Barbarella Film full HD movie download free with screenpaly story, dialogue LYRICS and STAR Cast

In an unspecified future, space adventurer Barbarella (Jane Fonda) is assigned by the President of Earth (Claude Dauphin) to retrieve Dr. Durand Durand (Milo O'Shea) from the Tau Ceti planetary system. Durand is the inventor of the laser powered super weapon called the positronic ray, which Earth leaders fear will fall into the wrong hands. Barbarella crash-lands on Tau Ceti's 16th planet, and is knocked unconscious by two children. They bring her into the wreckage of a spaceship, where she is bound and attacked by several dolls with razor-sharp teeth. Barbarella is rescued by Mark Hand (Ugo Tognazzi), the Catchman who patrols the ice looking for errant children. Hand tells her that Durand is in the city of Sogo, and she expresses her appreciation by having sexual intercourse with him, a practice now done on Earth by taking pills. Hand suggests having sex without pills, which Barbarella is initially skeptical of, but she discovers that she enjoys it.

Barbarella leaves the planet and crashes into a labyrinth inhabited by outcasts from Sogo. She is found by Pygar (John Phillip Law), a blind angel who has lost the will to fly. Pygar introduces her to Professor Ping (Marcel Marceau), who offers to repair Barbarella's ship. Pygar flies her to Sogo after she restores his will to fly with sexual intercourse. When they arrive, Pygar and Barbarella are captured by Sogo's Black Queen (Anita Pallenberg, voiced by Joan Greenwood) and her concierge. The concierge describes the Matmos: living energy in liquid form, powered by evil thoughts and used as an energy source in Sogo. Pygar endures a mock crucifixion and Barbarella is placed in a cage, where hundreds of birds prepare to attack her. She is rescued by Dildano (David Hemmings), leader of the local underground, who joins in her pursuit of Durand. Dildano offers her an invisible key to a chamber of dreams where the Queen sleeps, and sends her back to Sogo.

Barbarella is promptly recaptured by the concierge; he places her in an excessive-pleasure machine, which induces fatal sexual pleasure. She outlasts the machine, which shuts down. The concierge, shocked at its destruction, is revealed as Durand (who has aged 30 years due to the Matmos). He wants to become Sogo's new leader and overthrow the Black Queen, which requires his positronic ray and access to the chamber of dreams. Durand takes Barbarella to the chamber, locking her inside with the invisible key. She meets the Queen, who says that if two people are in the chamber the Matmos will devour them. Durand seizes control of Sogo, as Dildano and his rebels begin their attack on the city. The Black Queen retaliates, releasing the Matmos to destroy Sogo. Protected by what the Black Queen calls Barbarella's innocence, they escape the Matmos and find Pygar; the angel clutches them in his arms and flies off. When Barbarella asks Pygar why he saved a tyrant, he replies: "An angel has no memory."

Development

Dino De Laurentiis bought Barbarella's film rights. He secured a distribution deal in the United States between France's Marianne Productions and Paramount Pictures. He planned to film Danger: Diabolik, a less-expensive feature, to help cover production costs. In 1966 Roger Vadim expressed an admiration for comics (particularly Peanuts), saying that he liked "the wild humor and impossible exaggeration of comic strips" and wanted to "do something in that style myself in my next film, Barbarella." Vadim saw the film as a chance to "depict a new futuristic morality ... Barbarella has guilt about her body. I want to make something beautiful out of eroticism." His wife, actress Jane Fonda, noted that Vadim was a fan of science fiction; according to the director, "In science fiction, technology is everything ... The characters are so boring—they have no psychology. I want to do this film as though I had arrived on a strange planet with my camera directly on my shoulder—as though I was a reporter doing a newsreel."

After Terry Southern finished writing Peter Sellers' dialogue for Casino Royale, he flew to Paris to meet Vadim and Fonda. Southern, who had known Vadim in Paris during the early 1950s, saw writing a science-fiction comedy based on a comic book as a new challenge. He enjoyed writing the script, particularly the opening striptease and the scenes with tiny robotic toys pursuing Barbarella to bite her. Southern enjoyed working with Vadim and Fonda, but he felt that De Laurentiis wanted to make a cheap film rather than a good film. Southern said later, "Vadim wasn't particularly interested in the script, but he was a lot of fun, with a discerning eye for the erotic, grotesque, and the absurd. And Jane Fonda was super in all regards." Southern was surprised to see his screenplay credited to Vadim and several Italian screenwriters in addition to himself. Credited screenwriters included Claude Brulé, Vittorio Bonicelli, Clement Biddle Wood, Brian Degas, Tudor Gates, and Barbarella creator Jean-Claude Forest. Charles B. Griffith later said that he had done uncredited work on the script; the production team "hired fourteen other writers" after Southern "before they got to me. I didn't get credit because I was the last one." According to Griffith, he "rewrote about a quarter of the film that was shot, then re-shot, and I added the concept that there had been thousands of years since violence existed, so that Barbarella was very clumsy all through the picture. She shoots herself in the foot and everything. It was pretty ludicrous. The stuff with Claude Dauphin and the suicide room were also part of my contribution to the film."

Pre-production

Several actresses were approached before Jane Fonda was cast as Barbarella. De Laurentiis' first choice was Virna Lisi; his second was Brigitte Bardot, who was not interested in a sexualized role. His third choice was Sophia Loren, who was pregnant and felt that she would not fit the role. Fonda was uncertain about the film, but Vadim convinced her by saying that science fiction was a rapidly-evolving genre. Before filming Barbarella, she was the subject of two sex scandals: the first when her nude body was displayed across an eight-story billboard promoting the premiere of Circle of Love in 1965, and the second when several candid nude photos from Vadim's closed set for The Game Is Over were sold to Playboy the following year. According to biographer Thomas Kiernan, the billboard incident made her a sex symbol in the United States. Vadim said he did not want the actress to play Barbarella "tongue in cheek", and he saw the character as "just a lovely, average girl with a terrific space record and a lovely body. I am not going to intellectualise her. Although there is going to be a bit of satire about our morals and our ethics, the picture is going to be more of a spectacle than a cerebral exercise for a few way out intellectuals." Fonda felt her first priority for Barbarella was to "keep her innocent"; the character "is not a vamp and her sexuality is not measured by the rules of our society. She is not being promiscuous, but she follows the natural reaction of another type of upbringing. She is not a so-called 'sexually liberated woman' either. That would mean rebellion against something. She is different. She was born free."

French mime Marcel Marceau had his first speaking role in the film as Professor Ping. Comparing his character to Bip the Clown and Harpo Marx, he said that he did not "forget the lines, but I have trouble organising them. It's a different way of making what's inside come out. It goes from the brain to the vocal chords, and not directly to the body."

Some publications, including The Guardian had stated that fashion designer Paco Rabanne created Fonda's costumes. Recent fashion scholarship has demonstrated that Rabanne was only involved in the production of Fonda's final green outfit. All costumes in the film, including Fonda's, were designed by French costume designer Jacques Fonteray and manufactured by Sartoria Farani. Barbarella's outfits were Jacques Fonteray's interpretation of Forest's vision, combining orientalist and medieval aesthetics with samurai amours. Forest also worked on the production's design. In a 1985 interview, he said that during production he did not care about his original comic strip and was more interested in the film industry: "The Italian artists were incredible; they could build anything in an extremely short time. I saw all the daily rushes, an incredible amount of film. The choices that were made for the final cut from those images were not the ones I would have liked, but I was not the director. It wasn't my affair."

Filming

John Phillip Law, who appeared in both Barbarella and Danger: Diabolik, said that Barbarella began shooting after Danger: Diabolik wrapped production on 18 June 1967. Sets such as Valmont's night club in Danger: Diabolik were used in both films. Barbarella was shot at Cinecittà in Rome. To film its striptease introduction, Fonda said that the set was turned upward to face the ceiling of the soundstage. A pane of thick glass was laid across the opening of the set, with the camera hung from the rafters above it. Fonda then climbed onto the glass to perform the scene. Other scenes involved hanging Fonda upside down in an enormous vat of oil and dry ice, and her stomach being skinned when being shot through a plastic tube. For the scenes involving the Excessive Pleasure Machine, Fonda and Milo O'Shea were not told of explosions would happen on set, as the prop was rigged with flares and smoke bombs. Fonda explained that "Vadim wanted us to look natural,