to the stairwell that leads to their living space. During the blockade operation, Roger suffers from a mental break, becomes reckless and is bitten by the zombies.

After clearing the interior of zombies, the four are able to enjoy a hedonistic lifestyle with all the goods available to them, furnishing their makeshift apartment with the mall's many commodities. Roger eventually succumbs to his wounds, soon reanimates and is shot by Peter. After several months, all emergency broadcast transmissions cease, suggesting that the government has collapsed and a large portion of the population has been killed and reanimated. Francine, now visibly showing her pregnancy, presses to be prepared to leave the shopping mall. Ammo and other supplies are loaded into the helicopter, and Stephen teaches Francine how to operate the helicopter in case of an emergency.

A gang of nomadic motorcyclists, having seen the helicopter during one of Francine's flying lessons, arrives to conquer the mall, destroying the barriers and allowing hundreds of zombies inside during the incursion. Peter and Stephen try locking the gates to prevent looting, but the rioting bikers enrage Stephen and he foolishly starts a gun battle with them. Peter and Stephen flee to the apartment, but as Stephen tries to escape through an elevator shaft, he is shot in the arm, then cornered by the undead and bitten several times. As some of the bikers, shot by Peter, are consumed by the zombies, the rest retreat with their stolen goods. Now reanimated, Stephen, acting on a remnant of his former memories, tears down the false wall covering the stairwell and leads the undead to Francine and Peter. As Stephen enters their hideout, Peter kills him while Francine escapes to the roof. Peter then locks himself in a room and contemplates suicide. When zombies burst into the room, he has a change of heart and fights his way up to the roof, where he joins Francine. The two then fly away in the partially fueled helicopter to an uncertain future.

  • David Emge as Stephen "Flyboy" Andrews
  • Ken Foree as Peter Washington
  • Scott Reiniger as Roger "Trooper" DeMarco
  • Gaylen Ross as Francine "Fran" Parker
  • David Crawford as Dr. James Foster
  • David Early as Mr. Sidney Berman
  • Richard France as Dr. Millard Rausch
  • Howard Smith as TV Commentator
  • Daniel Dietrich as Mr. Dan Givens

Additional cast members include: Joe Pilato as Head Officer at Police Dock, Tom Savini as Blades/Mechanic Zombie shot through glass/Zombie hit by truck, Taso Stavrakis as Sledge/Fountain Zombie/Sailor Zombie/Chestburst Zombie, Rudy Ricci as Biker leader, Fred Baker as Police Commander, Pasquale Buba as Motorcycle raider, Jim Baffico as Wooley and Rod Stouffer as Young Cop on roof.

Development

The history of Dawn of the Dead began in 1974, when George A. Romero was invited by friend Mark Mason of Oxford Development Company—whom Romero knew from an acquaintance at his alma mater, Carnegie Mellon—to visit the Monroeville Mall, which Mason's company managed. After showing Romero hidden parts of the mall, during which Romero noted the bliss of the consumers, Mason jokingly suggested that someone would be able to survive in the mall should an emergency ever occur. With this inspiration, Romero began to write the screenplay for the film.

Romero and his producer, Richard P. Rubinstein, were unable to procure any domestic investors for the new project. By chance, word of the sequel reached Italian horror director Dario Argento. A fan of Night of the Living Dead and an early critical proponent of the film, Argento was eager to help the horror classic receive a sequel. He met Romero and Rubinstein, helping to secure financing in exchange for international distribution rights. Argento invited Romero to Rome so he would have a change of scenery while writing the screenplay. The two could also discuss plot developments. Romero was able to secure the availability of the Monroeville Mall as well as additional financing through his connections with the mall's owners at Oxford Development. Once the casting was completed, principal shooting was scheduled to begin in Pennsylvania on November 13, 1977.

Filming

Principal photography for Dawn of the Living Dead (its working title at the time) began on November 13, 1977, at the Monroeville Mall in Monroeville, Pennsylvania. Use of an actual, open shopping mall during the Christmas shopping season caused numerous time constraints. Filming began nightly once the mall closed, starting at 11 PM and ending at 7 AM, when automated music came on. As December arrived, the production decided against having the crew remove and replace the Christmas decorations—a task that had proved to be too time consuming. Filming was shut down during the last three weeks of the year to avoid the possible continuity difficulties and lost shooting time. Production would resume on January 3, 1978. During the break in filming, Romero took the opportunity to begin editing his existing footage.

The airfield scenes were filmed at the Harold W. Brown Memorial Airfield in Monroeville, an airport located about two miles from the mall that is still in use. The scenes of the group's hideout at the top of the mall were filmed on a set built at Romero's then-production company, The Latent Image. The elevator shaft was located there as well, as no such area of the mall actually existed. The gun store was also not located in the mall—for filming, the crew used Firearms Unlimited, a shop that existed in the East Liberty district of Pittsburgh at the time.

Principal photography on Dawn of the Dead ended in February 1978, and Romero's process of editing would begin. By using numerous angles during the filming, Romero allowed himself an array of possibilities during editing—choosing from these many shots to reassemble into a sequence that could dictate any number of responses from the viewer simply by changing an angle or deleting or extending portions of scenes. This amount of superfluous footage is evidenced by the numerous international cuts, which in some cases affects the regional version's tone and flow.

Alternate ending

According to the original screenplay, Peter and Francine were to kill themselves, Peter by shooting himself and Fran by sticking her head into the path of the rotating main helicopter blades. The ending credits would run over a shot of the helicopter blades turning until the engine winds down, implying that the two would not have gotten far if they had chosen to escape. During production it was decided to change the ending of the film.

Much of the lead-in to the two suicides remains in the film, as Francine leans out of the helicopter upon seeing the zombies approach and Peter puts a gun to his head, ready to shoot himself. An additional scene, showing a zombie having the top of its head cut off by the helicopter blades (thus foreshadowing Francine's suicide) was included early in the film. Romero has stated that the original ending was scrapped before being shot, although behind the scenes photos show the original version was at least tested. The head appliance made for Fran's suicide was instead used in the opening SWAT raid, made-up to resemble an African-American male and blown apart by a shotgun blast.

Make-up and effects

 
An example of the bright hue of the fake blood, gray face make-up, and special effects in Dawn of the Dead.
 
The famous Headshot scene at the beginning of the film

Tom Savini, who had been offered the chance to provide special effects and make-up for Romero's first zombie film, Night of the Living Dead, before being drafted into the Vietnam War, made his debut as an effects artist on Dawn of the Dead. Savini had been known for his make-up in horror for some time, prior to Daw

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