Boogie Nights full HD movie download free with screenpaly story, dialogue LYRICS and STAR Cast

In 1977, Eddie Adams is a high-school dropout living with his stepfather and emotionally abusive mother in Torrance, California. He works at the Reseda nightclub owned by Maurice Rodriguez, where he meets porn filmmaker Jack Horner, who auditions him by watching him have sex with Rollergirl, a porn starlet who always wears skates. After having an argument with his mother about his girlfriend and sex life, Adams moves in with Horner at his San Fernando Valley home. Adams gives himself the screen name "Dirk Diggler", and becomes a star because of his good looks, youthful charisma, and unusually large penis. His success allows him to buy a new house, an extensive wardrobe, and a "competition orange" 1977 Chevrolet Corvette Stingray. With friend and fellow porn star Reed Rothchild, Dirk pitches a series of successful action-themed porn films. Dirk works and socializes with others from the porn industry, and they live carefree lifestyles in the late 1970s disco era. That changes at a New Year's Eve party at Horner's house marking the year 1980, when assistant director Little Bill Thompson discovers his porn-star wife having sex with another man, shoots them both and kills himself.

Dirk and Reed begin using cocaine. Due to Dirk's drug use, he finds it increasingly difficult to achieve an erection, falls into violent mood swings and becomes upset with Johnny Doe, a new leading man Jack has recruited. In 1983, after having an argument with Jack, Dirk is fired, and he and Reed leave to start a rock and roll career along with Scotty, a boom operator who loves Dirk. Jack rejects business overtures from Floyd Gondolli, a theater magnate in San Diego and San Francisco, who insists on cutting costs by shooting on videotape, because Jack believes that video will diminish the quality of his films. After his friend and financier Colonel James is imprisoned for possession of child pornography, Jack works with Gondolli, becoming disillusioned with the projects he expects him to churn out. One of these projects involves Jack and Rollergirl riding in a limousine, searching for random men for her to have sex with, while being taped by a crew. When one man recognizes Rollergirl as a former high-school student, he insults her and Jack, who attack the man, leaving him injured on the sidewalk as the crew drives off.

Leading lady Amber Waves finds herself in a custody battle with her ex-husband. The court determines she is an unfit mother, due to her involvement in the porn industry, prior criminal record and cocaine addiction. Buck Swope marries fellow porn star Jessie St. Vincent, who becomes pregnant. Because of his past, Buck is disqualified from a bank loan and cannot open his own stereo-equipment store. That night, he finds himself in the middle of a holdup at a donut shop in which the clerk, the robber and an armed customer are killed. Buck escapes with the money that the robber demanded. Having squandered their money on drugs, Dirk and Reed cannot pay a recording studio for demo tapes they believe will enable them to become music stars. Desperate for money, Dirk resorts to prostitution, but is assaulted and robbed by three men. Dirk, Reed and their friend Todd attempt to scam local drug dealer Rahad Jackson, by selling him a half-kilo of baking soda as cocaine. Dirk and Reed decide to leave before Rahad's bodyguard inspects it, but Todd fails to steal money from Rahad, who kills him in the ensuing gunfight. Dirk reconciles with Jack.

In 1984, Buck and Jessie give birth to their son, Amber shoots the television commercial for Buck's store opening, Reed practices a successful magic act at the strip club, Colonel James remains in prison, and Rollergirl takes a GED class. Dirk and Amber prepare to start filming again.

Development

Boogie Nights is based on a mockumentary short film that Anderson made while he was still in high school called The Dirk Diggler Story. The short was based on the 1981 documentary Exhausted: John C. Holmes, The Real Story, a documentary about the life of legendary porn actor John Holmes, on whom Dirk Diggler is based.

He originally wanted the role of Eddie to be played by Leonardo DiCaprio, after seeing him in The Basketball Diaries. DiCaprio enjoyed the screenplay, but had to turn it down because he signed on to star in Titanic. He recommended Mark Wahlberg for the role. Joaquin Phoenix was also offered the role of Eddie, but turned it down due to concerns about playing a porn star. Phoenix later collaborated with Anderson in the films The Master and Inherent Vice. Bill Murray, Harvey Keitel, Warren Beatty, Albert Brooks and Sydney Pollack declined or were passed up on the role of Jack Horner, which went to Burt Reynolds. After starring in Hard Eight, Samuel L. Jackson declined the role of Buck Swope, which went to Don Cheadle. Anderson initially did not consider Heather Graham for the role of Rollergirl, because he had never seen her do nudity in a film. However, Graham's agent called Anderson asking if she could read for the part, which she won. Drew Barrymore and Tatum O'Neal were also up for the role.

After having a very difficult time getting his previous film, Hard Eight, released, Anderson laid down a hard law when getting Boogie Nights made. He initially wanted the film to be over three hours long and be rated NC-17. The film's producers, particularly Michael De Luca, said that the film had to be either under three hours or rated R. Anderson fought with them, saying that the film would not have a mainstream appeal no matter what. They did not change their minds, and Anderson chose the R rating as a challenge. Despite this, the film was still 20 minutes shorter than promised.

Reynolds did not get along with Anderson while filming. After seeing a rough cut of the film, Reynolds fired his agent for recommending it. Despite this, Reynolds won a Golden Globe Award and was nominated for an Academy Award for his performance. Later, Anderson wanted Reynolds to star in his next film, Magnolia, but Reynolds declined it. Since then, Reynolds has stated that he is proud of the film, saying that his opinion of it has nothing to do with his relationship with Anderson.

Critical reception

The film premiered at the Toronto International Film Festival and was shown at the New York Film Festival, before opening on two screens in the U.S. on October 10, 1997. It grossed $50,168 on its opening weekend. Three weeks later, it expanded to 907 theaters and grossed $4,681,934, ranking number four for the week. It eventually earned $26,400,640 in the U.S. and $16,700,954 in foreign markets for a worldwide box office total of $43,101,594.

The film currently has 93% positive reviews on film review aggregator site Rotten Tomatoes, with 63 of 68 counted reviews giving it a "fresh" rating and an average rating of 8.1/10. The site's consensus states: "Grounded in strong characters, bold themes, and subtle storytelling, Boogie Nights is a groundbreaking film both for director P.T. Anderson and star Mark Wahlberg." On Metacritic, the film holds an average score of 85 out of 100, based on 28 reviews, indicating "universal acclaim".

Janet Maslin of The New York Times said, "Everything about Boogie Nights is interestingly unexpected," although "the film's extravagant 2-hour 32-minute length amounts to a slight tactical mistake ... has no trouble holding interest ... but the length promises larger ideas than the film finally delivers." She praised Burt Reynolds for "his best and most suavely funny performance in many years" and added, "The movie's special gift happens to be Mark Wahlberg, who gives a terrifically appealing performance."

Roger Ebert of the Chicago Sun-Times observed, "Few films have been more matter-of-fact, even disenchanted, about sexuality. Adult films are a business here, not a dalliance or a pastime, and one of the charms of Boogie Nights is the way it shows the everyday backstage humdrum life of porno filmmaking ... The sweep and variety of the characters have brought the movie comparisons to Robert Altman's Nashville and The Player. There is also some of the same appeal as Pulp Fiction in scenes that balance precariously between comedy and violence ... Through all the characters and all the action, Anderson's screenplay centers on the human qualities of the players ... Boogie Nights has the quality of many great films, in that it always seems alive."

Mick LaSalle of the San Francisco Chronicle stated, "Boogie Nights is the first great film about the 1970s to come out since the '70s ... It gets all the details right, nailing down the styles and the music. More impressive, it captures the decade's distinct, decadent glamour ... also succeeds at something very difficult: re-creating the ethos and mentality of an era ... Paul Thomas Anderson ... has pulled off a wonderful, sprawling, sophisticated film ... With Boogie Nights, we know we're not just watching episodes from disparate l