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Black Christmas is a 1974 Canadian psychological slasher film produced and directed by Bob Clark, and written by A. Roy Moore. It stars Olivia Hussey, Keir Dullea, Margot Kidder, Andrea Martin, Marian Waldman and John Saxon. The story concerns a group of sorority sisters who receive threatening phone calls and are eventually stalked and murdered by a deranged killer during the Christmas season.

Black Christmas
Theatrical release poster
Directed byBob Clark
Produced byBob Clark
Written byA. Roy Moore
StarringOlivia Hussey
Keir Dullea
Margot Kidder
John Saxon
Music byCarl Zittrer
CinematographyReginald H. Morris
Edited byStan Cole
Production
company
Film Funding Limited of Canada
Ambassador Films
Distributed byAmbassador Film Distributors (Canada)
Warner Bros. (United States)
Release date
October 11, 1974 (1974-10-11) (Canada)
December 20, 1974 (1974-12-20) (U.S.)
Running time
98 minutes
CountryCanada
LanguageEnglish
Budget$620,000
Box office$4 million

Inspired by the urban legend "The Babysitter and the Man Upstairs" and a series of murders that took place in the Westmount section of Montreal, Quebec, Moore wrote the screenplay under the title Stop Me. The filmmakers made numerous alterations to the script, primarily the shifting to a university setting with young adult characters. It was shot in Toronto in 1974 on an estimated budget of $620,000, and was distributed by Warner Bros. in North America.

Black Christmas was released on October 11, 1974 in Canada, and December 20 in the United States under the title Silent Night, Evil Night. It has received critical praise, with film historians noting it for being one of the earliest slasher films to conclude without revealing the identity of its villain, as well as serving as an influence on John Carpenter's Halloween (1978). Aside from earning a cult following since its release, a novelization written by Lee Hays was published in 1976, and a remake of the same name, produced by Clark and directed by Glen Morgan, was released in December 2006.

Screenplay

An unseen and disoriented man climbs up into the attic of a sorority house, where the tenants are celebrating with a Christmas party. One of the girls, Jess, answers an obscene phone call from a mentally unstable man who is implied to call the house regularly. She summons her fellow students into the room, where they listen as the caller screams and curses them on the phone. When one of the girls, foul-mouthed Barb, takes the phone from Jess, she incites the caller, who in turn promises to kill her. Barb argues with a younger student, Clare Harrison, who implies that the caller could be a serial rapist, before Clare returns to her bedroom to finish packing for Christmas break. The disoriented man lures Clare into her closet, where he suffocates her with a plastic dress bag. He moves her body to the attic.

The following morning, Mr. Harrison arrives at the school to pick up his daughter, but she fails to show up to their agreed meeting place. He quickly makes his way to the sorority house, where the housemother, Mrs. MacHenry, is surprised by Clare's absence. Meanwhile, Jess meets her boyfriend, Peter, a neurotic music student. She explains she is pregnant and planning to get an abortion, angering Peter, who attempts to intimidate her. In town, Mr. Harrison, accompanied by Barb and one of the other girls, Phyllis Carlson, attempt to report Clare as missing, while Jess quickly tells Clare's boyfriend Chris about Clare's sudden disappearance. They learn that another local girl named Janis Quaife has also seemingly vanished while walking home from school.

After putting a drunken Barb to bed, Mr. Harrison, Chris, Jess, and Phyllis help search for Janis in a nearby park where she allegedly disappeared, hoping to turn up some sign of Clare. Meanwhile, Mrs. Mac plans to leave for her sister's home, only to be lured up into the attic, where she discovers Clare's body. The killer throws a crane hook into her face, hanging and killing her. In the park, Janis's disfigured body is found by the police and Jess returns home, while the search continues for Clare. She answers another obscene phone call and decides to file a report with the police, only for Peter to appear and surprise her. He attempts to persuade her into marriage for the sake of their child, but Jess adamantly refuses. Peter leaves in an emotional state, while Lieutenant Kenneth Fuller arrives to bug the telephone.

A group of choir children arrive on the house's stoop to sing Christmas carols, distracting Jess. The killer enters Barb's room and murders her with a glass figurine; Barb's cries for help are drowned out by the singing children. One of the women in charge of the children ushers them away, having learned of Janis's murder. Jess experiences another unnerving phone call, in which the caller restates part of her argument with Peter. Lieutenant Fuller theorizes that Peter could be responsible, due to the caller's knowledge of the argument and his own mental fragility, but Jess doubts this. Moments later, Phyllis enters Barb's room and is ambushed by the killer, who murders her off-screen.

Jess gets another obscene phone call, in which the killer alludes to some sort of transgression between two children named Agnes and Billy. The call is long enough to be traced by Graham, a telephone company employee, and Sergeant Nash instructs Jess to leave the house immediately. Concerned for Barb and Phyllis, Jess arms herself with a poker and ventures upstairs, where she discovers Barb and Phyllis's maimed figures. The killer appears and pursues Jess through the house; Jess locks herself in the cellar, only for Peter to appear outside one of the windows. He smashes the window to get to Jess, who proceeds to bludgeon him with the poker, assuming he is the killer.

The police arrive moments later, alerted by Jess's screams. They discover her barely conscious in the basement, with Peter's bloody remains next to her. They put Jess to bed and discuss the murders, unaware of Clare and Mrs. MacHenry's bodies still in the attic. Jess is left in the house to rest, with a policeman standing outside. The killer climbs down from the attic as Jess sleeps in a nearby room. The house's telephone begins to ring, leaving Jess's fate unknown as the credits roll.

  • Olivia Hussey as Jess Bradford
  • Keir Dullea as Peter Smythe
  • Margot Kidder as Barbara "Barb" Coard
  • John Saxon as Lt. Kenneth Fuller
  • Marian Waldman as Mrs. MacHenry
  • Andrea Martin as Phyllis "Phyl" Carlson
  • James Edmond as Mr. Harrison
  • Douglas "Doug" McGrath as Sergeant Nash
  • Arthur "Art" Hindle as Chris Hayden
  • Lynne Griffin as Clare Harrison
  • Michael Rapport as Patrick Cornell
  • Leslie "Les" Carlson as Bill Graham
  • Martha Gibson as Mrs. Quaife
  • John Rutter as laughing detective
  • David Clement as Cogan (as Dave Clement)
  • Julian Reed as Officer Jennings
  • Bob Clark as Billy's shadow  
  • Nick Mancuso as Billy / phone voice  

  uncredited

Concept and writing

Canadian Roy Moore wrote the screenplay entitled Stop Me based on "The Babysitter and the Man Upstairs" urban legend. Moore also claimed to have been inspired by a series of murders that occurred during the holiday season in the Westmount area of Montreal.

Film producers Harvey Sherman and Richard Schouten had Timothy Bond rewrite the script to give it a university setting. Clark, who had felt the original script was too much of a straightforward slasher film, made several alterations in dialogue, and also incorporated humorous elements into the film, particularly the drunkenness of Barb, and Mrs. Mac, who Clark based on his aunt. Clark felt that college and high school students had not been depicted with "any sense of reality" in American film, and that he intended to capture the "astuteness" of young adults: "College students—even in 1974—are astute people. They're not fools. It's not all "bikinis, beach blankets, bingo"."

Casting

 
The central cast of Black Christmas (clockwise from left to right): Olivia Hussey, Keir Dullea, John Saxon, and Margot Kidder

Olivia Hussey, who had previously garnered international fame for her role as Juliet in Franco Zeffirelli's Romeo and Juliet (1968), signed on to appear in the film after being told by a psychic that she would "make a film in Canada that would earn a great deal of money." Clark sought Keir Dullea to play the role of Peter based on his performance as Dave Bowman in 2001: A Space Odyssey (1968). The role of Mrs. Mac was offered to Bette Davis, who declined the part. Margot Kidder was cast in the role of Barb, and said she had been attracted to the character "because she was wild and out of control", and not a "conventional leading" part.

Gilda Radner was offered the role of Phyllis Carlson; she accepted the part, but dropped out one month before filming began owing to Saturday Night Live commitments, and was replaced by Andrea Martin. The role of Lieutenant Fuller was originally given to Edmond O'Brien. Upon his arrival to the set, however, the producers realized he would be unable to fulfill the duties required of the part due to his failing health (stemming from Alzheimer's disease). John Saxon, who had read the script prior, was called by the producers who offered him the role; he accepted, and had to arrive in Toronto from New York City within two days to begin shooting.

Filming

 
Soldiers' Tower at the University of Toronto is featured in the film

Black Christmas was shot on location in Toronto in the winter of 1973–74; the house featured in the film had been discovered by Clark while scouting for locations, and its owners agreed to lease the home for the production. Additional photography was completed on the University of Toronto campus. According to John Saxon, Clark had meticulously drawn out storyboards with key shots, which he brought to the film set each day: "I could understand exactly what I thought he needed, and the scene needed."

Margot Kidder remembers making the film was "fun. I really bonded with Andrea Martin, filming in Toronto and Ontario. Olivia Hussey was a bit of an odd one. She was obsessed with the idea of falling in love with Paul McCartney through her psychic. We were a little hard on her for things like that."

Post-production

The composer of the film's score, Carl Zittrer, stated in an interview that he created the film's mysterious music by tying forks, combs, and knives onto the strings of the piano to warp the sound of the keys. Zittrer also stated that he would distort the sound further by recording its sound onto an audio tape and make the sound slower. The audio for the disturbing phone calls was performed by multiple actors including actor Nick Mancuso

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