Bride Of The Monster full HD movie download free with screenpaly story, dialogue LYRICS and STAR Cast

In a stretch of woods, two hunters are caught in a "raging thunderstorm". They decide to seek refuge in Willows House, which is supposedly abandoned and haunted. When they reach Willows House, they find it to be occupied and the current owner repeatedly denies them hospitality. One of the hunters attempts to force his entry into the house, but a giant octopus is released from its tank and sent after the intruders. One of the fleeing hunters is killed by the octopus, while the other is captured by the giant. The owner is a scientist, Dr. Eric Vornoff, and the giant is his mute assistant, Lobo. Vornoff explains that he will perform an experiment on the unwilling hunter, who dies on the operating table.

In a police station, Officer Tom Robbins sees Lieutenant Dick Craig. There are now 12 missing victims, and the police still do not know what happened to them. The reporter behind the newspaper reports is Janet Lawton, Craig's fiancée. Janet forces her way into the office and argues with Robbins, and vows to go to Lake Marsh to investigate. At the police station, Robbins and Craig have a meeting with an intellectual from Europe, Professor Vladimir Strowski, who agrees to assist the police in investigating the Marsh, but not at night. As night falls and another storm begins, Janet drives alone to Lake Marsh, but visibility is poor and she drives off the road and into a ravine. Lobo rescues her.

Janet awakens to find herself a prisoner of Vornoff, who uses hypnosis to put her back to sleep. The following day, Craig and his partner drive to the area around Lake Marsh, a swamp. The partners also discuss the strange weather and mention that the newspapers could be right about "the atom bomb explosions distorting the atmosphere". The duo eventually discover Janet's abandoned car and realize she is the 13th missing victim. They leave the swamp while, Strowski drives a rented car to the swamp.

Janet awakens at Willows House. Vornoff assures her that Lobo is harmless, but the giant seems fascinated with the female captive and approaches her with questionable intent. Vornoff explains the giant is human and that Vornoff found him in the "wilderness of Tibet". Vornoff then hypnotically places Janet back to sleep. He orders Lobo to transport the captive to Vornoff's private quarters. Meanwhile, Strowski silently approaches Willows House and enters through the unlocked front door. While Strowski searches the house, Vornoff arrives to greet him. Their country of origin is interested in Vornoff's groundbreaking experiments with atomic energy and wants to recruit him. Vornoff narrates that two decades prior, Vornoff had suggested using experiments with nuclear power which could create superhumans of great strength and size. In response, he was branded a madman and exiled by his country. Strowski reveals that he has dreams of conquest in the name of their country, while Vornoff dreams of his creations conquering in his own name. By late evening, Craig and his partner return to the swamp and discover Strowski's abandoned car. The partners split up to search the area, Craig heading towards Willows House. Back in the secret laboratory, Vornoff uses a wave of his hand to summon Janet to his current location. She arrives dressed as a bride, summoned through telepathy. He has decided to use her as the next subject of his experiments. Lobo is reluctant to take part in this experiment, and Vornoff uses a whip to re-assert his control over his slave and assistant. Meanwhile, Craig has entered the house and accidentally discovers the secret passage. He is himself captured by Vornoff and Lobo.

As the experiment is about to begin, Lobo is visibly distressed. Taking his decision, Lobo rebels and attacks Vornoff. After a fight, Lobo knocks Vornoff out, releases Janet, and transports the unconscious Vornoff to the operating table. The scientist becomes the subject of his own human experiment. This time the experiment works and Vornoff is transformed to an atomic-powered superhuman being. He and Lobo physically struggle with each other, and their fight destroys the laboratory and starts a fire. Vornoff grabs Janet and escapes from the flames. Robbins and other officers arrive to help Craig. The police pursue Vornoff through the woods. There is another thunderstorm, and a lightning strike further destroys Willows House. With his home and equipment destroyed, a distressed Vornoff abandons Janet and merely attempts to escape. Craig rolls a rock at him and lands him in the water with the octopus. They struggle until a nuclear explosion obliterate both combatants, apparently the end result of the chain reaction started at the destroyed laboratory. Robbins comments that Vornoff "tampered in God's domain".

The first incarnation of the film was a 1953 script by Alex Gordon titled The Atomic Monster, but a lack of financing prevented any production. Later Ed Wood revived the project as The Monster of the Marshes. Actual shooting began in October 1954 at the Ted Allan Studios, but further money problems quickly halted the production. The required funds were supplied by a rancher named Donald McCoy, who became the film's producer. He also provided his son to star as the film's hero. According to screenwriter Dennis Rodriguez, casting the younger McCoy as a protagonist was one of two terms Donald imposed on Wood. The other term was to include an atomic explosion in the finale. Production resumed in 1955 at Centaur Studios.

The film premiered at Hollywood's Paramount theater in May 1955, under the title Bride of the Atom. The film was reportedly completed and released through a deal with Samuel Z. Arkoff. Arkoff profited from the film more than Wood, and his earnings contributed to the funding of American International Pictures. The ending credits identify the copyright holder of the film as "Filmakers Releasing Organization". Distribution rights were held by Banner Films in the United States, and by Exclusive in the United Kingdom.

Genre and background

The film combines elements of science fiction and horror fiction, genres which were frequently combined in films of the 1950s. Like many of these contemporaries, Bride serves in part as a Cold War propaganda film. Once again, an external threat from "Old Europe" serves as the enemy of the righteous United States. In Cold War thrillers, foreign nations served as a vilified and demonized Other for American audiences. The country of origin for Vornoff and Strowski is left unnamed. The only clues is that it is European and has its own dreams of conquest. By implication, the country which exiled Vornoff in the 1930s could be Nazi Germany or the Soviet Union. Their role as villains for the American cinema had already been solidified by the 1950s, and Wood could be alluding to both of them. Strowski uses the term master race, which is a key concept in Nazism.

Both the working title Bride of the Atom and the final title Bride of the Monster allude to the earlier film Bride of Frankenstein (1935). The film otherwise follows the template of the Poverty Row horror films of the 1940s. The Atomic Age influences the film in its ominous implications concerning nuclear weapons and the threat they posed towards human civilization.