Conan The Barbarian 1982 Film full HD movie download free with screenpaly story, dialogue LYRICS and STAR Cast

A sword is forged by a blacksmith, who then shows it to his young son, Conan, as he tells him of the "Riddle of Steel", an aphorism on the importance of the metal to their people, the Cimmerians. One day, the Cimmerians are massacred by a band of raiders led by Thulsa Doom; Conan's father is killed by dogs, and his sword is taken by Doom to decapitate Conan's mother, aided by Doom's entrancing gaze. The children are taken into slavery and then chained to work a large mill, the Wheel of Pain. Conan survives into adulthood, becoming a massive, muscular man. His master eventually trains him to be a gladiator; after winning countless fights and receiving training and education in the East, Conan is freed. He is soon chased by wild dogs and seeks refuge in a warrior's tomb, where he retrieves an ancient sword. Conan wanders the world, encountering a prophetic witch in a hut and then befriends Subotai, a Hyrkanian thief and archer.

Following the witch's advice, Conan and Subotai go to the city of Zamora to seek out Doom. There, they meet Valeria, a female brigand. They burgle the Tower of Serpents, stealing jewels and other valuables from a shrine, slaying a giant snake in the process. After escaping with their loot, the thieves celebrate, and Conan has sex with Valeria. The city guards capture the trio and bring them to King Osri?, who requests they rescue his daughter — now a zealot in Doom's cult — for a handsome reward. Subotai and Valeria refuse to take up the quest; Conan, however, motivated by his hatred for Doom and his desire for vengeance, sets off alone to the villain's Temple of Set.

Disguised as a priest, Conan infiltrates the temple, but he is discovered, captured, and tortured. Doom lectures him on the power of flesh, which he demonstrates by hypnotically enticing a girl to leap to her death. He then orders for Conan to be crucified on the Tree of Woe. The barbarian is on the verge of death when he is discovered by Subotai and brought to Akiro, the Wizard of the Mounds, who lives on a burial site for warriors and kings. The wizard summons spirits to heal Conan and warns that they will "extract a heavy toll", which Valeria is willing to pay. These spirits also try to abduct Conan, but he is restored to health after Valeria and Subotai fend them off.

Subotai and Valeria agree to help Conan complete Osric's quest and infiltrate the Temple of Set. As the cult indulges in a cannibalistic orgy, the thieves attack and flee with the princess, but Conan is unable to engage Doom, who has magically transformed into a large snake and slithered away. Valeria is mortally wounded by Doom after he shoots a stiffened snake at her. She dies in Conan's arms, acknowledging the price of the "toll" forewarned by the wizard in exchange for Conan's life, and is cremated at the Mounds, where Conan prepares with Subotai and the wizard to battle Doom. Conan asks Crom, the god of his people, to grant him revenge. By using booby traps and exploiting the terrain, they manage to slay Doom's warriors when they arrive. Just when Rexor is about to overcome Conan, Valeria reappears for a brief moment as a Valkyrie to save him from the mortal blow. After losing his men, Doom shoots a stiffened snake at the princess, but Subotai blocks the shot with his shield and the villain flees to his temple. The battle ends with Conan having recovered his father's sword from his enemies, a sword splintered by his own hand in battle.

Conan sneaks back to the temple where Doom is addressing the members of his cult. He confronts Doom, who receives him with open arms and attempts to mesmerize him, but the barbarian resists and uses his father's broken sword to behead his nemesis. After the disillusioned cultists disperse, Conan burns down the temple and returns the princess to Osric.

The character, Conan, and the world of Hyboria were based on the creations of pulp-fiction writer Robert E. Howard from the 1930s. Published in Weird Tales, his series about the barbarian was popular with the readership; the barbarian's adventures in a savage and mystical world, replete with gore and brutal slayings, satisfied the reader's fantasies of being a "powerful giant who lives by no rules but his own". From the 1960s, Conan gained a wider audience as novels about him, written in imitation of Howard's style by L. Sprague de Camp and Lin Carter, were published. Frank Frazetta's cover art for these novels cemented Conan's image as a "virile, axe-wielding, fur-bearing, cranium-smashing barbarian". John Milius, the film's director, intended the film's Conan to be "a Northern European mythic hero". Danny Peary described Conan as "muscular, majestic, brainy, yet with ambivalent scruples". Don Herron, a scholar on Howard and his stories, disagreed, noting that the personality of Conan in the film differs greatly from that of the literature. The Conan in the books detests restrictions to his freedom and would have resisted slavery in a violent fashion, whereas the film version accepts his fate and has to be freed. Robert Garcia's review of the film in his American Fantasy magazine states, "this Conan is less powerful, less talkative, and less educated than Howard's".

The female lead, Valeria, has her roots in two strong female characters from Howard's Conan stories. Her namesake was Conan's companion in "Red Nails", while her personality and fate were based on those of Bêlit, the pirate queen in "Queen of the Black Coast". According to Kristina Passman, an assistant professor of classical languages and literature, the film's Valeria is a perfect archetype of the "good" Amazon character, a fierce but domesticated female warrior, in cinema. Rikke Schubart, a film scholar, said Valeria is a "good" Amazon because she is tamed by love and not because of any altruistic tendencies. Valeria's prowess in battle matches that of Conan, and she is also depicted as his equal in capability and status. The loyalty and love she displays for Conan makes her more than a companion to him; she represents his "possibilities of human happiness". Her sacrifice for Conan and her brief return from death act out the heroic code, illustrating that self-sacrificing heroism brings "undying fame". Valeria's name is spoken in the film only after her death.

Milius based Conan's other companion, Subotai, on Genghis Khan's main general, Subotai, rather than on any of Howard's characters. According to film critic Roger Ebert, Subotai fulfills the role of a "classic literary type—the Best Pal." He helps the barbarian to kill a giant snake and cuts him down from crucifixion; the thief also cries for his companion during Valeria's cremation, with the explanation that "(h)e is Conan, a Cimmerian. He won't cry, so I cry for him."

Conan's enemy, Thulsa Doom, is an amalgamation of two of Howard's creations. He takes his name from the villain in Howard's Kull of Atlantis series of stories, but is closer in character to Thoth-Amon, a Stygian sorcerer in "The Phoenix on the Sword". The Doom in the film reminded critics of Jim Jones, a cult leader whose hold on his followers was such that hundreds of them obeyed his orders to commit suicide. Milius said his research on the ancient orders of the Hashishim and the Thuggee was the inspiration for Doom's snake cult. In the original Howard stories, the worship of Set, though all too fearsome, is no sect; rather, it is the centuries-old formalized state religion of Stygia (which is virtually a theocracy).

From the 1970s, licensing issues had stood in the way of producing film versions of the Conan stories. Lancer Books, which had acquired the rights in 1966, went into receivership, and legal disputes existed over their disposition of the publishing rights, which ultimately led to them being frozen under injunction. Edward Summer suggested Conan as a potential project to executive producer Edward R. Pressman in 1975, and after being shown the comics and Frazetta's artwork, Pressman was convinced. Two years were needed to secure the film rights. The two main parties involved in the lawsuit, Glenn Lord and de Camp, formed Conan Properties Incorporated to handle all licensing of Conan-related material, and Pressman was awarded the film rights shortly afterwards. He spent more than $100,000 in legal fees to help resolve the lawsuit, and the rights cost him another $7,500.