Blue Velvet Film full HD movie download free with screenpaly story, dialogue LYRICS and STAR Cast

Jeffrey Beaumont (Kyle MacLachlan) returns to his logging home town of Lumberton, North Carolina, from Oak Lake College after his father suffers a near-fatal stroke. While walking home from the hospital, he cuts through a vacant lot and discovers a severed ear. Jeffrey takes the ear to police detective John Williams (George Dickerson) and becomes reacquainted with the detective's daughter, Sandy (Laura Dern). She tells him details about the ear case and a suspicious woman, Dorothy Vallens (Isabella Rossellini), who may be connected to the case. Increasingly curious, Jeffrey enters Dorothy's apartment by posing as an exterminator, and while Dorothy is distracted by a man dressed in a yellow suit at her door (whom Jeffrey later refers to as the Yellow Man), Jeffrey steals her spare key.

Jeffrey and Sandy attend Dorothy's nightclub act, in which she sings "Blue Velvet," and leave early so Jeffrey can sneak into her apartment to snoop. He hurriedly hides in a closet when she returns home. However, Dorothy, wielding a knife, discovers him and threatens to kill him. Believing his curiosity is merely sexual and aroused by his voyeurism, Dorothy makes Jeffrey undress at knife-point and begins to fellate him before their encounter is interrupted by a knock at the door. Dorothy hides Jeffrey in the closet. From there he witnesses the visitor, Frank Booth (Dennis Hopper), inflict his bizarre sexual proclivities—which include inhaling an unidentified gas, dry humping, and sadomasochism—upon Dorothy. Frank is an extremely foul-mouthed, violent man whose orgasmic climax is a fit of both pleasure and rage. He continually refers to her as "Mommy" and to himself as both the "Daddy" and the "Baby," who "wants to fuck." Frank has kidnapped Dorothy's husband and son to force her to perform sexual favors; to "Do it for van Gogh." When Frank leaves, a sad and desperate Dorothy tries to seduce Jeffrey again and demands that he hit her, but when he refuses, she tells him to leave. When Jeffrey moves to leave, she asks him to stay, though he leaves anyway.

Jeffrey relays his experience to Sandy, asking her why there are people like Frank. Sandy in turn tells him of a wonderful dream she had about robins that she interprets as a sign of hope for humanity. Jeffrey and Sandy find themselves attracted to each other, though Sandy has a boyfriend.

Jeffrey again visits Dorothy's apartment and she tells him that although she knows nothing about him, she has been yearning for him. Jeffrey attends another of Dorothy's performances at the club, where she sings the same song. At the club, Jeffrey spots Frank in the audience fondling a piece of blue velvet fabric he cut from Dorothy's robe. Jeffrey follows Frank and spends the next few days spying on him. Shortly afterwards, two men that Jeffrey calls the Well-Dressed Man and the Yellow Man exit an industrial building that Frank frequently visits. Jeffrey concludes the men are criminal associates of Frank, and tells his new findings to Sandy. The two briefly kiss, though she feels uncomfortable about going any further. Jeffrey immediately visits Dorothy again, and the two have sex. However, when he refuses to hit her, she pressures him, becoming more emotional. In a blind rage he knocks her backwards and is instantly horrified, but Dorothy derives pleasure from it.

Afterwards, Frank catches Dorothy and Jeffrey together and forces them both to accompany him to the apartment of Ben (Dean Stockwell), his suave, effeminate partner in crime who is holding Dorothy's son. Ben lip-syncs a performance of Roy Orbison's "In Dreams," sending Frank into maudlin sadness, then rage. Frank takes Jeffrey to a lumber yard and when he molests Dorothy, Jeffrey stands up to Frank by punching him. Frank's cronies (Brad Dourif, Jack Nance and J. Michael Hunter) drag Jeffrey out of the car and Frank kisses Jeffrey's face, intimidates him, and then savagely beats him to the overture of "In Dreams." Jeffrey wakes the next day at the same place and walks home, overcome with guilt and despair.

He goes to the police station, where he notices that Sandy's father's partner is the Yellow Man—an officer named Lieutenant Detective Tom Gordon. Later Jeffrey goes to Sandy's home and tells Sandy's father about Frank. He is amazed by Jeffrey's story, but warns Jeffrey to stop his amateur sleuthing lest he endanger himself and the investigation. Jeffrey and Sandy go to a dance together and profess their love; on the way home they are chased by a car. Jeffrey thinks it is Frank, but it turns out to be Sandy's boyfriend. A confrontation is averted when the group finds Dorothy — naked, battered, and distressed — on Jeffrey's front lawn. Barely conscious, Dorothy reveals her intimacy with Jeffrey, causing Sandy to become upset and to slap Jeffrey, although she later forgives him.

Jeffrey insists on returning to Dorothy's apartment and tells Sandy to immediately send the police there, including her father. At Dorothy's apartment, Jeffrey finds Dorothy's husband, who is dead from a gunshot to the head and identifiable by his missing ear, as well as the Yellow Man, who bears a gruesome head wound, leaving him barely conscious and unresponsive but still standing. When Jeffrey tries to leave, he sees the Well-Dressed Man coming up the stairs and recognizes him as Frank in disguise. Jeffrey talks to Detective Williams over the Yellow Man's police radio, but lies about his location inside the apartment, remembering from their "joyride" that Frank has a police radio. Frank enters the apartment and brags about hearing Jeffrey's location over his own police radio. While Frank searches for him in the wrong room, Jeffrey retrieves the Yellow Man's gun and hides in the same closet in which he hid during his first visit to the apartment. Frank fires sporadically, knocking over the dead Yellow Man, who had still been standing up, and when he opens the closet door, Jeffrey fatally shoots him in the head. Detective Williams, gun drawn, enters with Sandy a moment later. Jeffrey and Sandy now go ahead with their relationship and note the unusual appearance of a robin in their town. Dorothy and her son are reunited.

The film's story originated from three ideas that crystallized in the filmmaker's mind over a period of time starting as early as 1973. The first idea was only "a feeling" and the title Blue Velvet, Lynch told Cineaste in 1987. The second idea was an image of a severed, human ear lying in a field. "I don't know why it had to be an ear. Except it needed to be an opening of a part of the body, a hole into something else  ... The ear sits on the head and goes right into the mind so it felt perfect," Lynch remarked in an interview. The third idea was Bobby Vinton's classic rendition of the song Blue Velvet and "the mood that came with that song a mood, a time, and things that were of that time." Lynch eventually spent two years writing two drafts, which, he stated, were not very good. The problem with them, Lynch has said, was that "there was maybe all the unpleasantness in the film but nothing else. A lot was not there. And so it went away for a while."

After completing The Elephant Man (1980), Lynch met producer Richard Roth over coffee. Roth had read and enjoyed Lynch's Ronnie Rocket script, but did not think it was something he wanted to produce. He asked Lynch if the filmmaker had any other scripts, but the director only had ideas. "I told him I had always wanted to sneak into a girl's room to watch her into the night and that, maybe, at one point or another, I would see something that would be the clue to a murder mystery. Roth loved the idea and asked me to write a treatment. I went home and thought of the ear in the field." Production was announced in August 1984. Lynch wrote two more drafts before he was satisfied with the script of the film. Conditions at this point were ideal for Lynch's film: he had made a deal with Dino De Laurentiis that gave him complete artistic freedom and final cut privileges, with the stipulation that the filmmaker take a cut in his salary and work with a budget of only $6 million. This deal meant that Blue Velvet was the smallest film on the De Laurentiis' slate. Consequently, Lynch would be left mostly unsupervised during production. "After Dune I was down so far that anything was up! So it was just a euphoria. And when you work with that kind of feeling, you can take chances. You can experiment." Because the material was completely different from anything that would be considered mainstream at the time, Laurentiis had to start his own company to distribute it.

The cast of Blue Velvet included several then-relatively unknown actors. Isabella Rossellini had gained some exposure before the film for her Lancôme ads in the earl