Annie Hall full HD movie download free with screenpaly story, dialogue LYRICS and STAR Cast

The comedian Alvy Singer is trying to understand why his relationship with Annie Hall ended a year ago. Growing up in New York, he vexed his mother with impossible questions about the emptiness of existence, but he was precocious about his innocent sexual curiosity.

Annie and Alvy, in a line for The Sorrow and the Pity, overhear another man deriding the work of Federico Fellini and Marshall McLuhan; McLuhan himself steps in at Alvy's invitation to criticize the man's comprehension. That night, Annie shows no interest in sex with Alvy. Instead, they discuss his first wife, whose ardor gave him no pleasure. His second marriage was to a New York writer who didn't like sports and was unable to reach orgasm.

With Annie, it is different. The two of them have fun making a meal of boiled lobster together. He teases her about the unusual men in her past. He met her playing tennis doubles with friends. Following the game, awkward small talk led her to offer him first a ride up town and then a glass of wine on her balcony. There, what seemed a mild exchange of trivial personal data is revealed in "mental subtitles" as an escalating flirtation. Their first date follows Annie's singing audition for a night club ("It Had to be You"). He suggests they kiss first to get it out of the way. After their lovemaking that night, Alvy is "a wreck", while she relaxes with a joint.

Soon Annie admits she loves him, while he buys her books on death and says that his feelings for her are more than just love. When she moves in with him, things become very tense. Eventually, he finds her arm in arm with one of her college professors and the two begin to argue whether this is the "flexibility" they had discussed. They eventually break up, and he searches for the truth of relationships, asking strangers on the street about the nature of love, questioning his formative years, and imagining a cartoon version of himself arguing with a cartoon Annie portrayed as the Evil Queen in Snow White.

Alvy returns to dating, but the effort is marred by neurosis, bad sex, and finally an interruption from Annie, who insists he come over immediately. It turns out she needs him to kill a spider. A reconciliation follows, coupled with a vow to stay together come what may. However, their separate discussions with their therapists make it evident there is an unspoken divide. When Alvy accepts an offer to present an award on television, they fly out to Los Angeles, with Alvy's friend, Rob. However, on the return trip, they agree that their relationship is not working. After losing her to her record producer, Tony Lacey, he unsuccessfully tries rekindling the flame with a marriage proposal. Back in New York, he stages a play of their relationship but changes the ending: now she accepts.

The last meeting for them is a wistful coda on New York's Upper West Side, when they have both moved on to someone new. Alvy's voice returns with a summation: love is essential, especially if it is neurotic. Annie sings "Seems Like Old Times" and the credits roll.

Truman Capote has a cameo as the Winner of the Truman Capote look-alike contest.

Several actors who went on to more fame had small parts in the movie: John Glover as Annie's actor boyfriend, Jerry; Jeff Goldblum as a man who "forgot mantra" at Tony Lacey's Christmas party; and Sigourney Weaver, in her film debut, in the closing sequence as Alvy's date at the movie theater.

Writing

The idea for what would become Annie Hall was developed as Allen walked around New York City with co-writer Marshall Brickman. The pair discussed the project on alternative days, sometimes becoming frustrated and rejecting the idea. Allen wrote a first draft of a screenplay within a four-day period, sending it to Brickman to make alterations. According to Brickman, this draft centered on a man in his forties, someone whose life consisted "of several strands. One was a relationship with a young woman, another was a concern with the banality of the life that we all live, and a third an obsession with proving himself and testing himself to find out what kind of character he had. Allen himself turned forty in 1975, and Brickman suggests that "advancing age" and "worries about death" had influenced Allen's philosophical, personal approach to complement his "commercial side". Allen made the conscious decision to "sacrifice some of the laughs for a story about human beings". He recognized that for the first time he had the courage to abandon the safety of complete broad comedy and had the will to produce a film of deeper meaning which would be a nourishing experience for the audience. He was also influenced by Federico Fellini's 1963 comedy-drama 8½, created at a similar personal turning point, and similarly colored by each director's psychoanalysis.

Brickman and Allen sent the screenplay back and forth until they were ready to ask United Artists for $4 million. Many elements from the early drafts did not survive. It was originally a drama centered on a murder mystery with a comic and romantic subplot. According to Allen, the murder occurred after a scene that remains in the film, the sequence in which Annie and Alvy miss the Ingmar Bergman film Face to Face. Although they decided to drop the murder plot, Allen and Brickman made a murder mystery many years later: 1993's Manhattan Murder Mystery, also starring Diane Keaton. The draft that Allen presented to the film's editor, Ralph Rosenblum, concluded with the words, "ending to be shot."

Allen suggested Anhedonia, a term for the inability to experience pleasure, as a working title, and Brickman suggested alternatives including It Had to Be Jew, Rollercoaster Named Desire and Me and My Goy. An advertising agency, hired by United Artists, embraced Allen's choice of an obscure word by suggesting the studio take out newspaper advertisements that looked like fake tabloid headlines such as "Anhedonia Strikes Cleveland!". However, Allen experimented with several titles over five test screenings, including Anxiety and Annie and Alvy, before settling on Annie Hall.

Casting

Several references in the film to Allen's own life have invited speculation that it is autobiographical. Both Alvy and Allen were comedians. His birthday appears on the blackboard in a school scene; certain features of his childhood are found in Alvy Singer's; Allen went to New York University and so did Alvy. Diane Keaton's real surname is "Hall" and "Annie" was her nickname, and she and Allen were once romantically involved. However, Allen is quick to dispel these suggestions. "The stuff that people insist is autobiographical is almost invariably not," Allen said. "It's so exaggerated that it's virtually meaningless to the people upon whom these little nuances are based. People got it into their heads that Annie Hall was autobiographical, and I couldn't convince them it wasn't". Contrary to various interviewers and commentators, he says, Alvy is not the character that is closest to himself; he identified more with the mother (Eve, played by Geraldine Page) in his next film, Interiors. Despite this, Keaton has stated that the relationship between Alvy and Annie was partly based on her relationship with the director.

The role of Annie Hall was written specifically for Keaton, who had worked with Allen on Play It Again, Sam (1972), Sleeper (1973) and Love and Death (1975). She considered the character an "affable version" of herself—both were "semi-articulate, dreamed of being a singer and suffered from insecurity"—and was surprised to win an Oscar for her performance. The film also marks the second film collaboration between Allen and Tony Roberts, their previous project being Play It Again, Sam.

Federico Fellini was Allen's first choice to appear in the cinema lobby scene because his films were under discussion, but Allen chose cultural academic Marshall McLuhan after both Fellini and Luis Buñuel declined the cameo. Some cast members, Baxter claims, were aggrieved at Allen's treatment of them. The director "acted coldly" towards McLuhan, who had to return from Canada for reshooting, and Mordecai Lawner, who played Alvy's father, claimed that Allen never spoke to him. However, during the production, Allen began a two-year relationship with Stacey Nelkin, who appears in a single scene.

Filming, editing and music

Principal photography began on May 19, 1976 on the South Fork of Long Island with the scene in which Alvy and Annie boil live lobsters; filming continued periodically for the next ten months, and deviated frequently from the screenplay. There was nothing written about Alvy's childhood home lying under a roller coaster, but when Allen was scouting locations in Brooklyn with Willis and art director Mel Bourne, he "saw this roller-coaster, and ... saw the house under it. And I thought, we have to use this." Similarly, there is the incident where Alvy scatters a trove of cocain