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This article is about the horror film. For other uses, see Black Sabbath (disambiguation).

Black Sabbath (Italian: I tre volti della paura, lit. 'The Three Faces of Fear') is a 1963 horror anthology film directed by Mario Bava. The film is centered on three separate tales that are introduced by Boris Karloff. The first story, "The Drop of Water", is centered on Helen Corey (Jacqueline Pierreux), a nurse who steals a ring from a corpse that is being prepared for burial and finds herself haunted by the ring's original owner. The second, titled "The Telephone", involves Rosy (Michèle Mercier) who continually receives threatening telephone calls from an unseen stalker. The third is "The Wurdulak", where a man named Gorca (Karloff) returns to his family after claiming to have slain a Wurdulak, an undead creature who attacks those that it had once loved.

Black Sabbath
Italian release poster
Directed byMario Bava
Produced by
  • Lionello Santi
  • Alberto Barsanti
Screenplay by
  • Marcello Fondato
  • Alberto Bevilacqua
  • Mario Bava
Starring
  • Boris Karloff
  • Mark Damon
  • Michèle Mercier
  • Susy Andersen
  • Lydia Alfonsi
  • Glauco Onorato
  • Jacqueline Pierreux
Music byRoberto Nicolosi
Cinematography
  • Ubaldo Terzano
  • Mario Bava
Edited byMario Serandrei
Production
company
  • Emmepi Cinematografica
  • Societé Cinématographique Lyre
  • Galatea Film
Distributed byWarner Bros. (Italy)
Release date
  • August 17, 1963 (1963-08-17) (Italy)
  • November 17, 1965 (1965-11-17) (France)
Running time
93 minutes
Country
  • Italy
  • France
Box office?103.5 million

Being a low-budget horror film with multiple stories, an international cast and foreign financial backing, Black Sabbath follows numerous trends of 1960s Italian film productions. The film is credited to various writers, but is predominantly based on several uncredited sources, and changes were made to the script after filming commenced. American International Pictures suggested changes to Bava during filming to make the film palatable for American audiences, and created their own English-language version of the film, which replaced Roberto Nicolosi's score with music by Les Baxter, removed several depictions of graphic violence and made alterations to other scenes. This version greatly changed the plot of "The Telephone", giving it a supernatural element and removing all references to lesbianism and prostitution.

A sequel to Black Sabbath entitled Scarlet Friday was going to be directed by Bava and star Karloff, but the project was never realized. Plans for a remake were announced in 2004 with Jonathan Hensleigh attached to write the script. Black Sabbath has received favorable reviews from critics, and was placed at number 73 on a Time Out poll of the best horror films.

Screenplay

Note: This plot summary refers to the original Italian version of the film.

"The Telephone"

 
Michèle Mercier as Rosy in Black Sabbath

Rosy (Michèle Mercier), a French call-girl, returns to her basement apartment at night. She receives a series of strange phone calls. The caller eventually identifies himself as Frank, her former pimp who has recently escaped from prison. Rosy is terrified; it was her testimony that sent Frank to prison. Rosy phones Mary (Lydia Alfonsi) for solace. The women have been estranged, but Rosy is certain that only Mary can help her. Mary agrees to come over that night. Seconds later, Frank calls again, promising that no matter what Rosy does he will have his revenge. Rosy doesn't realize that Mary is impersonating Frank on the telephone. Mary arrives at Rosy's apartment and attempts to calm Rosy's nerves. Mary provides Rosy with a large knife for protection before she goes to sleep.

As Rosy sleeps, Mary writes a confession explaining that she made the calls to force a reunion, knowing that Rosy would call on her for help. While she is writing, an intruder enters the apartment. The intruder is Frank (Milo Quesada), who strangles Mary. The sound of their struggle awakens Rosy, and Frank realizes he murdered the wrong woman. Frank approaches Rosy's bed, but she seizes her knife and stabs Frank. Rosy drops the knife and breaks down in hysteria.

"The Wurdalak"

In 19th Century Russia, Vladimir Durfe (Mark Damon) is a young nobleman who finds a beheaded corpse with a knife plunged into its heart. He takes the blade, and finds shelter in a small cottage. Durfe is approached by Giorgio (Glauco Onorato) who explains that the knife belongs to his father, who has not been seen for five days. Giorgio offers a room to Durfe and introduces him to the rest of the family: his wife (Rika Dialina), their young son Ivan, Giorgio's younger brother Pietro (Massimo Righi), and sister Sdenka (Susy Andersen). They all await the return of Gorca, who has gone to fight the wurdalak, a living cadaver who feeds on human blood, especially of close friends and family members. At midnight, Gorca (Boris Karloff) returns to the cottage with a sour demeanor and unkempt appearance. After the family goes to sleep, Ivan and Pietro are attacked by Gorca who flees the cottage with Ivan. Giorgio chases after Gorca but only returns with Ivan's corpse. Giorgio plans to stake and behead Ivan to prevent him from reviving as a Wurdalak, but is prevented from doing so by his wife. The two agree to give their son a burial.

That same night, their child appears outside and begs to be invited in. Giorgio is stabbed by his wife while she attempts to let in her son. On opening the door, she is greeted by Gorca who bites her. Vladimir and Sdenka flee from their home and hide in the ruins of a cathedral. As Vladimir sleeps, Sdenka walks outside and finds Gorca and his family surrounding her. Vladimir awakens and searches for Sdenka, finding her lying motionless in her bed at home. Sdenka awakens and upon receiving Vladimir's embrace, she bites into his neck.

"The Drop of Water"

In 1910s London, Nurse Helen Chester (Jacqueline Pierreux) is called by the maid (Milly Monti) of an elderly medium to prepare the latter's corpse for burial. As she dresses the body, she notices a sapphire ring on its finger. Chester steals it, accidentally tipping over a glass of water which drips on the floor; she is then assailed by a fly. Chester takes the ring home to her flat and witnesses strange events. The fly returns and continues to pester her, and the lights in her apartment go out as the sound of the dripping water is heard from various locations. Chester finds the woman's corpse lying in her bed. It rises and floats toward her. Chester begs for forgiveness, but ultimately strangles herself. The next morning, the concierge (Harriet White Medin) discovers Chester's body and calls the police. The pathologist (Gustavo De Nardo) arrives to examine the body and only finds a small bruise on her left finger where her ring once was. As the doctor (Alessandro Tedeschi) announces this observation, the concierge appears distressed and hears the dripping of water.

Development

In 1958, American International Pictures founders James H. Nicholson and Samuel Z. Arkoff hired European talent agent Flavio Lucisano to look for Italian commercial films for them after the large success of the Italian feature Hercules (1958). In February 1963, American International Pictures made a deal with the Italian film production company Galatea that they would contribute to a minimum of nine co-productions in the next eight years. Black Sabbath follows many production trends of Italian films of the era. These co-productions were influenced by the lack of large film stars in Italy. To avoid high costs or larger stars, producers created anthology films involving three or four short narratives whose combined running time was that of a regular feature film, as in Yesterday, Today and Tomorrow (1963). A second trend was to match an up-and-coming actor or a much older actor with a European ingenue actress, as in Spy in Your Eye which paired Pier Angeli and Dana Andrews. The third trend was the move towards making Westerns and horror films which were less expensive to produce than the previous sword and sandal films.

Pre-production

American International Pictures secured the rights to have American actors Mark Damon and Boris Karloff while the French co-production company Societé Cinématographique Lyre secured Michele Mercier and Jacqueline Pierreux (the latter is credited under the pseudonym "Jacqueline Soussard" on American prints). Mercier had previously worked with director Mario Bava on his film The Wonders of Aladdin (1961). Italian production company Galatea had Susy Andersen cast while retaining Mario Bava who had directed their production of Black Sunday.

Bava is credited as writing the film's script along with Alberto Bevilacqua and Marcello Fondato. The film's opening credits credit the stories as "The Drop of Water" by Ivan Chekov, "The Telephone" by F.G. Snyder and "Sem'ya vurdalaka" by Aleksei Tolstoy. Bava later took credit for the original story of "The Drop of Water", but Italian critic Antonio Bruscini traced its origins to a story titled "Dalle tre alle tre e mezzo" ("Between Three and Three-thirty") that was included in a 1960 anthology book titled Storie di fantasmi (Ghost Stories). British historian Julian Granger identified the author of the story as Franco Lucentini. "The Wurdulak" is loosely based on The Family of the Vourdalak by Aleksey Konstantinovich Tolstoy. The story of "The Wurdulak" was found in the 1960 anthology I vampiri tra noi. Other parts of the story were inspired by the Guy de Maupassant story "Fear" and Bram Stoker's Dracula.

Bevilacqua stated that Bava wanted to create a stories about how terror can strike mankind in different time periods and asked his screenwriters to get him stories from books. After Bevilacqua finished his draft the screenplay, Marcello Fondato was brought in to work on it. Bevilacqua claimed that he was recalled for later rewrites, but that most of his added material was cut from the final film. American International Pictures approved of Bava's thematic idea but encouraged him to look for public domain titles.

It was decided early in production that Boris Karloff would not only star in one of the tales, but also act as the film's host; he had recently hosted his own anthology television series, Thriller. Karloff was under contract with American International Pictures, and had just completed filming The Raven for them. The film's cinematographer is credited as Ubaldo Terzano, but Bava shot several scenes himself without credit.

Production

Black Sabbath was made at the end of production of The Girl Who Knew Too Much during an eight-week period between February and March 1963. American International's involvement with the film allowed Salvatore Billitteri of Titra Sound Corporation to be on set to supervise the film for dubbing on its English-language release. As the film was going to be dubbed in different languages, actors could no longer phonetically pronounce their dialogue as it had to be done rhythmically to match various languages. Billitteri was also on set to give suggestions to Bava on how to make his film more appropriate for American audiences which led to decreasing the amount of violence in the film. The film was first conceived under the title The Fear.Black Sabbath Film

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