Cobra is a 1986 American action film directed by George P. Cosmatos, and written by Sylvester Stallone, who also starred in the title role. The film co-stars Reni Santoni, Brigitte Nielsen and Andrew Robinson. It is the first film where Brian Thompson plays a prominent role. The film was loosely based on the novel Fair Game by Paula Gosling, which was later filmed under that title in 1995. However, Stallone's screenplay was originally conceived from ideas he had during pre-production of Beverly Hills Cop, whose screenplay he heavily revised. He had wanted to make Beverly Hills Cop a less comedic and more action-oriented film, which the studio rejected as being far too expensive. When he left that project, Eddie Murphy was brought in to play the lead role.
Cobra | |
---|---|
Theatrical release poster by John Alvin | |
Directed by | George P. Cosmatos |
Produced by | Menahem Golan Yoram Globus |
Screenplay by | Sylvester Stallone |
Based on | Fair Game 1978 novel by Paula Gosling |
Starring |
|
Music by | Sylvester Levay |
Cinematography | Ric Waite |
Edited by | James R. Symons Don Zimmerman |
Production company | The Cannon Group |
Distributed by | Warner Bros. |
Release date | May 23, 1986 |
Running time | 87 minutes |
Country | United States |
Language | English |
Budget | $25 million |
Box office | $160 million (worldwide) |
The film received negative reviews, with much criticism focused on the overuse of genre tropes, yet it debuted at the number one spot on the U.S. box office and became a financial success. It is now considered a cult classic.
Screenplay
An armed gunman causes a hostage situation at a Los Angeles supermarket. When negotiations between him and law enforcement fail, the LAPD summons Lieutenant Marion Cobretti (Stallone), a member of the agency's elite division known as the "Zombie Squad". Cobretti, known by the codename "Cobra", infiltrates the store, locates, and negotiates with him.
During the negotiation, the gunman speaks of the unknown organization known as "The New World", a supremacist group of social darwinist radicals that despise modern society and believe in killing the weak, leaving only the strongest and smartest to rule the world. Cobretti then kills the gunman by throwing a knife at his abdomen and firing shots at him.
As the hostages and bodies are removed from the store, Cobretti is admonished by Detective Monte (Robinson) for his seeming disregard for police procedures and protocols. Harassed by reporters, Cobretti admonishes them for failing to prioritize the safety of potential victims. Little does everyone realize at the time is that the supermarket hostage crisis is only one of a string of recent and seemingly unconnected acts of violence and murder that have broken loose in Los Angeles, perpetrated by the same supremacist group the supermarket gunman mentioned.
Model and businesswoman Ingrid Knudsen (Nielsen) later becomes the organization's main target after witnessing their members, including the organization's leader, only identified as "The Night Slasher" (Thompson), going on a spree killing. She is placed under the protective custody of Cobretti and his partner, Sergeant Tony Gonzales (Santoni) after a failed attempt on her by the organization. Several more failed attempts are made on their lives by various people connected to the Order. Cobretti theorizes that there is an entire army of killers operating with the same modus operandi rather than a lone serial killer with some associates, but his suggestion is rebuffed by his superiors. However, the LAPD agrees with Cobretti that it will be safest if he and Knudsen relocate from the city.
Cobretti becomes romantically involved with Ingrid shortly after venturing out into the countryside, but Nancy Stalk (Garlington), the organization's second-in-command and right-hand person disguised as a police officer escorting the Cobretti party, reveals the location of their whereabouts. Despite Cobretti's suspicions and mistrust of Nancy, he does nothing and the party spends the night in a motel. The organization moves in at dawn and besieges the small town. With barely enough time to react, the attackers storm Cobretti and Ingrid's motel, wounding Gonzales in the process. Killing several members but with more swarming into the town, Cobretti and Ingrid escape in a pickup truck. When the truck is severely damaged from the chase, the duo cut through a grapefruit plantation to escape into a nearby factory.
Cobretti has defeated most of the organization by this point, with the few remaining members following them into the building. After eliminating every member except for the Night Slasher himself, Cobretti engages in a vicious melee combat with him inside the steel mill, ending with the Night Slasher being impaled in the back by a large roaming hook, then burned alive.
In the aftermath, Cobretti's department arrives and begins clean-up of the town, giving medical aid to Gonzales. Detective Monte appears apologetic but confronts Cobretti again about his lack of regard to police protocols, offering to discuss the issue over a long dinner. Cobretti punches Monte instead, and the film ends with Cobretti and Ingrid riding away on one of the motorcycles left by the organization.
- Sylvester Stallone as Lieutenant Marion "Cobra" Cobretti
- Brigitte Nielsen as Ingrid Knudsen
- Reni Santoni as Sergeant Tony Gonzales
- Andrew Robinson as Detective Monte
- Brian Thompson as The Night Slasher
- John Herzfeld as Cho
- Lee Garlington as Nancy Stalk
- Art LaFleur as Captain Sears
- Marco Rodriguez as Grocery Store Gunman (credited as Supermarket Killer)
- Val Avery as Chief Halliwell
- David Rasche as Dan
- Nick Angotti as Prodski
- Harry Demopoulos as Dr. Demopolous
Scripting
When Sylvester Stallone was signed to play the lead in Beverly Hills Cop, he decided to rewrite the script almost completely, removing nearly all the comedic aspects and turning it into an action movie that he felt was better suited to him. The studio read his revised script, and they rejected it, citing action scenes that were far beyond what their projected budget would allow. Stallone eventually left Beverly Hills Cop, and he channeled his ideas for that movie into an original script.
The novel Fair Game by Paula Gosling was cited as source material, enough so that she received a screen credit. When Cobra came out, Sylvester Stallone allegedly wanted the novel to be reissued with himself credited as co-author. Ms. Gosling declined the offer. The 1995 movie Fair Game was also based on the same novel by Ms. Gosling.
Sylvester Stallone's earlier draft of the script had a lot of differences from later drafts and the final film. These include; opening shootout taking place in movie theater (instead of a grocery store) during which a lot more people are killed, Cobra mentioning how he had a girlfriend who was killed by some psychopath he was trying to catch, additional big action sequence taking place during night on a boat where Cobra and Ingrid are hiding when they get attacked by the Night Slasher's cult members but Cobra and Gonzalez manage to kill them all, and different ending in which it's revealed that Monte was actual leader of the New Order cult and when he tries to kill Ingrid he gets shot and killed by Cobra.
Just like Cobra, Fair Game was also re-edited by Warner Bros. in post production. In Fair Game, the test audience disliked the original cut of the movie so much that heavy re-shoots and re-editing were done to try to improve the film, while Cobra needed much additional editing because the film was so graphically violent that, at first, it received an X rating from the MPAA. Warner Bros. also did not like the level of gore and violence of the first rough cut, which is why they would not release the movie until most of those scenes were deleted and the movie garnered an R rating, instead. Few other Sylvester Stallone films made for Warner Bros. had similar problems with re-edits and re-shoots which were forced by studio or Stallone himself, such as Tango & Cash, Demolition Man and The Specialist.
Casting
Brian Thompson auditioned seven times before he was hired. On the fourth audition he met Stallone, who thought that Thompson was too nice to play the Night Slasher. But after a screen test, he immediately got the job. Also in original script, the Night Slasher was called Abaddon, possibly after the "angel of the abyss" from the bible.
Thompson repeatedly sought Stallone's advice about how to play the Night Slasher, including questions about his background and personal motivations, but Stallone showed no interest in the subject and told Thompson that the character was simply evil. In an unfortunate surprise for Thompson, after filming was completed, director Cosmatos unexpectedly told him: "You could have been good if you had listened to me."
Cobra reunited two actors from the movie Dirty Harry: Reni Santoni, and Andy Robinson.
Brigitte Nielsen was cast as Ingrid Knudsen.
Filming
Originally, the movie was to be filmed in Seattle, climaxing with a motorcycle chase scene on a ferry between the islands. Even though everything was prepared to start filming the final theatrical version of the scene at night, Stallone demanded the ending be changed because of the mosquito problem at that time, which would have made night time filming very difficult to endure.
The supporting cast and extras were forbidden from talking to Stallone on set.
At one point during filming, Stallone complained to cinematographer Ric Waite that they were falling behind and that he needed to push his crew to work harder. Waite responded by telling Stallone that the delays were due to his fooling around with Briigitte Nielsen and showing off for his bodyguards. Although Stallone was shocked that somebody would talk to him that way, he cleaned up his act and behaved more professionally, although he returned to his old egocentric behavior a few weeks later. Waite later said in an interview that, despite his huge ego, Stallone had a great sense of humor. He also confirmed a rumor that Stallone was the true director of the film, calling George P. Cosmatos a good producer but a bad director.
For the Night Slasher's monologue in the lead-up to the final fight, Brian Thompson did the scene with a script girl standing in for Stallone, who was busy watching a basketball game on TV.
The custom 1950 Mercury driven by Cobretti was actually owned by Sylvester Stallone. The studio produced stunt doubles of the car for use in some of the action sequences, such as the jump from the second floor of the parking garage. The coupe was with a 350 cubic-inch Chevrolet engine, outfitted with a blower for added horsepower, a Hurst automatic shifter and a 400 hydro transmission with a shift kit. The car could go from zero to sixty miles per hour in four seconds and hit speeds of 140 miles per hour. A hood scoop was added to the front end, headlights and tail lights were rounded, and most of the decorative chrome was removed. The production built three Cobra cars for stunt work. Although they were identical on the outside, their moving parts were designed for specific sequences, involving high-speed swipes with other vehicles, 180-degree turns, jumps, and 360-degree spins.
The knife used by the Night Slasher was made for the film by knife designer Herman Schneider. Sylvester Stallone asked Schneider to create a knife that audiences would never forget.
Cobretti uses a custom Colt Gold Cup National Match 1911 chambered in 9mm. The 9mm variant was made specifically for the film (normally it fires 45 acp). Later in the film he uses a Jati-Matic submachine gun.
There was originally a scene in which Cobretti uses ASP 9 as a backup gun but it was cut during re-editing of the movie.
LAT article reported that the film’s body count amounted to twenty-five good guys dead, and forty-two bad guys dead.
Versions
The first rough cut was over two hours long (the closest estimated original running time is 130 minutes). It was then shortened to a roughly two-hour director's cut which was intended to be released in theaters. However, after Top Gun became a smash hit, Stallone and Warner Bros. were worried that Cobra - which would premiere the following week - would be overshadowed, so in order to ensure at least one extra screening each day the movie was heavily re-edited. Stallone removed much of the plot and scenes involving characters other than his own. Warner Bros. also demanded that the more graphic scenes be cut down or removed entirely because they were "too intense," and that some action scenes be cut for pacing.
When first submitted to the MPAA the film received an X rating, necessitating even more cuts. The full extent of the censorship is unknown, but based on director Cosmatos's commentary and several other sources, some of the cut scenes include:
- The first murder victim having her throat cut and hands severed;
- More dead bodies in the autopsy scene, including lingering shots of naked and mutilated bodies of murdered women;
- The Order's day jobs as welders, carpenters and fish market cleaners, which were originally part of "Angel of the City" sequences. These were cut and replaced with the scenes of the Order doing a routine workout ritual as seen in the film's opening;
- An extended death scene for Ingrid's photographer Dan, in which he is hit several more times with axes and attempts to escape, only to slip on his own blood and fall down in puddle of it before being finished off with even more hits;
- The scene in which the Night Slasher tries to kill Ingrid in the hospital was cut down for pacing and content. The deaths of the janitor and nurse were originally shown onscreen and a scene where police guard outside Ingrid's room is killed by the Night Slasher was also cut. A later scene where Cobretti mentions the officer's death to Monte was cut to maintain continuity, which as a result made the editing of that scene choppy;
- More scenes of the townspeople being killed during the climax, including a scene in which one is hit in the face with ax; two of these death scenes appeared in 1990's TV versions of the
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