Ramanujam Iyengar alias Ambi is an orthodox Brahmin and a straightforward consumer protection advocate living in Triplicane, Chennai. He expects everyone to follow the law and prosecutes those who violate it. However, his efforts fail as circumstantial evidence always seems to favour the accused. He also fails to raise civic awareness due to pervasive corruption and a general lack of seriousness. Frustrated at his inability to bring about a change in society, his suppressed anger manifests itself in an alter-ego named Anniyan, a grim reaper-themed serial killer who punishes corrupt and indifferent people. Anniyan creates a website, compiles a list of wrongdoers from his site, and kills them using punishments described in the Garuda Puranam, one of the ancient Hindu scriptures.

Ambi is secretly in love with his neighbour Nandini, an aspiring carnatic singer, but never expresses his love due to his fear of rejection. When he proposes to her during the annual Tyagaraja Aradhana at Thiruvaiyaru, she rejects him as she cannot bear his strict adherence to rules. Distraught, Ambi attempts suicide, almost drowning himself before having second thoughts. Subsequently, he develops another personality named Remo, a fashion model. Nandini is smitten by Remo and falls in love with him. Their marriage is eventually fixed.

While purchasing a plot of land for her dowry, Nandini decides to undervalue the property to evade stamp duty. Ambi, who accompanies her as she registered the property, refuses to help her. Later, when Nandini and Remo are on a date, Remo transforms into Anniyan and attempts to punish her for her corrupt act. As he is about to kill her, Nandini calls out for Ambi. Anniyan then reverts to Ambi, who collapses and loses consciousness. Nandini takes Ambi to NIMHANS where he is diagnosed with multiple personality disorder. Through recovered-memory therapy, the chief psychiatrist of the hospital uncovers Ambi's past. It is revealed that, when Ambi was fourteen years old, he witnessed the accidental death of his younger sister Vidya due to civic apathy. The incident left a deep emotional scar, which is the reason for his lofty ideals. It is also discovered that while Anniyan and Remo are aware of Ambi as a separate person, Ambi is oblivious to their existence within him. The psychiatrist declares that Remo will cease to exist if Nandini accepts Ambi's love, but Anniyan will cease to exist only when the society reforms. Nandini accepts Ambi's love and Remo disappears.

Meanwhile, DCP Prabhakar and Sub-inspector Chari, who is Ambi's friend, investigate the murders committed by Anniyan. In disguises, they discover clues left behind by Anniyan, which are the names of the punishments he meted out to his victims. Prabhakar is determined to bring Anniyan to justice as one of Anniyan's victims, Chockalingam, an errant catering contractor with the Indian Railways, was his elder brother. In a dramatic publicity stunt, Anniyan admits to the murders he committed when he appears amidst the public and the press at the Nehru Stadium. He explains the rationale behind them and says that only when every Indian is responsible and sincere will the country prosper on a par with developed nations. His methods draw both praise and criticism. Prabhakar tries to catch Anniyan, but he escapes.

On investigating the recorded footage, Prabhakar discovers that Anniyan is Ambi and arrests him. Ambi is brutally interrogated and almost killed, triggering Anniyan's reappearance. Ambi's personality alternates between Ambi and Anniyan, resulting in ambiguity. He subdues Prabhakar as Anniyan, but begs for mercy as Ambi. Using CCTV, Chari secretly records the interrogation and uses it as evidence of Ambi's condition during his trial. Ambi is sentenced to psychotherapy in a mental hospital and will be eligible for release when cured.

When Ambi is released two years later, his rigid adherence to protocol has diminished. He marries Nandini. While travelling on a train during their honeymoon, he notices a man (an electrician who was indirectly responsible for his sister's death several years ago) drinking amidst fellow passengers. Suffering a relapse, he transforms into Anniyan and throws the man off the train, killing him. However, he hides the incident from Nandini, indicating that he has successfully blended his personalities into one instead of eradicating them.

Voice cast

• Kanika for Sadha
• S. N. Surendar for Nedumudi Venu
• Meera Krishnan for Sriranjini

Development

During the making of his Bollywood directorial debut Nayak in early 2001, director S. Shankar had conceived a science fiction film titled Robot. A futuristic techno-thriller set in the 22nd century Chennai, the film was to feature Kamal Haasan and Preity Zinta in the lead roles. However, after completing a photo-shoot featuring the two, the production was shelved due to various reasons, including Haasan's unavailability of dates, creative differences with the director and lack of funding. Shankar postponed the project indefinitely and made the coming of age film, Boys (2003). When the post-production work of Boys was underway, Shankar was awaiting the return of its composer A. R. Rahman, who was then outside India, to complete the background score. In the meantime, Shankar had an idea for a storyline and called Vikram, who expressed enthusiasm for the subject.

Following the release of Boys in August 2003, Shankar began work on his next directorial venture entitled Anniyan. It was initially thought to be Shankar's pet project Robot revived with a new title, but this was later proven not to be correct. Shankar said the film was his "dream project" and disclosed that it would be a racy, fantasy-thriller. When questioned on how the idea behind the film had come to him, the director revealed, "The seeds of all my movies were sown when I was young, long before I started making movies. So many things disturbed me, and these stayed with me. Those were the seeds. I make films based on them."

With the highest production value among Tamil films of its time, the film was touted to be the director's magnum opus and was labelled "the most eagerly awaited film of the year" by the media. The film deals with a person having dissociative identity disorder, commonly known as "multiple personality disorder" (MPD) or "split personality syndrome". It was compared to Chandramukhi, released two months before, as it also focused on a character with the same syndrome.

Casting

To portray the lead character, Shankar needed a performer who could play an action hero. He chose Vikram as he felt that the actor, in addition to being a performer, had the image of an action hero. While his casting was made public in a November 2003 news report announcing the project's inception, the director revealed that Vikram was added to the cast in mid-2003 and refuted theories that the actor's casting was to capitalise on his new-found popularity following his success at the National Film Awards, where he won the National Film Award for Best Actor for his performance in the film Pithamagan (2003). Stating that Vikram was selected for the lead role months before the theatrical release of Pithamagan, Shankar added, "I don't look at actors that way." He further remarked that Vikram was the "life and soul" of Anniyan.

The heroine role of a "devoted Iyengar Brahmin girl" was originally offered to Aishwarya Rai Bachchan, who was too busy to accommodate production dates. After months of waiting for her call sheet, Shankar eventually offered the role to Sadha. Expressing hope that it would be "an important movie" in her career, Sadha accepted the offer, working on the film for 120 days, adding, "I have a major role to play in Anniyan. There are few heavy portions involving me in the movie that I have given my best." She considered being a part of a Shankar film, especially during the early stages of her career, as a "god's gift" and a "once-in-a-lifetime experience". However, when offered similar roles following the film's success, she refused to be typecast and stated, "I am now looking for roles where my creative potential is tapped. I don't want to be part of such cinema where all one has to do is dance around trees."

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