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Peter Vronsky was a writer and film reviewer for Canada's national film magazine Cinema Canada and University of Toronto's The Varsity. He was a member of Toronto Filmmakers Coop and University of Toronto Film Board (Hart House). He studied with Canadian film directors Don Shebib, Clarke Mackey, and Peter Pearson at the Toronto Filmmakers Coop. Vronsky dropped out of the University of Toronto at the end of his second year to pursue filmmaking full-time. He wrote and directed two thirty-minute short drama films starring Paul Young from the Cardboard Brains: American Nights (1976) and The Sheep-Eaters (1977). He received several Canada Council and Ontario Arts Council Grants and directed and produced a thirty-minute music documentary special on punk rock for CBC television Crash'n'Burn (Dada's Boys) (1977) with the Viletones, Teenage Head, Dishes, The Ramones and The Deadboys, filmed at CBGB in New York and the New Yorker Theater and Crash'n’Burn in Toronto. (Not to be confused with Ross McLaren's independent Crash 'n' Burn made the same year on the same subject. Vronsky produced and directed a feature film, Bad Company (1980). He worked as an assistant-director on Canadian feature films: Nothing Personal (1979), The Last Chase (1979) and Screwballs (1981). Vronsky frequently collaborated with documentary filmmaker Peter Lynch on Video Culture International projects and with horror film director Tibor Takacs who before he left for Hollywood worked as a D.O.P. and Art Director on several Vronsky films.

Peter Vronsky created numerous video art tapes and formal video installations exhibited in Canada and internationally in Tokyo, Paris, Rome, Amsterdam, New York and London. He was the Artist-in-Residence with Sony Corporation at Video/Culture International, 1983. He frequently worked as an undercover video specialist – field producer with CBC's The Fifth Estate and CTV's W5. In 1984–1985 during the pioneering period of laserdisc development, Vronsky was the Head of Interactive Laser Optical Software Development, Sony Corporation-Video/Culture and the Project Director of the Berlin Wall Videodisc, Sony Canada-Image Over Time, 1985. He worked as a Field Producer/Cameraman for CNN International, Rome Bureau, 1986–1990. Vronsky was the Producer-director of Russian Rock Underground (1988), a thirty-minute music television special on underground ("unofficial") rock music in the Soviet Union, featuring Boris Grebenshchikov, Televizor, Zvuki Mu and Auktion.

Vronsky was the writer-producer-director of Mondo Moscow, a feature-length documentary on incipient Stalinism and underground culture in the USSR, 1990. In 1991 Vronsky investigated Lee Harvey Oswald's activities in the USSR in 1959–1962 and was the first Westerner ever to interview Oswald's friends, lovers and acquaintances in Russia. Vronsky was the cameraman-line producer on The Hunt for Red Mercury, an investigative one-hour documentary (Discovery Channel – CTV) on nuclear weapons material smuggling in Chechnya, 1992. He was the writer-director of The Uncanadians, a NFB feature documentary 1994–1995 but withdrew his name from the director's credit in a dispute with the National Film Board over the film's controversial contents.) Vronsky was the Head of English Language Production, Panavideo, Venice Italy – service producer for Italy's national television network, RAI, 1997–1999.

Vronsky was the Queens Park/Toronto Bureau Chief at E-Press, Canada's first online news streaming service, 2000 and the Broadband Content Specialist, Canada-Invest.com, financial news streaming service, 2000–2001. He was the Director of Photography on the feature-length music documentaries, Life Could Be A Dream (Bravo Television, 2002) and I'll Fly Away Home (Bravo Television, 2004). He authored two crime history books, Serial Killers The Method and Madness of Monsters (Berkley-Penguin Books, 2004) and Female Serial Killers: How and Why Women Become Monsters (Berkley-Penguin Books, 2007). Vronsky returned to the University of Toronto as a full-time student from 2003 to 2010, completing the following degrees:

• University of Toronto, Trinity College, Honours BA, 2003.
• University of Toronto, Graduate School, M.A. (History) 2004.
• University of Toronto, Graduate School, PhD. (History), 2010.

In 2015 Leah McLaren, writing in the Globe and Mail', reported on the strange disappearance of Dave Walker, a friend of Vronski's. According to McLaren Vronski was working hard to determine what happened to Walker, when the Canadian government seemed to want his story to be forgotten. Walker had told Vronski that he had agreed to be a low-level informant for Canadian intelligence official. Vronski suspected this had played a role in his death.

Peter Vronsky currently lectures at Ryerson University History Department in international relations, American Civil War, Third Reich, and the history of terrorism. In 2017, he was chosen as the Writer-In-Residence at the Toronto Public Library. The third volume in his history of serial homicide, a global macro history or Big History of serial homicide, Sons of Cain: A History of Serial Killers from the Stone Age to the Present (formerly Serial Killer Chronicles) for the Penguin Random House Berkley imprint is scheduled to be released in the summer of 2018. A chapter from this new history "Serial Killer Zombie Apocalypse and the Dawn of the Less Dead" was recently published as the prologue to the Serial Killer True Crime Anthology 2014. In it Vronsky compares the brain functions of a serial killer with that of a fictional zombie, arguing that the capacity for serial murder, rape, and cannibalism, originates with primitive survival instincts rooted in an older "reptilian" sector of the human triune brain that “misfires” for a complexity of reasons, ranging from familial, environmental, social, cultural, to perhaps even bio-chemical or genetic.

Peter Vronsky is fluent in English, Russian and Italian and resides in Toronto, Canada and Venice, Italy.