Bugsy Malone full HD movie download free with screenpaly story, dialogue LYRICS and STAR Cast

A mobster named Roxy Robinson is "splurged" by members of a gang, using rapid-fire cream-shooting "splurge guns". Once splurged, a kid is "all washed up... finished". Speakeasy boss Fat Sam introduces himself and Bugsy Malone, a boxing promoter with no money ("Bugsy Malone").

At Fat Sam's speakeasy, there is much dancing and singing ("Fat Sam's Grand Slam"). Fat Sam is worried that his rival Dandy Dan will try to take control of the speakeasy. Blousey Brown, an aspiring singer, has come for an audition, but Sam is too distracted to see her. Bugsy meets Blousey when he trips over her luggage. He is smitten and flirts with her. Fat Sam's is raided by Dandy Dan's men, who shoot up the place. Dandy Dan's men continue to attack Fat Sam's empire, eventually taking away rackets and splurging members of Fat Sam's gang. Fat Sam sends all his available men to see if they can track down the guns. They are trapped at a laundry and all are splurged by Dandy Dan's gang.

Bugsy returns to Fat Sam's to arrange a new audition for Blousey. Fat Sam's girlfriend, the chanteuse Tallulah, makes a pass at him. Although Bugsy rejects her flirtation, Tallulah plants a big kiss on Bugsy's forehead when Blousey enters; Blousey is jealous. Fat Sam hires Blousey after her audition, but she refuses to speak to Bugsy ("I'm Feelin' Fine").

Fat Sam hires Bugsy to accompany him to a meeting with Dandy Dan. The meeting is a trap, but Bugsy helps Fat Sam escape. Gratefully, Fat Sam pays him $200. Bugsy and Blousey reconcile and have a romantic outing on a lake; Bugsy promises to take her to Hollywood. When he returns Sam's car to the garage, he is attacked and his money is stolen. Bugsy is saved by Leroy Smith, who assaults the attackers and drives them away. Bugsy realizes that Leroy has the potential to be a great boxer. Bugsy introduces Leroy to Cagey Joe and helps him train ("So You Wanna Be a Boxer?"). Fat Sam again seeks Bugsy's aid after his assistant Knuckles is unintentionally killed. Bugsy resists, but Fat Sam offers $400, enough money to keep his promise to Blousey. Blousey is disappointed when she learns that Bugsy hasn't bought the tickets to California yet ("Ordinary Fool"). Bugsy and Leroy follow Dandy Dan's men to a warehouse, where the guns are being stashed. The two of them can't take the place alone, so Bugsy recruits a large group of down-and-out workers at a soup kitchen ("Down and Out").

They steal the crates of guns and take them to Fat Sam's, arriving just as Dandy Dan's gang arrives. Chaos ensues as a massive splurge gun fight erupts, covering everyone (except Bugsy and Blousey) with cream. Unarmed patrons throw cream pies. The piano player is hit from behind and falls onto the keys, striking a single bass note. The tone silences the room, and the cream-covered crowd performs in a final number ("You Give a Little Love"). They realize they can all be friends, and Bugsy and Blousey leave for Hollywood.

Bugsy Malone was Alan Parker's first feature film. Parker was trying to find a film project that was not "parochial" and decided upon an American gangster setting: "I had four young children and we used to go to a cottage in Derbyshire at weekends. On the long, boring car journey up there, I started telling them the story of a gangster called Bugsy Malone. They’d ask me questions and I’d make up answers, based on my memories of watching old movie reruns as a kid." His eldest son suggested children should be cast as the "heroes".

Casting

The director chose to cast several unknown actors in the film. To find his Fat Sam, Parker visited a Brooklyn classroom, asking for "the naughtiest boy in class". The students were unanimous in selecting John Cassisi, and Parker gave him the role. Florrie Dugger (Blousey) was originally cast in a smaller role; when the actress cast as Blousey suddenly grew taller than Baio, Dugger was promoted. She had been "discovered" at RAF Chicksands, an air force base in Bedfordshire where her American father was stationed. At the time of filming, all of the cast were under 17 years old.

Parker cast Baio after he slammed down the script and stormed out of his audition. Baio later remembered:

I had quit the business, because I didn’t like driving into Manhattan. Well, the long and the short of it is that I wanted to play with my friends after school, but it happened to be raining that day, so I went to the city to meet with Alan Parker. I read it, but I just barely read it. I didn’t even want to be there. He was English, but I didn’t even know what that was. He was just this weird guy with long hair, and I didn’t know what he was. So I sort of read the script, threw it at him, and walked out the door. That was it: I’d gotten the part before I got home.

Music

Parker chose Paul Williams to score the film in order to get a more "palatable" modern sound, and simply because he liked him. Williams had scored Brian De Palma's commercial failure Phantom of the Paradise, but had also written huge pop-radio hits (such as "We've Only Just Begun" (lyrics), and "(Just An) Old Fashioned Love Song"). In fact, Williams would soon win an Oscar for his song "Evergreen" from the film A Star Is Born (1976).

Williams felt that "...the challenge for me was to provide songs that reflected the period ... and yet maintained an energy that would hold the young audiences attention." According to Parker, Williams was writing while on tour, recording songs in different cities, and sending the completed tapes to Hollywood. Arriving during the first pre-shoot rehearsals, the songs had to be accepted and used as they were, with voices by Williams, Archie Hahn and others.

Neither the director nor the songwriter was entirely comfortable with the results. Williams later wrote "I'm really proud of the work and the only thing I've ever doubted is the choice of using adult voices. Perhaps I should have given the kids a chance to sing the songs." Parker also commented: "Watching the film after all these years, this is one aspect that I find the most bizarre. Adult voices coming out of these kids' mouths? I had told Paul that I didn't want squeaky kids voices and he interpreted this in his own way. Anyway, as the tapes arrived, scarcely weeks away from filming, we had no choice but to go along with it!"

Filming

The film was rehearsed and shot in England, largely on Pinewood Studios' "H" stage, with locations in Black Park Country Park (Wexham, Buckinghamshire) and Reading, Berkshire.

The "splurge firearm" proved to be problematic. After initial experiments with cream-filled wax balls proved painful, Parker decided to abandon the idea of filming the firearms directly. Instead, the firearms fired ping-pong balls, and a fast cut to a victim being pelted with "splurge" was used to convey the impression of the rapid-firing firearms.

Baio later said making the film was "awesome":

A kid’s fantasy: You get to dress up as gangster, you get to shoot guns that fire whipped cream, you get to drive cars with pedals that look like real cars, and you get to talk like a grown-up. I mean, you couldn’t ask for a better first big gig. Talk about getting you hooked on a business! It was fantastic.

Bugsy Malone received highly positive reviews from critics upon release. On Rotten Tomatoes, it currently holds a score of 84% based on 19 reviews, with an average rating of 6.6/10. Despite the positive critical reception, Bugsy Malone was not a commercial success in the US, bringing in just over $2.7 million. Paramount gave it a limited release, usually in second-tier theaters in a double-bill with The Bad News Bears, which had already bee