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Crimewave is a 1986 American comedy film directed by Sam Raimi, written by him and the Coen brothers, and starring Louise Lasser, Paul L. Smith, Brion James, Sheree J. Wilson, Edward R. Pressman, Bruce Campbell, and Reed Birney, with Campbell also serving as a producer. Following the commercial success of The Evil Dead (1981), Raimi and Campbell decided to collaborate on another project. Joel Coen of the Coen brothers served as one of the editors on The Evil Dead, and worked with Raimi on the screenplay. Production was difficult for several members of the crew, and the production studio, Embassy Pictures, refused to allow Raimi to edit the film. Several arguments broke out during the shoot for the film, because of continued interference by the studio.

Crimewave
Directed bySam Raimi
Produced by
  • Robert Tapert
  • Bruce Campbell
Written by
  • Joel Coen
    Ethan Coen
  • Sam Raimi
Starring
  • Louise Lasser
  • Paul L. Smith
  • Brion James
  • Sheree J. Wilson
  • Edward R. Pressman
  • Bruce Campbell
  • Reed Birney
Music byArlon Ober
CinematographyRobert Primes
Edited by
  • Michael Kelly
  • Kathie Weaver
  • Kaye Davis
Production
companies
  • Embassy Pictures
  • Renaissance Pictures
Distributed byColumbia Pictures
Release date
  • April 25, 1986 (1986-04-25)
Running time
86 minutes
CountryUnited States
LanguageEnglish
Budget$2.5 million
Box office$5,101

An unusual slapstick mix of film noir, black comedy and B-movie conventions, the film portrays bizarre situations involving a death row inmate. The film was a box-office flop, and has since fallen into obscurity outside of fans of Campbell and Raimi. Few critics reviewed the film, though the little amount of critical attention it received was mostly negative. Several elements of the film influenced later productions by Raimi, and the failure of Crimewave directly led to the inception of Evil Dead II (1987). The film has achieved the status of a minor cult film.

Screenplay

Victor Ajax has been sentenced to death, sitting in an electric chair. In a flashback, we learn that Victor once was a promising young technician in the employ of Trend-Odegard Security. Mr. Trend, co-owner of the company, has learned of a plan by his partner to sell the company to Renaldo "The Heel" and responds by hiring two exterminators who promise to "kill all sizes" in order to eliminate Odegard and his plan. When Victor, who has been installing security cameras in Trend's apartment building, seems about to go back to the store, Trend distracts him with a lecture about "the grand design" and sends Victor on a quest to find his dream girl.

The dream girl is found in the form of Nancy, who responds minimally to Vic but is enamored of Renaldo. Victor and several residents of the building, including Mrs. Trend, run afoul of the killers, and a seemingly random series of slapstick murders occur, for all of which Victor is ultimately blamed. Nancy inevitably becomes target and Vic saves her and kills the exterminators after a long comical fight sequence. The flashback ends and Victor is in the electric chair, and awaits his execution while an elaborate race sequence occurs in which Nancy, accompanied by several nuns, drive manically, Nancy at the wheel, to the scene in order to prove his innocence. Before the switch is pulled however, Nancy arrives just in time and clears his name. The movie concludes with their marriage.

  • Louise Lasser as Helene Trend
  • Paul L. Smith as Faron Crush
  • Brion James as Arthur Coddish
  • Sheree J. Wilson as Nancy
  • Edward R. Pressman as Ernest Trend
  • Bruce Campbell as Renaldo "The Heel"
  • Reed Birney as Victor Ajax
  • Antonio Fargas as Blind man
  • Richard Bright as Officer Brennan
  • Richard DeManicor as Officer Garvey
  • Emil Sitka as Col. Rodgers
  • Wiley Harker as Governor
  • Robert Symonds as Guard #1
  • Patrick Stack as Guard #2
  • Frances McDormand as Nun
  • Ted Raimi as Waiter
  • Ethan Coen (uncredited) as Execution reporter #1
  • Joel Coen (uncredited) as Execution reporter #2
  • Rob Tapert (uncredited) as Bar patron in Rialto
  • Julie Harris (uncredited)

Background

By 1983, long-time friends Campbell and Raimi had collaborated on several projects together. The duo had just completed the production of Within the Woods and The Evil Dead, the latter of which was a box-office and critical hit. Following his involvement in The Evil Dead, Campbell had difficulty establishing a career as an actor. He appeared on the soap opera Generations, and in several local Detroit commercial ads. Meanwhile, Raimi had been collaborating with Ethan and Joel Coen on a screenplay. Joel Coen had been one of the editors on The Evil Dead, which led to him befriending Raimi. Joel Coen's experience editing The Evil Dead inspired him to complete his own film, Blood Simple, which was released to critical acclaim. The script would later develop into Relentless, a narrative about "two crazed killers."

Raimi was not initially optimistic about the talents of the Coen brothers. He recounted that Ethan was "just a statistic accountant at Macy's at the time." After reading the Blood Simple script, however, Campbell commented that the screenplay was "great", comparing it to the work of Alfred Hitchcock. It featured "mild-mannered leading men" who "get caught up in a web of fear, murder and mayhem", elements that often defined the films directed by Hitchcock. Distributor Irvin Shapiro, who was instrumental in the commercial success of The Evil Dead, did not like the title of Relentless. He suggested putting "X" and "Murder" in the title, believing it would be more enticing to audiences. With Shapiro's suggestion in mind, Raimi gave the film the tentative title of The XYZ Murders.

Filming

 
Sam Raimi wanted his friend Bruce Campbell (pictured) to star in the film; however, producers wanted a "Hollywood" actor instead.

Given the commercial success of The Evil Dead, studio financial backing for the new project came quickly. Though Raimi and Campbell did not profit from the film, the studio believed in Raimi, initially allowing the director complete creative control on the project; however, executives later took control of the production. Raimi and Campbell developed the project with Embassy Pictures' producer Norman Lear, who supposedly had a "Midas touch", because of the consistent success he had attained from various television productions. He suggested the title Crimewave, which was ultimately used.

Raimi and the studio clashed several times during production. The first disagreement between the director and the executives stemmed from the latter's insistence on casting a "Hollywood" actor in the lead role instead of Raimi's long-time collaborator and friend Campbell. In his 2002 autobiography If Chins Could Kill: Confessions of a B Movie Actor, Campbell commented about how difficult it was working with more established producers; "jumping into the big time meant dealing with the excruciatingly specific and alternately vague demands of a studio, ... Hollywood executives took an interest in everything." Campbell was surprised that he had to audition for the lead role, as he did not have to test for The Evil Dead. Campbell and his photographer friend Mike Ditz used a 16 mm film camera and shot a scene to show to the producers. Upon viewing it, the producers asserted that "Campbell will not star in this film". In retaliation, Raimi lengthened a supporting role and gave it to Campbell: the character of Renaldo "The Heel". This allowed for Campbell to be present through the production, which Campbell later noted was a good thing, as due to the constant studio interference "Sam needed all the help he could get".

Raimi budgeted the film at $2.5 million, an amount the studio greenlit. But the calculations had not taken union fees and regulations into account, making the proposed budgeting and scheduling unrealistic. In addition, the crew were talked into spending three times the allotted money for one shooting location. The shoot quickly went both over budget and over schedule. At that point, the studio stepped in, with executives demanding cuts in the script, budget restrictions, layoffs, and their own supervision of the project. The studio also insisted on reviewing every batch of dailies, criticizing the decision to use cast and crew members (including Campbell) as extras in several scenes (a Raimi trademark known as "Shemping").

 
Because the Detroit River was frozen, the cast had to use dynamite to achieve a shot of the water.

Even without Embassy's interference, however, the production was plagued with difficulties. According to Campbell, lead actress Lasser—under the influence of cocaine—fired her make-up artist. She insisted that she apply all her own make-up, despite objections from the cast. She would often show up on set with poorly applied "clown make-up" and messed up hair, oblivious to how she appeared. There were occasions when she outright refused to leave her trailer, to the annoyance of the cast and crew. Production was often affected by "weird" events; actor Brion James trashed his hotel room in an attempt to "exorcise a ghost from his light fixtures".

At one point, shooting was to take place at a bridge overlooking the Detroit River, which was frozen at the time. The script, however, called for clear and running water, meaning that the crew had to brave dangerously low temperatures and conditions to clear the ice; finally they blew up the ice with dynamite. At another time, the crew spent a week filming on a Detroit street after dark, directly under a nursing home, with huge wind machines blowing for long hours. One evening a glass bottle with a note in it crashed to the ground from an upper floor. The note inside read, "The noise is keeping me awake all night long and I am getting sick. I am dying because of you." John Cameron, second assistant director on the film, would later remark, "I see Crimewave as a real turning point in a certain way, because if you survived that experience, nothing in the business could ever be as hard again." Campbell agreed, writing that "No matter which way you slice it, the film was a dog and pretty much everyone involved can line up to take forty whacks." Raimi cited the experience as one of the least favorite moments of his career.

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