Come And See full HD movie download free with screenpaly story, dialogue LYRICS and STAR Cast

The film's title derives from Chapter 6 of The Apocalypse of John, where in the first, third, fifth, and seventh verses is written "Come and see" (Greek: ????? ??? ???, Erchou kai ide) as an invitation to look upon the destruction caused by the Four Horsemen of the Apocalypse. Chapter 6, verses 7–8 have been cited as being particularly relevant to the film:

And when he had opened the fourth seal, I heard the voice of the fourth beast say, Come and see! And I looked, and behold a pale horse: and his name that sat on him was Death, and Hell followed with him. And power was given unto them over the fourth part of the earth, to kill with sword, and with hunger, and with death, and with the beasts of the earth.

In 1943, two Byelorussian boys dig in a sand field looking for abandoned rifles in order to join the Soviet partisan forces. Their village elder warns them not to dig up the weapons as it will arouse the suspicions of the Germans. One of the boys, Flyora, finds an SVT-40 rifle, and the next day partisans arrive at Flyora's house to conscript him. Flyora becomes a low-rank militiaman and is ordered to perform menial tasks. When the partisans are ready to move on, their commander, Kosach, orders Flyora to remain behind at the camp. Bitterly disappointed, Flyora walks into the forest weeping and meets a young girl named Glasha, and the two bond before the camp is suddenly attacked by German paratroopers and dive bombers. Flyora is partially deafened from explosions before the two hide in the forest to avoid the German soldiers. Flyora and Glasha travel to his village, only to find his home deserted and covered in flies. Denying that his family is dead, Flyora believes that they are hiding on a nearby island across a bog. As they run from the village in the direction of the bogland, Glasha glances across her shoulder, seeing a pile of executed villagers' bodies stacked behind a house, but does not alert Flyora. The two become hysterical after wading through the bog, where Glasha then screams at Flyora that his family are actually dead in the village. They are soon met by Roubej, a partisan fighter, who takes them to a large group of villagers who have fled the Germans. Flyora sees the village elder, badly burnt by the Germans, who tells him that he witnessed his family's execution and that he should not have dug up the rifles. Flyora accepts that his family is dead and blames himself for the tragedy.

Roubej takes Flyora and two other men to find food at a nearby warehouse, only to find it being guarded by German troops, and during their retreat the group unknowingly wanders through a minefield resulting in the deaths of the two companions. That evening Roubej and Flyora sneak up to an occupied village and manage to steal a cow from a collaborating farmer, however Roubej and the cow are shot and killed by a German machine gun. The next morning, Flyora attempts to steal a horse and cart but the owner catches him and instead of doing him harm, he helps hide Flyora's identity when SS troops approach. Flyora is taken to the village of Perekhody, where they hurriedly discuss a fake identity for him, while the SS unit (based on the Dirlewanger Brigade) accompanied by Ukrainian collaborators surround and occupy the village. Flyora tries to warn the townsfolk they are being herded to their deaths, but is forced to join them inside a church. Flyora and a young woman bearing a strong resemblance to Glasha manage to escape; the young woman is dragged by her hair across the ground and into a truck to be gang raped, while Flyora is forced to watch as grenades are thrown into the church before it is set ablaze and shot. A German officer points a gun to Flyora's head to pose for a picture before leaving him to slump to the ground as the soldiers leave.

Flyora later wanders out of the scorched village in the direction of the Germans, where he discovers they had been ambushed by the partisans. After recovering his jacket and rifle, Flyora comes across the young woman who had also escaped the church in a fugue state after having been gang raped and beaten. Flyora returns to the village and finds that his fellow partisans have captured eleven of the Germans and their collaborators, including the commander. While some of the captured men plead for their lives and deflect blame, a young fanatical officer bluntly tells the captors that their people have no right to exist and they will carry out their mission. Kosach then forces most of the collaborators to douse the Germans with a can of petrol but the disgusted crowd shoots them all before they can be set on fire. As the partisans leave, Flyora notices a framed portrait of Adolf Hitler in a puddle and proceeds to shoot it numerous times. As he does so, a montage of clips from Hitler's life play in reverse, but when Hitler is shown as a baby in his mother's arms, Flyora stops shooting and cries.

In the film's final scene, a partisan officer calls out to a low-ranking recruit. Flyora turns, but an obedient youth rushes past him, and Flyora realizes he is now a full partisan. He then catches up and blends in with his partisan comrades marching through the woods as snow blankets the ground. As they disappear into the birch forest, a title informs: "628 Belorussian villages were destroyed, along with all their inhabitants."

• Aleksey Kravchenko as Flyora
• Olga Mironova as Glasha/Glafira
• Liubomiras Laucevi?ius as Kosach
  • Valeriy Kravchenko as Kosach's dubbing
• Vladas Bagdonas as Roubej
• Jüri Lumiste as young German officer
• Evgeniy Tilicheev as Collaborator
• Viktor Lorents as the German commander

Klimov co-wrote the screenplay with Ales Adamovich, who fought with the Belarusian partisans as a teenager. According to the director's recollections, work on the film began in 1977:

The 40th anniversary of the Great Victory was approaching. The management had to be given something topical. I had been reading and rereading the book I Am from the Fiery Village, which consisted of the first-hand accounts of people who miraculously survived the horrors of the fascist genocide in Belorussia. Many of them were still alive then, and Belorussians managed to record some of their memories onto film. I will never forget the face and eyes of one peasant, and his quiet recollection about how his whole village had been herded into a church, and how just before they were about to be burned, an officer gave them the offer: "Whoever has no children can leave". And he couldn't take it, he left, and left behind his wife and little kids...or about how another village was burned: the adults were all herded into a barn, but the children were left behind. And later, the drunk men surrounded them with sheepdogs and let the dogs tear the children to pieces.

And then I thought: the world doesn't know about Khatyn! They know about Katyn, about the massacre of the Polish officers there. But they don't know about Belorussia. Even though more than 600 villages were burned there!

And I decided to make a film about this tragedy. I perfectly understood that the film would end up a harsh one. I decided that the central role of the village lad Flyora would not be played by a professional actor, who upon immersion into a difficult role could have protected himself psychologically with his accumulated acting experience, technique and skill. I wanted to find a simple boy fourteen years of age. We had to prepare him for the most difficult experiences, then capture them on film. And at the same time, we had to protect him from the stresses so that he wasn't left in the loony bin after filming was over, but was returned to his mother alive and healthy. Fortunately, with Aleksey Kravchenko, who played Flyora and who later became a good actor, everything went smoothly.

I understood that this would be a very brutal film and that it was unlikely that people would be able to watch it. I told this to my screenplay coauthor, the writer Ales Adamovich. But he replied: "Let them not watch it, then. This is something we must leave after us. As evidence of war, and as a plea for peace."

—?Elem Klimov

Come and See was shot only on Belarusian soil. The events with the people, the peasants, actually happened as shown in the film. doesn't have any professional actors. Even the language spoken in the film is Belarusian. What was important was that all the events depicted in the film really did happen in Belarus.

For a long time, filming could not begin because the State Committee for Cinematography (Goskino) would not accept the screenplay, considering it propaganda for the "aesthetics of dirtiness" and "naturalism". Eventually in 1984, Klimov was able to start filming without having compromised to any censorship at all. The only change became the name of the film itself, which was changed to Come and See from the original title, Kill Hitler (Elem Klimov also says this in the 2006 UK DVD release).

The film was shot in chronological order over a period of nine months. Aleksey Kravchenko said that he underwent "the most debilitating fatigue and hunger. I kept a most severe diet, and after the filming was over I returned to school not only thin, but grey-haired." The 2006 UK DVD sleeve stated that the guns in the film were often loaded with live ammunition as opposed to blanks, for realism. Aleksey Kravchenko mentioned in interviews that bullets sometimes passed just 4 inches (10 centimeters) above his head (such as in the cow scene).

The film was released on 17 October 1985, drawing 29 million viewers and ranking sixth at the box office of 1986.