Beyond The Black Rainbow full HD movie download free with screenpaly story, dialogue LYRICS and STAR Cast

In the 1960s, Dr. Arboria founded the Arboria Institute, a New Age research facility dedicated to finding a reconciliation between science and spirituality, allowing humans to move into a new age of perpetual happiness. In the 1980s, Arboria's work has been taken over by his protégé, Dr. Barry Nyle. Outwardly a charming, handsome scientist, Nyle is in fact a psychopath who has been keeping Elena, a young girl, captive in an elaborate prison that doubles as a hospital beneath the Institute. Elena demonstrates psychic capabilities, which Nyle can suppress, using a glowing, prismatic device.

In an effort to understand Elena's abilities, Nyle subjects her to daily therapy sessions, which take the form of interrogations, during which Elena, who communicates only by way of telepathy, demands to see her father. By night, Elena is kept in a brightly lit, completely white room, with only a television for companionship. Nyle spends his own nights at home with his wife, a docile, servile woman who gives Nyle endless praise and exists in a state of constant stupor. Nyle takes massive quantities of prescription medication and disguises his complete lack of hair and the color of his irises by way of an elaborate wig and contact lenses.

Attempting to elicit an emotional response from Elena, Nyle speaks to her about her dead mother, whom he calls "beautiful" and "desirable". He then hints to her that a photo of her mother might be in her room. Later she discovers the photo under her bed.

That evening, Margo (a nurse or orderly who works with Elena), is about to go home when she discovers Nyle's case notes on Elena in a wall cavity. In it are strange symbols and images that indicate Nyle's violent sexual obsession with Elena. Fearful of what the notes contain, Margo puts them back. Soon afterwards, Nyle receives a phone call and rushes back to the Institute where he discovers ash from Margo's cigarette near the case notes. Nyle takes a psychedelic drug to calm himself.

Suspicious of Margo, Nyle informs her the next day that Elena has somehow smuggled contraband into her room. When Margo attempts to forcibly take the photograph from Elena, Elena kills her by telekinetically crushing her head. Nyle, monitoring Elena's actions, is intrigued by this blatant display of psychic ability and pleased at Margo's death. He allows Elena to leave her cell, then activates the prism, causing her to convulse and pass out. While unconscious, Elena is approached by a massive entity in a red space suit (identified as a "Sentionaut"), who injects her with a syringe before walking off.

Nyle goes to see Dr. Arboria, now aged, somewhere on the grounds of the Institute. Displaying signs of senility, Arboria remains either ignorant or indifferent of Nyle's psychosis, regarding him as his best protégé. A flashback to 1966 reveals that Elena's mother was Dr. Arboria's wife, who was present when Arboria himself led a young Nyle through a procedure meant to allow him to achieve transcendence. As a part of the procedure, Nyle was submerged in a vat of black liquid, providing him with hellish, otherworldly visions; Nyle emerged from the vat insane, fatally attacking Mrs. Arboria. An unperturbed Dr. Arboria is shown submerging the infant Elena in the black liquid. Back in the present, Nyle kills Arboria by administering a drug overdose.

Nyle returns home and presents himself to his wife without his wig or contacts and tries torturously to explain his inner pain to her before crushing her head. Meanwhile, Elena makes her torturous escape from the Aboria Institute, encountering a zombie-like "mutant", apparently another research subject. She encounters a lone Sentionaut who, instead of capturing Elena, removes its face mask to reveal a mutated, childlike face. Nyle, having dissolved his final contact to the material world, collects a ceremonial dagger he calls "The Devil's Tear-Drop", and heads out in pursuit of Elena. While chasing her through the woods surrounding the Institute, he encounters a pair of "heshers", whom he kills with his dagger after insisting one of them had sex with Elena.

Nyle eventually corners Elena in a clearing and repeatedly implores her to "Come to me". Elena uses her psychic abilities to keep Nyle's feet planted in the ground. Trying to leap forward, Nyle flings his head fatally onto a rock. Free of her captor, Elena follows the light generated by a television set to a nearby town. Following the credits, the camera focuses on an action figure of a Sentionaut lying on a carpet. A voice can be heard, recorded in reverse, before the film ends. Played in reverse, the voice says "I've lost visual contact. Do you read? Repeat, do you read?"

As a child, Cosmatos frequented a video store named Video Addict. During these trips he would browse the horror film section looking at the boxes although he was not allowed to watch such films. During such times he would instead imagine what the film was. He would later reflect upon this experience when making Black Rainbow where one of his goals was "to create a film that is a sort of imagining of an old film that doesn't exist." The year 1983 was chosen for the story as it's the first year he went to Video Addict. Additionally he thought the idea of setting such a film one year before 1984 was funny. The film's genesis was an overlap between two projects Cosmatos wanted to do. One of these was a film about a girl trapped in an asylum while the other was an installation promoting a research facility that didn't exist. Eventually Cosmatos realized that he could use both ideas in the same project.

The presence of his parents haunts "every frame of this film", said the Rome-born filmmaker. His father was film director George P. Cosmatos (whose credits include Rambo: First Blood Part II and Cobra), deceased in April 2005, and his mother Swedish sculptor Birgitta Ljungberg-Cosmatos, who died in July 1997 after a lengthy battle with cancer. Unable to deal with his mother's death, Panos "drifted into a slow motion mode of self-destruction and binge drinking". When elder Cosmatos died, the grief he felt compounded. After that the aspiring writer/director started therapy and decided he wanted to make a film as part of the healing process. Cosmatos felt that his "filmmaking sensibility is a weird hybrid of both of them" - his father's "popcorn movies" and his mother's haunting, experimental art.

Beyond the Black Rainbow was financed by DVD residuals from Tombstone (1993), directed by Panos' father. The film was shot in three weeks using a modified Panavision 35 mm camera. This was suggested by cinematographer Norm Li, for he noted that Panos' references – mostly films from the '70s and '80s – "were all grainy, colorful, and full of texture", and he felt the 35 mm format was "the only way to shoot."

Visuals

Beyond the Black Rainbow has been praised for its visual style. Cosmatos declared that his "modernist" use of color was influenced by Michael Mann's Manhunter (1986) and The Keep (1983). The blue hue cinematography – the "night mode" as Cosmatos dubbed it – was inspired by the freezer room scene in John Carpenter's Dark Star (1974). Norm Li cited other references: Daft Punk's Electroma (2006), Dario Argento's Suspiria (1977), and George Lucas' THX 1138 (1971). A number of reviewers noted similarities between the film and Stanley Kubrick's 2001: A Space Odyssey (1968) and A Clockwork Orange (1971). "I love Stanley Kubrick, and have seen, and probably internalized, all of his work, but any similarity was not my intent", explained Cosmatos. Critics have also compared Beyond the Black Rainbow to Andrei Tarkovsky's Solaris (1972), Ken Russell's Altered States (1980), and Gaspar Noé's Enter the Void (2010). Of the latter, the director deemed it "a very interesting, very beautiful film."

The 1966 flashback segment of the movie was inspired by E. Elias Merhige's experimental horror film Begotten (1990). Begotten was entirely shot in high-contrast black-and-white, which for Cosmatos "was a perfect look for the flashback because I wanted it to feel like a fading and decayed artifact." The young Barry Nyle's acid trip in that segment of Beyond the Black Rainbow was inspired by the "Battle of the Gods" sequence in Jean-Luc Godard's Contempt (1963).

Cosmatos also takes influence from other visual media. The director declared his love for Heavy Metal magazine and the work of French comics artist Jean "Moebius" Giraud. Fantasy art was also an influence, especially Frank Frazetta's paintings. Norm Li stated that both he and the director "also looked at abstract paintings, photographs, and architectural design books" for inspiration.

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