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This article is about the first film in the trilogy. For the franchise, see Back to the Future (franchise). For other uses, see Back to the Future (disambiguation).

Back to the Future is a 1985 American science fiction film directed by Robert Zemeckis and written by Zemeckis and Bob Gale. It stars Michael J. Fox as teenager Marty McFly, who accidentally travels back in time to 1955, where he meets his future parents and becomes his mother's romantic interest. Christopher Lloyd portrays the eccentric scientist Dr. Emmett "Doc" Brown, inventor of the time-traveling DeLorean, who helps Marty repair history and return to 1985.

Back to the Future
Theatrical release poster
by Drew Struzan
Directed byRobert Zemeckis
Produced by
  • Bob Gale
  • Neil Canton
Written by
  • Robert Zemeckis
  • Bob Gale
Starring
  • Michael J. Fox
  • Christopher Lloyd
  • Lea Thompson
  • Crispin Glover
Music byAlan Silvestri
CinematographyDean Cundey
Edited by
  • Arthur Schmidt
  • Harry Keramidas
Production
company
  • Amblin Entertainment
  • Universal Pictures
Distributed byUniversal Pictures
Release date
  • July 3, 1985 (1985-07-03)
Running time
116 minutes
CountryUnited States
LanguageEnglish
Budget$19 million
Box office$389.1 million

Zemeckis and Gale wrote the script after Gale wondered whether he would have befriended his father if they had attended school together. Film studios rejected it until the financial success of Zemeckis' Romancing the Stone. Zemeckis approached Steven Spielberg, who agreed to produce the project at Amblin Entertainment, with Universal Pictures as distributor. Fox was the first choice to play Marty, but he was busy filming his television series Family Ties, and Eric Stoltz was cast; after the filmmakers decided he was wrong for the role, a deal was struck to allow Fox to film Back to the Future without interrupting his television schedule.

Back to the Future was released on July 3, 1985 and it grossed over $381 million worldwide, becoming the highest-grossing film of 1985. It won the Hugo Award for Best Dramatic Presentation, the Saturn Award for Best Science Fiction Film, and the Academy Award for Best Sound Effects Editing. It received three Academy Award nominations, five BAFTA nominations, and four Golden Globe nominations, including Best Motion Picture (Musical or Comedy). In 2007, the Library of Congress selected it for preservation in the National Film Registry, and in June 2008 the American Film Institute's special AFI's 10 Top 10 designated it the 10th-best science fiction film. The film began a franchise including two sequels, Back to the Future Part II (1989) and Back to the Future Part III (1990), an animated series, theme park ride, and several video games.

Screenplay

In 1985 Hill Valley, California, teenager Marty McFly and his girlfriend, Jennifer Parker, are chastised by the school principal for lateness. Marty auditions for the Battle of the Bands, but is rejected for being too loud. At home, Marty's father George is bullied by his supervisor, Biff Tannen, while his mother Lorraine is an overweight, depressed alcoholic. Lorraine recalls how she met George when her father hit him with his car.

Marty is invited by his friend, eccentric inventor Dr. Emmett Brown, to meet him in a parking lot in the early hours. Doc unveils a time machine built from a modified DeLorean and powered by plutonium stolen from terrorists. Preparing to demonstrate the time machine, Doc sets the date to November 5, 1955: the day he invented time travel. The terrorists arrive and shoot Doc. Marty escapes in the DeLorean, but inadvertently activates the time machine.

Marty finds himself in 1955 without enough plutonium to return. He encounters the teenaged George, who is bullied by his classmate Biff. After Marty saves George from an oncoming car, he is knocked unconscious and awakens to find himself tended to by Lorraine, who is infatuated with him.

Marty tracks down Doc's younger self for help. With no plutonium, Doc explains that the only power source capable of generating the necessary 1.21 gigawatts of electricity for the time machine is a bolt of lightning. Marty shows Doc a flyer from the future that recounts a lightning strike at the town's courthouse due the coming Saturday night. Doc instructs Marty to not leave his house or interact with anyone, as he could inadvertently alter the future; because of this, Doc refuses to heed warnings from Marty about his death in 1985. When they realize that he has prevented his parents from meeting, Doc warns Marty that he must find a way to introduce George to Lorraine or he will be erased from existence. Doc formulates a plan to harness the power of the lightning, while Marty sets about introducing his parents.

After Lorraine asks Marty to the school dance, Marty concocts a plan: he will feign inappropriate advances on Lorraine, allowing George to "rescue" her. The plan goes awry when a drunken Biff attempts to force himself on Lorraine. George, enraged, knocks out Biff, and Lorraine follows him to the dance floor, where they kiss while Marty performs with the band.

As the storm arrives, Marty returns to the clock tower and the lightning strikes, sending Marty back to 1985. Doc has survived the shooting, as he had listened to Marty's warnings and worn a bullet-proof vest. Doc takes Marty home and departs to the future. Marty awakens the next morning to find that George is a successful author, Lorraine is fit and happy, and Biff is now an obsequious auto valet. As Marty reunites with Jennifer, the DeLorean appears with Doc, insisting they accompany him to 2015 to resolve a problem with their future children. The trio board the DeLorean, which has been upgraded with hover technology, and warp to the future.

  • Michael J. Fox as Marty McFly
  • Christopher Lloyd as Dr. Emmett "Doc" Brown
  • Lea Thompson as Lorraine Baines-McFly
  • Crispin Glover as George McFly
  • Thomas F. Wilson as Biff Tannen
  • Claudia Wells as Jennifer Parker
  • James Tolkan as Mr. Strickland
  • Marc McClure as Dave McFly
  • Wendie Jo Sperber as Linda McFly

Development

Writer and producer Bob Gale conceived Back to the Future after he visited his parents in St. Louis, Missouri after the release of Used Cars. Searching their basement, Gale found his father's high school yearbook and discovered he was president of his graduating class. Gale had not known the president of his own graduating class, and wondered whether he would have been friends with his father if they went to high school together. When he returned to California, Gale told director Robert Zemeckis about the idea. Zemeckis thought of a mother claiming she never kissed a boy at school when, in fact, she had been promiscuous. The two took the project to Columbia Pictures, and made a development deal for a script in September 1980.

Zemeckis and Gale set the story in 1955 because a 17-year-old traveling to meet his parents at the same age arithmetically required the script to travel to that decade. The era also marked the rise of teenagers as an important cultural element, the birth of rock n' roll, and suburban expansion, which flavored the story. In an early script, the time machine was a refrigerator, and Marty would need the power of an atomic explosion at the Nevada Test Site to return home. Zemeckis was concerned that children would accidentally lock themselves in refrigerators, and felt it was more useful if the time machine were mobile. The DeLorean DMC-12 was chosen because its design made the gag about the family of farmers mistaking it for a flying saucer believable. Zemeckis and Gale found it difficult to create a believable friendship between Marty and Brown before they created the giant guitar amplifier, and only resolved his Oedipal relationship with Marty's mother when they wrote the line "It's like I'm kissing my brother." Biff Tannen was named after studio executive Ned Tanen, who behaved aggressively toward Zemeckis and Gale during a script meeting for I Wanna Hold Your Hand.

The first draft of Back to the Future was finished in February 1981 and presented to Columbia, who put the film in turnaround. "They thought it was a really nice, cute, warm film, but not sexual enough," Gale said. "They suggested that we take it to Disney, but we decided to see if any other of the major studios wanted a piece of us." Every major film studio rejected the script for the next four years, while Back to the Future went through two more drafts. During the early 1980s, popular teen comedies (such as Fast Times at Ridgemont High and Porky's) were risqué and adult-aimed, so the script was rejected for being too light. Gale and Zemeckis finally pitched Back to the Future to Disney, but they felt the story of a mother falling in love with her son was not appropriate for a family film under the Disney name.

The two were tempted to ally themselves with Steven Spielberg, who produced Used Cars and I Wanna Hold Your Hand, which were both box office bombs. Zemeckis and Gale initially had shown the screenplay to Spielberg, who had "loved" it. Spielberg, however, was absent from the project during development because Zemeckis felt if he produced another flop under him, he would never be able to make another film. Gale said "we were afraid that we would get the reputation that we were two guys who could only get a job because we were pals with Steven Spielberg." Zemeckis chose to direct Romancing the Stone instead, which was a box office success. Now a high-profile director, Zemeckis reapproached Spielberg with the concept. Agreeing to produce Back to the Future, Spielberg set the project up at his production company, Amblin Entertainment, with Kathleen Kennedy and Frank Marshall joining Spielberg as executive producers on the film.

The script remained with Columbia until legal problems forced them to withdraw. The studio was set to begin shooting a comedic send-up of Double Indemnity entitled Big Trouble. Columbia's legal department determined that the film's plot was too similar to Double Indemnity and they needed the permission of Universal Pictures, owners of the earlier film, if the film was ever to begin shooting. With Big Trouble set to go, desperate Columbia executives phoned Universal's Frank Price to get the necessary paperwork. Price was a former Columbia executive who had been fond of the script for Back to the Future during his tenure there. As a result, Universal agreed to trade the Double Indemnity license in exchange for the rights to Back to the Future.

Executive Sidney Sheinberg made suggestions to the script, such as changing Marty's mother's name from Meg to Lorraine (the name of his wife, actress Lorraine Gary), changing Brown's name from Professor Brown to Doc Brown, and replacing Doc's pet chimpanzee with a dog. Sheinberg also wanted the title changed to Spaceman from Pluto, convinced no successful film ever had "future" in the title. He suggested Marty introduce himself as "Darth Vader from the planet Pluto" while dressed as an alien (rather than "the planet Vulcan"), and that the farmer's son's comic book be titled Spaceman from Pluto rather than Space Zombies from Pluto. Appalled, Zemeckis asked Spielberg for help. Spielberg dictated a memo to Sheinberg convincing him they thought his title was a joke, thus embarrassing him into dropping the idea. The original climax was deemed too expensive by Universal executives and was simplified by keeping the plot within Hill Valley and incorporating the clocktower sequence. Spielberg used the omitted refrigerator and Nevada nuclear site elements in his 2008 film Indiana Jones and the Kingdom of the Crystal Skull.

Casting

 
Eric Stoltz as originally cas

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