Cabaret 1972 Film full HD movie download free with screenpaly story, dialogue LYRICS and STAR Cast

In 1931 Berlin, young American Sally Bowles (Liza Minnelli) performs at the Kit Kat Klub. A new British arrival in the city, Brian Roberts (Michael York), moves into the boarding house where Sally lives. A reserved academic and writer, Brian gives English lessons to earn a living, while completing his doctorate. Sally tries seducing Brian, and suspects he may be gay. Brian tells Sally that on three previous occasions he has tried to have sexual relationships with women, all of which failed. They become friends, and Brian witnesses Sally's anarchic, bohemian life in the last days of the Weimar Republic. Sally and Brian become lovers, despite their earlier reservations; they conclude that his previous failures with women were because they were "the wrong three girls".

Sally befriends Maximilian von Heune, a rich playboy baron who takes her and Brian to his country estate; it becomes ambiguous which of the duo Max is seducing. After a sexual experience with Brian, Max loses interest in the two, and departs for Argentina. During an argument, when Sally tells Brian that she has been having sex with Max, Brian reveals that he has as well. Brian and Sally later reconcile, and Sally reveals that Max left them money and mockingly compares the sum with what a professional prostitute gets.

Sally learns that she is pregnant, but is unsure of the father. Brian offers to marry her and take her back to his university life in Cambridge. At first, they celebrate their resolution to start this new life together, but after a picnic between Sally and Brian, in which Brian acts distant and uninterested, Sally becomes disheartened by the vision of herself as a bored faculty wife washing dirty diapers. Ultimately, she has an abortion, without informing Brian in advance. When he confronts her, she shares her fears, and the two reach an understanding. Brian departs for England, and Sally continues her life in Berlin, embedding herself in the Kit Kat Club.

A subplot concerns Fritz Wendel (Fritz Wepper), a German Jew passing as a Christian, who is in love with Natalia Landauer (Marisa Berenson), a wealthy German Jewish heiress, who holds him in contempt and suspects his motives. The worldly Sally gives him advice, which eventually enables Fritz to win her love. However, in order to get her parents' consent for their marriage, Fritz must reveal his true religious and ethnic background – a highly dangerous act, considering what is in store for Jews under the coming Nazi regime. Although the Nazis are not yet in power, some of them kill Natalia's beloved dog one night.

The Nazis' violent rise is a powerful, ever-present undercurrent in the film. Their progress can be tracked through the characters' changing actions and attitudes. While in the beginning of the film, Nazis are sometimes harassed and even kicked out of the Kit Kat Klub, the final shot of the film shows the cabaret's audience is dominated by uniformed Nazi Party members. The rise of the Nazis is also dramatically demonstrated in the rural beer garden scene. In a sunlit outdoor setting, a boy — only his face seen — sings to a relaxed audience of all ages what at first seem mild lyrics ("Tomorrow Belongs To Me") about the beauties of nature and youth. The camera shifts to show that the singer is wearing a brown Hitler Youth uniform. As the gentle a capella ballad gradually transforms into a harsh and militant Nazi anthem, one by one, nearly all the adults and young people watching rise and join in the singing. The song culminates with the singer donning his Hitler Youth cap and lifting his hand in the Nazi salute. Max and Brian return to their car after witnessing this show of growing support for the National Socialist movement, Brian asking Max, "Do you still think you can control them?" Later, Brian's confrontation with a Nazi in the street is a futile gesture, leading to nothing but him being beaten.

While he does not play a role in the main plot, the "Master of Ceremonies" (Joel Grey) serves in the role of story-teller throughout the film. His surface demeanor is one of benevolence and hospitality ("Willkommen"), but his intermittent songs in the Kit Kat Klub are increasingly risqué, and pointedly mock the Nazis initially, while later songs reveal the growing acceptance of anti-Semitism.

• Liza Minnelli as Sally Bowles
• Michael York as Brian Roberts
• Helmut Griem as Maximilian von Heune
• Joel Grey as Master of Ceremonies
• Fritz Wepper as Fritz Wendel
• Marisa Berenson as Natalia Landauer
• Elisabeth Neumann-Viertel as Fräulein Schneider
• Ralf Wolter as Herr Ludwig
• Helen Vita as Fräulein Kost
• Sigrid von Richthofen as Fräulein Mayr
• Gerd Vespermann as Bobby
• Georg Hartmann as Willi
• Ricky Renee as Elke, transvestite in Kit Kat Club
• Oliver Collignon as Nazi youth (Mark Lambert, singing voice) (uncredited)

The Kit-Kat Dancers

• Kathryn Doby
• Inge Jaeger
• Angelika Koch
• Helen Velkovorska
• Gitta Schmidt
• Louise Quick

Pre-production

Playwrights Jay Presson Allen and Hugh Wheeler went back to the original stories to restore the subplot about the gigolo and the Jewish heiress. They also drew on original author Christopher Isherwood's openness about his homosexuality to make the leading male character, a writer modeled on him, a bisexual who shares his bed and a male lover with Sally. Fosse decided to increase the focus on the Kit Kat Klub, where Sally performs, as a metaphor for the decadence of Germany in the 1930s by eliminating all but one of the musical numbers performed outside the club. The only remaining outside number is "Tomorrow Belongs to Me", a folk song rendered spontaneously by patrons at an open-air cafe in one of the film's most chilling scenes. In addition, the show's original songwriters, John Kander and Fred Ebb, wrote two new songs, "Mein Herr", "Money", and incorporated a song they had composed in 1964 for Kaye Ballard, "Maybe This Time".

The two new songs and "Maybe This Time" were performed by the film's leading lady, Liza Minnelli ("Money" also featured Grey). Minnelli had auditioned to play Sally in the original Broadway production. Some involved with the show say she was too inexperienced at the time, though she had already won Broadway's Tony Award for Best Actress in a Musical. Others have suggested that she was too big a presence for the role as written on Broadway. By the time Cabaret reached the screen, however, Minnelli was a major film star, having won an Oscar nomination as the emotionally damaged college student in 1969's The Sterile Cuckoo.

In 1971, Bob Fosse learned through Harold Prince, director of the original Broadway production, that Cy Feuer was producing a film adaptation of Cabaret through ABC Pictures and Allied Artists. This was the first film produced in the revival of Allied Artists. Determined to direct the film, Fosse urged Feuer to hire him. Chief executives Manny Wolf and Marty Baum preferred a bigger name director such as Joseph L. Mankiewicz or Gene Kelly. That Fosse had directed the unsuccessful film adaptation of Sweet Charity gave Wolf and Baum pause. Feuer appealed to the studio heads, citing Fosse's talent for staging and shooting musical numbers, adding that if inordinate attention was given to filming the book scenes at the expense of the musical numbers, the whole film could fail. Fosse was ultimately hired. Over the next months, Fosse met with previously hired writer Jay Allen to discuss the screenplay. Dissatisfied with Allen's script, he hired Hugh Wheeler to rewrite and revise her work. Wheeler is referred to as a "research consultant", while Allen retains screenwriting credit. The final script was based less on Joe Masteroff's original book of the stage version, and more on The Berlin Stories and I Am a Camera.

Fosse and Feuer traveled to West Germany, where producers chose to shoot the film, in order to finish assembling the film crew. During this time, Fosse highly recommended Robert L. Surtees for cinematographer, but Feuer and the top executives saw Surtees's work on Sweet Charity as one of the film's many artistic problems. Producers eventually chose British cinematographer Geoffrey Unsworth. Designers Rolf Zehetbauer, Hans Jürgen Kiebach and Herbert Strabel served as production designers. Charlotte Flemming designed costumes. Fosse dancer Kathryn Doby, Louise Quick and John Sharpe were brought on as Fosse's dance aides.

Casting

Feuer had cast Liza Minnelli as Sally Bowles and Joel Grey (reprising his stage role) long before Fosse was attached to the project. Fosse was given the option of using Grey as Master of Ceremonies or walking away from the production. Fosse hired Michael York as Sally Bowles's bisexual love interest. Several smaller roles, as well as the remaining four dancers in the film, were eventually cast in Germany.

Filming

Rehearsals and filming took place entirely in West Germany. For reasons of economy, indoor scenes were shot at Bavaria Film Studios in Grünwald, outside Munich. Location shooting took place in and around Munich and West Berlin, and in Schleswig-Holstein and Saxony. Editing was done in Los Angeles before the eventual theatrical release in February 1972.

Narrative and news reading

Although the songs throughout the film allude to and advance the narrative, every song except "Tomorrow Belongs to Me" is executed in the context of a Kit Kat Klub performance. The voice heard on the radio reading the news throughout the film in German was that of associate producer Harold Nebenzal, whose father Seymour Nebenzahl made such notable Weimar films as M (1931), Testament of Dr. Mabuse (1933), and Threepenny Opera (1931).

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