Beyond The Valley Of The Dolls full HD movie download free with screenpaly story, dialogue LYRICS and STAR Cast

Three young women—Kelly MacNamara, Casey Anderson, and Petronella "Pet" Danforth—perform in a rock band, The Kelly Affair, managed by Harris Allsworth, Kelly's boyfriend. The four travel to Los Angeles to find Kelly's estranged aunt, Susan Lake, heiress to a family fortune.

Susan welcomes Kelly and her friends, even promising a third of her inheritance to her niece, but Susan's sleazy financial advisor, Porter Hall, discredits them as "hippies" in an attempt to embezzle her fortune himself. Undeterred, Susan introduces The Kelly Affair to a flamboyant, well-connected rock producer, Ronnie "Z-Man" Barzell, who coaxes them into an impromptu performance at one of his outrageous parties (after a set by real-life band Strawberry Alarm Clock). The band is so well-received that Z-Man becomes their svengali manager, changing their name to The Carrie Nations and starting a long-simmering feud with Harris.

Kelly drifts away from Harris and takes up with Lance Rocke, a high-priced gigolo, who has designs on her inheritance. At first, Harris fends off the sexually aggressive porn star Ashley St. Ives, but after losing Kelly, he allows Ashley to seduce him. Ashley soon tires of his conventional nature and inability to perform sexually due to increasing drug and alcohol intake. Harris descends further into heavy drug and alcohol use, leading to a fistfight with Lance and a drug-addled one-night stand with Casey which results in pregnancy. Kelly ends her affair with Lance after he severely beats Harris. Casey, distraught at getting pregnant and wary of men's foibles, has a lesbian affair with clothes designer Roxanne, who pressures her to have an abortion.

Petronella has a seemingly enchanted romance with law student Emerson Thorne. After a meet cute at Z-Man's party, they are shown running slow-motion through golden fields and frolicking in a haystack. Their fairy-tale romance frays when Pet sleeps with Randy Black, a violent prize fighter who beats up Emerson and tries to run him down with a car.

Susan Lake is reunited with her former fiancé Baxter Wolfe. The Carrie Nations release records and continue to perform successfully, despite constant touring and drug use. Upset at being pushed to the sidelines, Harris attempts suicide by leaping from the rafters of a sound stage during a television appearance by the band. Harris survives the fall, but becomes paraplegic from his injuries.

Kelly devotes herself to caring for Harris. Emerson forgives Petronella for her infidelity. Casey and Roxanne have a steamy, intimate romance, but this idyllic existence ends when Z-Man invites Casey, Roxanne, and Lance to a psychedelic-fueled party at his house. After Z-Man tries to seduce Lance, who spurns him, he reveals that he has female breasts, meaning he has been a female in drag all this time. Z-Man then goes on a murderous rampage: he beheads Lance with a sword, stabs his servant Otto to death, and shoots Roxanne and Casey, killing them.

Responding to a desperate phone call Casey made shortly before her death, Kelly, Harris, Pet, and Emerson arrive at Z-Man's house and try to subdue him. Petronella is wounded in the melee, which ends in Z-Man's death. Harris is able to move his feet, the start of his recovery from paralysis.

An epilogue follows, with a preachy, satirical, voice-over monologue and scenes of Kelly and Harris (now in crutches) hiking on a log over a creek, and a final scene with the courthouse wedding of three couples—Kelly and Harris, Pet and Emerson, and Susan and Baxter—with Porter observing from outside the courthouse window.

Cast notes

• Pam Grier has a bit part as a partygoer.

Beyond the Valley of the Dolls was originally intended as a straightforward sequel to the 1967 film Valley of the Dolls. Jacqueline Susann, author of the novel Valley of the Dolls, had been asked to write a screenplay, but declined. Susann herself had come up with the title while she was writing her second novel The Love Machine. 20th Century Fox rejected two screenplay drafts, and the final version, written by director Russ Meyer and novice screenwriter Roger Ebert in six weeks, was not only a spoof of the original film, but also, in Ebert's words, "a satire of Hollywood conventions, genres, situations, dialogue, characters, and success formulas, heavily overlaid with such shocking violence that some critics didn't know whether the movie 'knew' it was a comedy". Meyer's intention was for the film to "simultaneously be a satire, a serious melodrama, a rock musical, a comedy, a violent exploitation picture, a skin flick, and a moralistic expose (so soon after the Sharon Tate murders) of what the opening crawl called 'the oft-times nightmarish world of Show Business'".

As a result, the studio placed a disclaimer at the beginning of the film informing the audience that the two films were not intended to be connected. Posters for the movie read, "This is not a sequel—there has never been anything like it".

Upon its initial release, the film was given an X rating by the MPAA; in 1990, it was reclassified as NC-17. Meyer's response to the original X rating was to attempt to re-edit the film to insert more nudity and sex, but Fox wanted to get the movie released quickly and would not give him the time.

Beyond the Valley of the Dolls is the first of two films produced by independent filmmaker Meyer for 20th Century Fox, and one of three movies that film critic Ebert co-wrote with Meyer. It was followed by the 1971 drama The Seven Minutes, although Meyer's original deal was for three films. Ebert said that Beyond the Valley of the Dolls seemed "like a movie that got made by accident when the lunatics took over the asylum".

Because the film was put together so quickly, some plot decisions, such as the character Z-Man being revealed as a "woman in drag", were made on the spot, without the chance to bring previous already-shot scenes into alignment with the new development. As they were shooting, the cast was uncertain whether the dialogue was intended to be comic or not, which would alter their approach to acting it. Because Meyer always discussed their roles and the film so seriously, they did not want to unintentionally insult him by asking, so they broached the question to Ebert, instead. Meyer's intention was to have the actors perform the material in a straightforward manner, saying "If the actors perform as if they know they have funny lines, it won't work." Ebert described the resulting tone as "curious".

In 1980, Ebert looked back on the film and said of it:

I think of it as an essay on our generic expectations. It's an anthology of stock situations, characters, dialogue, clichés and stereotypes, set to music and manipulated to work as exposition and satire at the same time; it's cause and effect, a wind-up machine to generate emotions, pure movie without message.

Beyond the Valley of the Dolls was made while Fox was being sued by Jacqueline Susann, who contended that the film version of Valley of the Dolls had damaged her reputation. The suit did not go to trial until after Susann's death in September 1974. Her estate won a $2 million verdict against the studio in August 1975.

Most of the film's music was written by Stu Phillips, whose composing credits include The Donna Reed Show, The Monkees, McCloud, and the original film and television versions of Battlestar Galactica. Phillips adapted Paul Dukas' The Sorcerer's Apprentice for the psychedelic scene at Z-Man's house near the film's end.

Members of the fictitious Carrie Nations neither sing nor play their own instruments in the film. Vocals for the lip-synced songs were performed by Lynn Carey, a blue-eyed soul singer based in Los Angeles. Carey's voice is showcased on the apocalyptic rocker "Find It" (by Stu Phillips and Carey), the earnest folk anthem "Come With the Gentle People" (by Stu Phillips and Bob Stone), the raunchy R&B of "Sweet Talking Candyman" (by Phillips and Stone), the lilting ballad "In the Long Run" (by Phillips and Stone), and the soulful strut of "Look On Up At the Bottom" (also by Phillips and Stone). She also sings "Once I had Love", written by Stu Phillips and herself.

Strawberry Alarm Clock performed their 1967 hit "Incense and Peppermints", the mid-tempo rocker "Girl from the City" (written by Paul Marshall), and the power pop anthem "I'm Comin' Home" (also by Marshall) during the first party scene at Z-Man's house. The film's title song was performed by A&M artists The Sandpipers and is heard twice near the end of the movie. The group also released the song as a single and on their 1970 Come Saturday Morning LP.

Different versions of the soundtrack album exist because of disputes over royalties. The original vinyl soundtrack, reissued in the early 2000s, substitutes Ami Rushes' vocals for Lynn Carey's originals, and also includes one song, "Once I Had Love", not on the 2003 CD reissue. However, the CD edition of the soundtrack contains 25 songs compared to the 12 songs on the vinyl version. "Incense and Peppermints", some incidental music, and the Strawberry Alarm Clock's Hammond organ instrumental "Toy Boy" are missing from all soundtrack releases.

Roger Ebert revealed that many of the film's themes and characters were based upon real people and events, but because neither Ebert nor Russ Meyer actually met these people, their characterizations were based on pure speculation.

• Ronnie "Z-Man" Barzell – The fictional eccentric rock producer turned Carrie Nations manager was loosely based on real-life producer Phil Spector. More than three decades later, Spector was convicted of murder after the body of Lana Clarkson was found at his mansion, which is somewhat reminiscent of the events of the film's climax.
• Randy Black – The heavyweight champ character was loosely based on the real World Heavyweight Champion Muhammad Ali.
• The climactic, violent ending, which was not in the original script, was inspired by the real-life Tate-LaBianca murders perpetrated by the Manson family. The film began production on December 2, 1969, shortly after the murders, which were covered heavily by the media. Valley of the Dolls