Blazing Saddles full HD movie download free with screenpaly story, dialogue LYRICS and STAR Cast

On the American frontier of 1874, a new railroad will soon be rerouted through Rock Ridge, in order to avoid running through quicksand. The conniving attorney general Hedley Lamarr wants to force Rock Ridge's residents to abandon their town, and sends a gang of thugs, led by his flunky Taggart, to shoot the sheriff and trash the town. The townspeople demand that Governor William J. Le Petomane appoint a new sheriff to protect them. Lamarr persuades the dim-witted Le Petomane to appoint Bart, a black railroad worker, who was about to be executed for assaulting a white foreman. A black sheriff, he reasons, will offend the townspeople, create chaos, and leave the town at his mercy.

After an initial hostile reception (where Sheriff Bart has to take himself hostage to escape), he relies on his quick wits and the assistance of Jim, an alcoholic gunslinger known as the "Waco Kid", to overcome the townspeople's hostility. He subdues Mongo, an immensely strong, dim-witted, but philosophical henchman sent to kill him; when he visits the railroad work site and discovers their interest in the land, the Waco Kid outshoots Taggart and his thugs; finally, Bart outmaneuvers German seductress-for-hire Lili von Shtüpp at her own game, with Lili falling in love with him. Lamarr, furious that his schemes have backfired, hatches a larger plan involving a recruited army of thugs, including common criminals, Ku Klux Klansmen, Nazis, and Methodists.

Three miles east of Rock Ridge, Bart introduces the white townspeople to the black, Chinese, and Irish railroad workers, who have agreed to help in exchange for acceptance by the community, and explains his plan to defeat Lamarr's army. They labor all night to build a perfect replica of their town, as a diversion; with no people in it, though, Bart realizes it will not fool the villains. While the townspeople construct replicas of themselves, Bart, Jim, and Mongo buy time by constructing the "Gov. William J. Le Petomane Thruway", forcing the raiding party to turn back for "a shitload of dimes" to pay the toll. Once through the tollbooth, the raiders attack the fake town populated with dummies, which are boobytrapped with dynamite bombs. After Jim detonates the bombs with his sharpshooting, launching bad guys and horses skyward, the Rock Ridgers storm the villains.

The resulting brawl between townsfolk, railroad workers, and Lamarr's thugs breaks the fourth wall, spilling onto a neighboring set, where director Buddy Bizarre is directing a Busby Berkeley-style top-hat-and-tails musical number; then into the studio commissary for a food fight; and then out of the Warner Bros. film lot into the streets of Burbank. Lamarr, realizing he has been beaten, hails a taxi and orders the driver to "drive me off this picture". He ducks into Grauman's Chinese Theatre, which is playing the premiere of Blazing Saddles. As he settles into his seat, he sees Bart arriving on horseback outside the theatre. Bart blocks Lamarr's escape, and then shoots him in the groin. Bart and Jim then go into Grauman's to watch the end of the film, in which Bart announces to the townspeople that he is moving on. Riding out of town, he finds Jim, and invites him along to "nowhere special". They ride off into the sunset on horseback, but stop at a chauffeured stretch limousine and continue outward in the vehicle.

Cast notes

• Count Basie and his orchestra make a cameo appearance, playing "April in Paris" in the middle of the desert as Bart rides toward Rock Ridge to assume the post of sheriff.
• Brooks appears in three on-screen roles: Governor Le Petomane, the Yiddish-speaking Indian chief, and an applicant for Hedley Lamarr's thug army (an aviator wearing sunglasses and a flight jacket). He also has two off-screen voice roles, as one of Lili's German chorus boys during "I'm Tired", and as a grouchy moviegoer.

The idea for the film came from a story outline written by Andrew Bergman that he originally intended to develop and produce himself. "I wrote a first draft called Tex-X" (a play on Malcolm X's name), he said. "Alan Arkin was hired to direct and James Earl Jones was going to play the sheriff. That fell apart, as things often do." Brooks was taken with the story, which he described as "hip talk—1974 talk and expressions—happening in 1874 in the Old West", and purchased the film rights from Bergman. Though he had not worked with a writing team since Your Show of Shows, he hired a group of writers (including Bergman) to expand the outline, and posted a large sign: "Please do not write a polite script." Brooks described the writing process as chaotic: "Blazing Saddles was more or less written in the middle of a drunken fistfight. There were five of us all yelling loudly for our ideas to be put into the movie. Not only was I the loudest, but luckily I also had the right as director to decide what was in or out." Bergman remembers the room being just as chaotic, telling Creative Screenwriting, "In the beginning, we had five people. One guy left after a couple of weeks. Then, it was basically me, Mel, Richie Pryor and Norman Steinberg. Richie left after the first draft and then Norman, Mel and I wrote the next three or four drafts. It was a riot. It was a rioter’s room!"

The original title, Tex X, was rejected, as were Black Bart and Purple Sage. Brooks said he finally conceived Blazing Saddles one morning while taking a shower. For the movie's title song, Brooks advertised in the trade papers for a "Frankie Laine-type" singer; to his surprise, Laine himself offered his services. "Frankie sang his heart out ... and we didn't have the heart to tell him it was a spoof. He never heard the whip cracks; we put those in later. We got so lucky with his serious interpretation of the song."

Casting was problematic. Richard Pryor was Brooks' original choice to play the Sheriff Bart, but the studio, claiming his history of drug arrests made him uninsurable, refused to approve financing with Pryor as the star. Cleavon Little was cast in the role, and Pryor remained as a writer. Brooks offered the other leading role, the Waco Kid, to John Wayne; he declined, deeming the film "too blue" for his family-oriented image, but assured Brooks that "he would be the first one in line to see it." Gig Young was cast, but he collapsed during his first scene from what was later determined to be alcohol withdrawal syndrome, and Gene Wilder was flown in to replace him. Johnny Carson and Wilder both turned down the Hedley Lamarr role before Harvey Korman was cast. Madeline Kahn objected when Brooks asked to see her legs during her audition. "She said, 'So it’s THAT kind of an audition?'" Brooks recalled. "I explained that I was a happily married man and that I needed someone who could straddle a chair with her legs like Marlene Dietrich in Destry Rides Again. So she lifted her skirt and said, 'No touching.'"

Brooks had numerous conflicts over content with Warner Bros. executives, including frequent use of the word "nigger", Lili Von Shtupp's seduction scene, the cacophony of flatulence around the campfire, and Mongo punching out a horse. Brooks, whose contract gave him final content control, declined to make any substantive changes, with the exception of cutting Bart's final line during Lili's seduction: "I hate to disappoint you, ma'am, but you're sucking my arm." When asked later about the many "nigger" references, Brooks said he received consistent support from Pryor and Little. He added, "If they did a remake of Blazing Saddles today , they would leave out the N-word. And then, you've got no movie." Brooks said he received many letters of complaint after the film's release, " ... but of course, most of them were from white people."

The film was almost not released. "When we screened it for executives, there were few laughs", said Brooks. "The head of distribution said, 'Let’s dump it and take a loss.' But Calley insisted they open it in New York, Los Angeles and Chicago as a test. It became the studio's top moneymaker that summer." The world premiere took place on February 7, 1974, at the Pickwick Drive-In Theater in Burbank; 250 invited guests—including Little and Wilder—watched the film on horseback. The film's subtitle on the poster, "or never give a saga an even break! refers to W.C. Fields' film (and motto) "Never Give a Sucker an Even Break".

While the film is now considered a classic comedy, critical reaction was mixed when the film was released. Vincent Canby wrote:

Blazing Saddles has no dominant personality, and it looks as if it includes every gag thought up in every story conference. Whether good, bad or mild, nothing was thrown out. Woody Allen's comedy, though very much a product of our Age of Analysis, recalls the wonder and discipline of people like Keaton and Laurel and Hardy. Mr. Brooks's sights are lower. His brashness is rare, but his use of anachronism and anarchy recalls not the great film comedies of the past, but the middling ones like the Hope-Crosby "Road" pictures. With his talent he should do much better than that.

Roger Ebert gave the film four stars and called it a "crazed grabbag of a movie that does everything to keep us laughing except hit us over the head with a rubber chicken. Mostly, it succeeds. It's an audience picture; it doesn't have a lot of classy polish and its structure is a total mess. But of course! What does that matter while Alex Karras is knocking a horse cold with a right cross to the jaw?"

The film grossed $119.5 million at the box office, becoming only the tenth film up to that time to pass the $100 million mark.

On the film-critics aggregator Rotten Tomatoes, the film has 90% positive reviews, saying, "Daring, provocative, and laugh-out-loud funny, Blazing Saddles is a gleefully vul