Bajirao Mastani Film full HD movie download free with screenpaly story, dialogue LYRICS and STAR Cast

In the early 18th century, the court of Maratha king Chhatrapati Shahu needs a new Peshwa, the equivalent of a modern-day prime minister. In spite of Shripad Rao's self-nomination as the Peshwa, Ambaji Pant nominates a young Bajirao. To test his spiritual wisdom and knowledge of weaponry, Shripad challenges Bajirao to split a peacock feather with an arrow. Bajirao succeeds and is given the title of Peshwa. Ten years later, his wife Kashibai is visited by her widowed friend Bhanu, whose husband was accused of spying and was ordered to be executed by Bajirao. She predicts that just as she longs for her husband, Kashibai will yearn for Bajirao.

While travelling to Sironja, an emissary from Bundelkhand enters Bajirao's tent and requests his help to fight invaders. She reveals herself to be Mastani, the daughter of the Hindu Rajput king Chhatrasal and his Persian Muslim consort Ruhani Bai. Impressed by her skills as a warrior, Bajirao assists her with his army and defeats the invaders. Chhatrasal is overjoyed and insists Bajirao spend Holi with them in Bundelkhand. Mastani and Bajirao fall in love with each other and he gives her his dagger, unaware it is a symbol of marriage among the Bundelkhand Rajputs. Bajirao departs for Pune, where Kashibai greets him with a tour of their newly-built Shaniwar Wada and shows him the Aaina Mahal (hall of mirrors), which allows her to see him from her room.

Determined to pursue her love, Mastani arrives in Pune but is treated harshly by Bajirao's mother Radhabai and accommodated in the palace for courtesans. Mastani tolerates this insult and appears to dance before Bajirao. Radhabai scornfully offers her the occupation of a royal dancer but refuses to accept her as a daughter-in-law. Mastani travels to the Chhatrapati Shahu and expresses her desire to be with Bajirao, then leaves to wait for him at a ruin across a river. During a storm, Bajirao crosses the river and chides Mastani's persistence, reminding her he is already married and that his court will never respect her if she is in a relationship with him. She agrees, despite his warning, and he declares Mastani his second wife.

The Marathas prepare to attack Delhi, the capital of the Mughal Empire, but must first ensure the Nizam of Hyderabad, the Muslim ruler of Hyderabad State, will not attack them during their assault. Bajirao leaves to confront the Nizam, Qamar ud-Din Khan, and returns successful. In the Aaina Mahal, Kashibai, who is pregnant, sees Bajirao embracing Mastani, who is also expecting, and leaves for her mother's home. She returns to joyous celebrations months later with her newborn son, who is named Raghunath. Mastani also gives birth to a son, whom Mastani and Bajirao name Krishna Rao. After the head Brahmin priest Krishna Bhatt refuses to conduct the naamkaran (the Hindu naming ceremony) on the grounds that Krishna Rao is illegitimate, Bajirao renames his son Shamsher Bahadur. A few years later, Kashibai and Bajirao's eldest son Balaji Baji Rao, also known as Nana Saheb, returns from Satara and expresses his hatred of Mastani for disrupting his mother's marriage.

Shiva Bhatt, a Brahmin priest, informs Kashibai of a plan to murder Mastani and her son during a festival. Kashibai relays this news to Bajirao, who rescues both of them. Krishna Bhatt kills Shiva Bhatt, enraging Bajirao. To keep Mastani's safe and to grant her a royal home, Bajirao builds the Mastani Mahal for her. Bajirao, however, is heartbroken due to the betrayal of his mother Radhabai and his brother Chimaji Appa. Meanwhile, Pant tells Bajirao he must defeat Nasir Jung, the vengeful son of the Nizam. Bajirao says that although he loves Mastani, his life and allegiance is always to his cause and he leaves for the battlefield. Before leaving, he meets Kashibai in deference to a tradition that the wife sent her husband off into battle. Kashibai tells Bajirao he has broken her heart and compares their love with that of Krishna and Rukmini. Kashibai orders him never to enter her chamber again, and Bajirao accepts and leaves.

After Bajirao leaves for battle, Radhabai and Nana Saheb imprison Mastani and Shamsher Bahadur. After Bajirao receives the news, he single-handedly defeats Nasir Jung's army in his rage but collapses from his injuries. At his deathbed, Kashibai sends a letter pleading with Radhabai to release Mastani so Bajirao can recover, but Nana Saheb burns the letter and refuses to release Mastani. Bajirao, delirious due to his sickness, dies from the trauma of his hallucinations; at the same time Mastani dies in captivity. The ill-fated lovers are shown to be united in death.

The cast is listed below:

Development

Sanjay Leela Bhansali had conceived the historical romance about Maratha Peshwa Bajirao and his second wife Mastani even before he had directed his first feature Khamoshi: The Musical in 1996. Several other directors such as Muzaffar Ali, Manmohan Desai and Kamal Amrohi had tried to make a film about the two historical figures but they were never made. Bhansali had intended to make Bajirao Mastani after the release of Devdas (2002) and had officially announced it in 2003, with filming scheduled to begin in May 2004. The film, however, was shelved indefinitely. Reports about a possible revival had made headlines ever since; Bhansali had planned to revive it every other year but the project never came to fruition. In an interview with The Telegraph, Bhansali spoke about his intention to make Bajirao Mastani after finishing every film he made in-between, saying "I kept trying to revive it over and over again, but if there is one thing that filmmaking has taught me, it's that every film has its own destiny. And I strongly believe that the souls of ... Bajirao, Mastani and Kashibai wanted us to make this film only now." In the process, the film became a passion project for him.

After spending eleven years in development hell, Bhansali revived the project in 2014; the film was reported to be an adaptation of the Marathi-language novel Raau (1976) by Nagnath S. Inamdar. After the project was shelved, Bhansali said he struggled to put the film together and that he considered the project impossible to made. Nevertheless, he clung to his ambition to make the film someday, saying, "there is magic to it". Some film industry professionals believed it would never be made, calling it "jinxed". Bhansali always believed in the project, assuring himself the script was so powerful he had to make it one day. He told The Telegraph, "Honestly, I want very few things in life ... so I know that I am resilient enough to get them all! Deep down, I kept asking for the universe to let me make this film. When you dream very genuinely, then I believe you also get the power to fulfill it. In pursuing Bajirao Mastani, I have been resilient and very focused. I have sacrificed a lot of things".

Primarily known for making romantic dramas, Bhansali was intrigued about the romance between "two people who defied everything, just to be in love with each other", and was excited to tell a 200-year-old story. He wanted to show the relationship between Bajirao and Mastani because it was rarely depicted in history books, and little was known about it. He had long admired the Maratha backdrop and the different religions of the protagonists—Bajirao was Hindu and Mastani was Muslim—which further drove his interest towards knowing more and telling the story. He saw it as a chance to comment on religion and love, saying, "In those times, people were offended by the same things that offend them today. Through this film, I want to show