Becoming Jane full HD movie download free with screenpaly story, dialogue LYRICS and STAR Cast

Jane Austen is the younger daughter of the Reverend George Austen and his wife and has yet to find a suitable husband. She aspires to be a writer, to the dismay of her mother and proud delight of her father.

Thomas Lefroy is a promising lawyer with a bad reputation, which he describes as "typical" for people in the profession. Tom makes a terrible first impression upon meeting Jane, when he nearly falls asleep while she gives a reading of her work for the company. Overhearing his subsequent criticism, Jane cannot stand the arrogant Irishman. Meanwhile, she turns down the affections of other men, including Mr. Wisley, the nephew and heir of the wealthy Lady Gresham. Wisley proposes but Jane ultimately rejects him due to lack of affection. The mischievous Tom encounters Jane again; they argue but increasingly take interest in each other and Tom demonstrates that he takes Jane's literary aspirations seriously. In time they fall in love.

Tom, Jane, her brother Henry and Jane's rich widowed cousin, Eliza, Comtesse de Feullide, conspire to receive an invitation from Tom's uncle and benefactor, the Lord Chief Judge Langlois of London, for the rich "Madame La Comtesse" and her friends. This visit is meant to be a short break in their journey to see Jane's brother, Edward. This would allow Judge Langlois to get to know Jane before and give a blessing for their marriage. Full of hope, Jane cannot sleep during the night at the Judge's place. In a flow of inspiration, she then begins the writing of First Impressions, the manuscript that will become Pride and Prejudice.

However, Judge Langlois receives a letter informing him of the genteel poverty of Jane's family and he refuses to give Tom his blessing, declaring that he would wish Tom to be the whoremonger he had been rather than allow him to live in poverty because of a bad marriage. Tom tells Jane that he cannot marry her and she is crushed, not knowing that Tom has a legitimate reason; his family depends on him financially.

Jane returns home and soon learns that Tom has become engaged to someone else at the arrangement of his family. Jane accepts the marriage proposal of Mr. Wisley, whom she had earlier declined. Later, Tom realises he cannot live without Jane, and returns, asking Jane to run away with him, for "what value will there be in life, if we are not together?" Jane agrees, and they leave, with only Jane's sister Cassandra knowing they plan to marry in secret.

On the way, Jane stumbles upon a letter from Tom's mother, and realises his situation: he sends money he receives from his uncle back to his parents and siblings, and his family cannot survive without it. She tells Tom that they cannot elope, not with so many people depending upon him. He insists that he and Jane must marry and tells her he will earn money, but Jane tells him that it will not be enough; he will never be able to make enough money to support his dependents with a High Court judge (his uncle) as an enemy and with a penniless wife. Distraught, Tom asks her if she loves him, and she replies, "Yes, but if our love destroys your family, then it will destroy itself, in a long, slow degradation of guilt and regret and blame." As she leaves, Jane catches a last glimpse of Tom through the carriage window as he briefly follows, the horses outpacing him.

Twenty years later, Jane, now a successful author and by choice unmarried, sees Tom during a gathering. Henry, now married to Eliza, brings Tom to her. Tom introduces his eldest daughter, who admires Jane's novels. Tom's daughter asks Jane to read aloud, but as Jane rarely does so he remonstrates with his daughter using her name, which is also Jane. Astonished that he named his eldest after her, Jane agrees to read. The last scene shows Tom's daughter sitting by Jane as she reads aloud from Pride and Prejudice, while Tom watches Jane affectionately. As she concludes, their eyes meet, and Tom joins the rest of the company in honouring Jane and her work with applause.

• Anne Hathaway as Jane Austen
• James McAvoy as Thomas "Tom" Lefroy
• Julie Walters as Mrs Austen
• James Cromwell as Reverend George Austen
• Maggie Smith as Lady Gresham
• Lucy Cohu as Eliza, Comtesse de Feullide
• Laurence Fox as Mr. Wisley
• Joe Anderson as Henry Austen
• Ian Richardson as Lord Chief Judge Langlois of London
• Sophie Vavassuer as Jane Lefroy
• Anna Maxwell Martin as Cassandra Austen
• Leo Bill as John Warren
• Jessica Ashworth as Lucy Lefroy
• Eleanor Methven as Mrs Lefroy
• Helen McCrory as Mrs Radcliffe
• Tom Vaughan-Lawlor as Robert Fowle

Conception and adaptation

In 2004, screenwriter Sarah Williams approached Douglas Rae and Robert Bernstein of Ecosse Films with the intention of creating a film about the life of Jane Austen, a popular eighteenth century English novelist. Williams had recently read Becoming Jane Austen, a 2003 biography that largely pieced together several known facts, such as Austen's meeting Tom Lefroy on Christmas 1795, into a coherent story about unrequited love. Bernstein agreed to adapt the work, believing that it depicted "a pivotal relationship in Jane Austen's early life that was largely unknown to the public." The book's author, Jon Hunter Spence, was hired as a historical consultant on the film, with the task of "see that, given that the 'story' is a work of imagination, the factual material was as accurate as possible within the limitations of the story."

After Williams completed several drafts of the screenplay, the company hired Kevin Hood to aid in further script development. Bernstein believed that Hood's past work contained "a romantic sensibility... There is a poetic quality about his writing as well as there being a rigorous emotional truth which I thought was important for Jane." Hood was attracted to the film because he believed "the story is such an important one and very much the inspiration for Pride and Prejudice." Calling Austen a "genius" and "one of the top two or three prose writers of all time", Hood thought that her relationship with Lefroy "was absolutely essential in shaping her work." Hood acknowledged however that Becoming Jane is "based on the facts as they are known and the majority of characters did exist, as did many of the situations and circumstances in the film. Some have been fictionalised, weaving together what we know about Austen's world from her books and letters, creating a rich Austenite landscape."

Julian Jarrold became attached to direct the film in early 2005. It was his second feature film, after Kinky Boots, which was released later that year. According to Bernstein, he "liked style as it was modern and visceral, and I just had a feeling that he was the right choice. This piece needed to be handed with delicacy but also with a certain amount of brio and Julian was able to bring those two things to the production." The director began work on the project in early 2006, rereading the novels Pride and Prejudice, Sense and Sensibility, and Persuasion and also reviewing Austen biographies such as Spence's book. Jarrold depended most heavily on the script, calling it "a rich, witty and clever screenplay from someone who obviously knew his subject very well. It is a love story but much more besides. Kevin's screenplay has so many layers and interesting ideas. Apart from the love story I was very attracted by the themes of imagination and experience." The director intended to "bring Austen up to date by roughening her up a bit" and adding "more life and energy and fun," opining that past Austen adaptations had been "a little bit picture-postcard and safe and sweet and nice."

Casting

Jarrold sought to make Becoming Jane "look and feel" realistic "so everything is not lit in a very glamorous Hollywood way." According to him, "One of the key ideas in the film was to get away from the old, stuffy costume drama kind of feel of what Jane Austen is and to look at somebody before she becomes a genius, when she is in her early twenties and on the verge of writing her great thing; she had a real exuberance for life, intelligent and independent and a sort of outsider in rural Hampshire, more intelligent than the people around her and kicking against all those pressures." To further set his film apart from other costume dramas, American actress Anne Hathaway was cast as the title character. A fan of Jane Austen since she was fourteen, Hathaway immediately began rereading Austen's books, conducting historical research including perusing the author's letters, and also learned sign language, calligraphy, dance choreography, and playing the piano. She moved to Engla