Brazil 1985 Film full HD movie download free with screenpaly story, dialogue LYRICS and STAR Cast

In a dystopian, bureaucratic future, Sam Lowry is a low-level government employee who frequently daydreams of saving a damsel in distress. When a fly gets jammed in a printer and results in the incarceration and accidental death during interrogation of cobbler Archibald Buttle – instead of renegade air conditioning specialist and suspected terrorist Archibald Tuttle – Sam is assigned the task of rectifying the error. Visiting Buttle's widow, Sam encounters their neighbour Jill Layton, and is astonished to see that she resembles the woman from his recurring dreams. Jill is trying to help Mrs. Buttle determine what happened to her husband, but her efforts are obstructed by bureaucracy. Unknown to her, she is now considered a terrorist accomplice of Tuttle for attempting to report the mistake of Buttle's arrest. Sam approaches Jill, but she avoids giving him full details, worried the government will track her down.

During this time, Sam comes in contact with Tuttle, who once worked for Central Services but left due to his dislike of the tedious and repetitive paperwork. Tuttle helps Sam deal with two Central Services workers, Spoor and Dowser, who return to demolish Sam's ducts and seize his apartment under the guise of fixing the air conditioning. Sam discovers that the only way to learn about Jill is to get transferred to Information Retrieval, where he can access her classified records. He had previously turned down a promotion arranged by his mother, Ida, who is obsessed with the rejuvenating plastic surgery of cosmetic surgeon Dr. Jaffe. Sam retracts his refusal by speaking with Deputy Minister Mr. Helpmann at a party hosted by Ida. Obtaining Jill's records, Sam tracks her down before she can be arrested, then falsifies the records to fake her death, allowing her to escape pursuit. The two share a romantic night together, but are soon apprehended by the government at gunpoint. Charged with treason for abusing his new position, Sam is restrained to a chair in a large, empty cylindrical room, to be tortured by his old friend, Jack Lint. Sam learns that Jill was killed while resisting arrest.

When Jack is about to start the torturing, Tuttle and other members of the resistance break into the Ministry, shooting Jack, rescuing Sam, and blowing up the Ministry building. Sam and Tuttle flee together, but Tuttle disappears amid a mass of scraps of paperwork from the destroyed building. Sam stumbles into the funeral for Ida's friend, who died following excessive cosmetic surgery; finding Ida resembling Jill and being fawned over by young men, Sam falls into the open casket and through a black void. He lands in a street from his daydreams, and attempts to escape police and monsters by climbing a pile of flex-ducts. Opening a door, he passes through it and is surprised to find himself in a trailer driven by Jill. The two leave the city together. However, this "happy ending" is a delusion: he is still strapped to the chair, implied to have been lobotomized by Jack. Realising that Sam has descended into blissful insanity, Jack and Mr. Helpmann declare him a lost cause and leave the room. Sam remains in the chair, smiling and humming "Aquarela do Brasil".

• Jonathan Pryce as Sam Lowry. Pryce has described the role as the highlight of his career, along with that of Lytton Strachey in Carrington. Tom Cruise was also considered for the role.
• Kim Greist as Jill Layton. Gilliam's first choice for the part was Ellen Barkin; also considered were Jamie Lee Curtis, Rebecca De Mornay, Rae Dawn Chong, Joanna Pacu?a, Rosanna Arquette, Kelly McGillis, and Madonna. Gilliam was reportedly dissatisfied with Greist's performance, and chose to cut or edit some of her scenes as a result.
• Robert De Niro as Archibald "Harry" Tuttle. De Niro still wanted a part in the film after being denied that of Jack Lint, so Gilliam offered him the smaller role of Tuttle.
• Katherine Helmond as Mrs. Ida Lowry. According to Helmond, Gilliam called her and said, "I have a part for you, and I want you to come over and do it, but you're not going to look very nice in it." The make-up was applied by Gilliam's wife, Maggie. During production, Helmond spent ten hours a day with a mask glued to her face; her scenes had to be postponed due to the blisters this caused.
• Ian Holm as Mr. Kurtzmann, Sam's boss.
• Bob Hoskins as Spoor, a government-employed heating engineer who resents Harry Tuttle.
• Michael Palin as Jack Lint. Robert De Niro read the script and expressed interest in the role, but Gilliam had already promised the part to Palin, a friend and regular collaborator. Palin described the character as "someone who was everything that Jonathan Pryce's character wasn't: he's stable, he had a family, he was settled, comfortable, hard-working, charming, sociable – and utterly and totally unscrupulous. That was the way we felt we could bring out the evil in Jack Lint."
• Ian Richardson as Mr. Warrenn, Sam's new boss at Information Retrieval.
• Peter Vaughan as Mr. Helpmann, the Deputy Minister of Information.

Co-writer Charles McKeown plays Harvey Lime, Sam's co-worker. Director Terry Gilliam makes a cameo appearance as the smoking man at Shang-ri La Towers, while his daughter Holly Gilliam portrays Jack Lint's daughter, Holly Lint. Other cast members include Jim Broadbent as Dr. Louis Jaffe, Mrs. Lowry's plastic surgeon, Barbara Hicks as Mrs. Alma Terrain, Kathryn Pogson as her daughter Shirley, Bryan Pringle as the waiter Spiro, Brian Miller as Mr. Archibald Buttle, Sheila Reid as Mrs. Veronica Buttle, Derrick O'Connor as Spoor's partner Dowser, Derek Deadman and Nigel Planer as Bill and Charlie (workers seen repairing Buttle's ceiling), Gorden Kaye as the MOI Lobby Porter, Jack Purvis as Dr. Chapman, Elizabeth Spender as Alison "Barbara" Lint, Myrtle Devenish as the typist in Jack's office and Roger Ashton-Griffiths as the priest.

Writing

Gilliam developed the story and wrote the first draft of the screenplay with Charles Alverson, who was paid for his work but was ultimately uncredited in the final film. For nearly 20 years, Gilliam denied that Alverson had made any material contribution to the script. When the first draft was published and original in-progress documents emerged from Alverson's files, however, Gilliam begrudgingly changed his story. This was too late for either credit on the film or a listing on the failed Oscar nomination for Alverson; he has said that he would not have minded the Oscar nomination, even though he didn't think much of the script or the finished film. Gilliam, McKeown, and Stoppard collaborated on further drafts. Brazil was developed under the titles The Ministry and 1984 ½, the latter a nod not only to Orwell's original Nineteen Eighty-Four but also to 8½ by Federico Fellini, a director whom Gilliam often cites as one of the defining influences on his visual style when directing. During the film's production, other working titles floated about, including The Ministry of Torture, How I Learned to Live with the System—So Far, and So That's Why the Bourgeoisie Sucks, before settling with Brazil, relating to the name of its escapist signature tune.

In an interview with Salman Rushdie, Gilliam stated:

Brazil came specifically from the time, from the approaching of 1984. It was looming. In fact, the original title of Brazil was 1984 ½. Fellini was one of my great gods and it was 1984, so let’s put them together. Unfortunately, that bastard Michael Radford did a version of 1984 and he called it 1984, so I was blown.

Gilliam sometimes refers to this film as the second in his "Trilogy of Imagination" films, starting with Time Bandits (1981) and ending with The Adventures of Baron Munchausen (1988). All are about the "craziness of our awkwardly ordered society and the desire to escape it through whatever means possible." All three movies focus on these struggles and attempts to escape them through imagination—Time Bandits, through the eyes of a child, Brazil, through the eyes of a man in his thirties, and Munchausen, through the eyes of an elderly man. In 2013, Gilliam also called Brazil the first installment of a dystopian satire trilogy it forms with 1995's 12 Monkeys and 2013's The Zero Theorem (though he would later deny having said this).

Gilliam has stated that Brazil was inspired by George Orwell's Nineteen Eighty-Four—which he has admitted never having read—but is written from a contemporary perspective rather than looking to the future as Orwell did. In Gilliam's words, his film was "the Nineteen Eighty-Four for 1984." Critics and analysts have pointed out many similarities and differences between the two, an example being that contrary to Winston Smith, Sam Lowry's spirit did not capitulate as he sank into complete catatonia. The film's ending bears a strong similarity to "An Occurrence at Owl Creek Bridge" by Ambrose Bierce.

Production design

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