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Breakfast at Tiffany's is a 1961 American romantic comedy film directed by Blake Edwards and written by George Axelrod, loosely based on Truman Capote's 1958 novella of the same name. Starring Audrey Hepburn and George Peppard, and featuring Patricia Neal, Buddy Ebsen, Martin Balsam, and Mickey Rooney, the film was initially released on October 5, 1961 by Paramount Pictures.

Breakfast at Tiffany's
Original theatrical release poster by Robert McGinnis
Directed byBlake Edwards
Produced by
  • Martin Jurow
  • Richard Shepherd
Screenplay byGeorge Axelrod
Based onBreakfast at Tiffany's
by Truman Capote
Starring
  • Audrey Hepburn
  • George Peppard
  • Patricia Neal
  • Buddy Ebsen
  • Martin Balsam
  • Mickey Rooney
Music byHenry Mancini
Cinematography
  • Franz F. Planer
  • Uncredited:
  • Philip H. Lathrop
Edited byHoward Smith
Production
company
Jurow-Shepherd
Distributed byParamount Pictures
Release date
  • October 5, 1961 (1961-10-05)
Running time
114 minutes
CountryUnited States
Language
  • English
  • Portuguese
Budget$2.5 million
Box office$14 million

Hepburn's portrayal of Holly Golightly as the naïve, eccentric socialite is generally considered to be the actress's most memorable and identifiable role. Hepburn regarded it as one of her most challenging roles, since she was an introvert required to play an extrovert.

Breakfast at Tiffany's was received positively at the time, and won two Academy Awards: Best Original Score and Best Original Song for "Moon River", which was also selected as the fourth most memorable song in Hollywood history by the American Film Institute in 2004. The film was also nominated for three other Academy Awards: Best Actress for Hepburn, Best Adapted Screenplay, and Best Art Direction.

In 2012, the film was deemed "culturally, historically, or aesthetically significant" by the United States Library of Congress and selected for preservation in the National Film Registry.

Screenplay

Early one morning, a taxi pulls up at Tiffany & Co. on Fifth Avenue in New York City, from which elegantly dressed Holly Golightly emerges carrying a paper bag with her breakfast. After looking into the shop's windows while eating her bun and sipping her coffee, she strolls home. Outside her apartment, she fends off Sid Arbuck, her date from the disastrous night before. Inside the apartment building, Holly can't find her keys so she buzzes her landlord, Mr. Yunioshi, who begrudgingly lets her in. Later, she is awakened by new neighbor Paul Varjak, who rings her doorbell to get into the building. The pair chat as she dresses to leave for her weekly visit to Sally Tomato, a mobster incarcerated at Sing Sing prison. Tomato's lawyer pays her $100 a week (a rent-covering annual "wage" of $42,600 today) to deliver "the weather report".

 
Audrey Hepburn as Holly Golightly

As she is leaving for Sing Sing, Holly is introduced to Paul's "decorator", wealthy older woman Emily Eustace Failenson, whom Paul nicknames "2E". That night, Holly goes out onto the fire escape to elude an over-eager date. She peeks into Paul's apartment and sees 2E leaving money and kissing Paul goodbye. After she leaves, Holly enters Paul's apartment and learns he is a writer who has not had anything published since a book of vignettes five years before. Holly, in turn, explains she is trying to save money to support her brother Fred. The pair fall asleep, but are awakened when Holly has a nightmare about Fred. When Paul questions her about this, Holly chides him for prying and leaves. She later buys Paul a typewriter ribbon to apologize and invites him to a lively party at her apartment. There, Paul meets her Hollywood agent, O. J. Berman, who describes Holly's transformation from country girl into Manhattan socialite. He is also introduced to José da Silva Pereira, a wealthy Brazilian politician, and Rusty Trawler, the "ninth richest man in America under 50".

In the days that follow, Paul and Holly become closer. The next day, 2E enters Paul's apartment, worried she is being followed. Paul tells her he will investigate and eventually confronts Doc Golightly, Holly's estranged husband. Doc explains Holly's real name is Lula Mae Barnes and that they were married when she was 14. He wants to take her back to rural Texas, as her brother Fred will be returning in a few months after Army service. After Paul reunites Holly and Doc, she tells Paul the marriage was annulled. At the Greyhound bus station, she tells Doc she will not return to Texas with him and Doc leaves town broken-hearted.

After drinking at a club, Paul and Holly return to her apartment, where she drunkenly tells him she plans to marry Trawler for his money. A few days later, Paul learns one of his short stories will be published. On the way to tell Holly, he sees a newspaper headline stating Trawler has married someone else. Holly and Paul agree to spend the day together, taking turns doing things each has never done before, including visiting the library, stealing from a little convenience store and going to Tiffany's. At Tiffany's, Paul has the ring from Doc Golightly's box of Cracker Jack engraved as a present for Holly. After spending the night together, he awakens to find her gone. When 2E arrives, Paul ends their relationship. She calmly accepts, having earlier concluded he and some other woman are in love.

Holly schemes to marry José for his money, which angers Paul. After Holly receives a telegram notifying her of Fred's death, she trashes her apartment. Months later, Paul has moved out. He is invited to dinner by Holly, who is leaving the next morning for Brazil to continue her relationship with José. However, they are arrested in connection with Sally Tomato's drug ring, and Holly spends the night in jail.

The next morning, Holly is released on bail and finds Paul waiting, and they take a cab. He has her cat and a letter from José explaining he must end their relationship due to her arrest. Holly insists she will go to Brazil anyway, asks the cab to pull over, and releases the cat into the rain. Paul confronts Holly about his love and her behavior, then gets out of the cab in the pouring rain and leaves, tossing the engraved Cracker Jack ring into her lap and telling her to examine her life. She goes through a decision making moment, puts on the ring, and runs after Paul, who has gone looking for the cat. She searches the alley and finally finds the cat. Paul and Holly stand in the rain, and with the cat tucked into Holly's coat, look into each other's eyes and share a kiss.

  • Audrey Hepburn as Holly Golightly - New York "City" girl - Socialite
  • George Peppard as Paul Varjak (nicknamed "Fred" by Holly, for his resemblance to her brother) - Writer - New neighbor and kept man of "2E"
  • Patricia Neal as Mrs. Emily Eustace "Tooley" Failenson - Rich decorator
  • Buddy Ebsen as Doc Golightly - Holly's former husband from Texas
  • Martin Balsam as O.J. Berman - Agent
  • Mickey Rooney as I. Y. Yunioshi - Angry upstairs neighbor and Landlord
  • Alan Reed as Sally Tomato - Mobster in Sing Sing
  • José Luis de Vilallonga as José da Silva Pereira (credited as Vilallonga) - Holly's Brazilian rich mark
  • Stanley Adams as Rutherford "Rusty" Trawler - Another failed husband mark
  • John McGiver as Tiffany's salesman
  • Dorothy Whitney as Mag Wildwood
  • Claude Stroud as Sid Arbuck - First Holly suitor
  • Mel Blanc as Holly's over eager date
  • Orangey as Cat (trained by Frank Inn)
  • Beverly Powers as the stripper (credited as Miss Beverly Hills)
  • Elvia Allman as the librarian

Pre-production

The Oscar-nominated screenplay was written by George Axelrod, loosely based on the novella by Truman Capote. Changes were made to fit the medium of cinema and to correspond to the filmmakers' vision. Capote, who sold the film rights of his novella to Paramount Studios, wanted Marilyn Monroe to play Holly Golightly, whom he had described perfectly in the book. Barry Paris cites Capote's own comments on the choice of actress: "Marilyn was always my first choice to play the girl, Holly Golightly." Screenwriter Axelrod was hired to "tailor the screenplay for Monroe". When Lee Strasberg advised Monroe that playing a "lady of the evening" would be bad for her image, she turned it down and performed in The Misfits instead. When Hepburn was cast instead of Monroe, Capote remarked: "Paramount double-crossed me in every way and cast Audrey". Shirley MacLaine was also offered the part of Holly, but she turned it down and performed in Two Loves instead.

Originally producers Martin Jurow and Richard Shepherd had picked John Frankenheimer as the director, but Hepburn said: "I've never heard of him" and he was replaced on her request.

Principal photography

 
Hepburn in the opening scene.

Most of the exteriors were filmed in New York City, except the fire escape scenes and the alley scene at the end in the rain where Holly puts Cat out of the cab and then Paul and Holly look for Cat. All of the interiors, except for portions of the scene inside Tiffany & Company, were filmed on the Paramount Studios lot in Hollywood.

According to one report the film's on-location opening sequence, in which Holly gazes into a Tiffany's display window, was extremely difficult for director Blake Edwards to shoot. Although it was simple in concept, crowd control, Hepburn's dislike of pastries, and an accident that nearly resulted in the electrocution of a crew member are all said to have made capturing the scene a challenge. However, another report claims that the sequence was captured rather quickly due to the good fortune of an unexpected traffic lull.

Music

It took me a long time to figure out what Holly Golightly was all about. One night after midnight I was still trying. I don't drink much, but I was sipping. And it came to me. I wrote in half an hour.

During the film, Hepburn sang the film's signature song, "Moon River" by Henry Mancini and Johnny Mercer. The song was tailored to Hepburn's limited vocal range, based on songs she had performed in 1957's Funny Face. On the Anniversary Edition DVD of Breakfast at Tiffany's co-producer Richard Shepherd says in his audio commentary that after a preview in San Francisco, Martin Rankin, Paramount's head of production, wanted "Moon River" replaced with music by somebody like Gordon Jenkins (whose album Manhattan Tower had been out fairly recently): "Marty and I both said 'over our dead bodies.'" According to Mancini and Edwards, a studio executive hated the song and demanded it be cut from the film; Hepburn, who was present, responded to the suggestion by standing up and saying, "Over my dead body!"

According to Time magazine, Mancini "sets off his melodies with a walking bass, extends them with choral and string variations, varies them with the brisk sounds of combo jazz. 'Moon River' is sobbed by a plaintive harmonica, repeated by strings, hummed and then sung by the chorus, finally resolved with the harmonica again."

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