An American In Paris Film full HD movie download free with screenpaly story, dialogue LYRICS and STAR Cast

American World War II veteran Jerry Mulligan (Gene Kelly) is an exuberant expatriate in Paris trying to make a reputation as a painter. His friend and neighbor, Adam Cook (Oscar Levant), is a struggling concert pianist and longtime associate of a French singer, Henri Baurel (Georges Guétary). At the ground-floor bar, Henri tells Adam about his cultured girlfriend, Lise Bouvier (Leslie Caron). Jerry joins them later, before going out to sell his art.

A lonely society woman and heiress, Milo Roberts (Nina Foch), finds Jerry displaying his paintings in Montmartre and takes an interest in him and his art. She brings him to her apartment to pay for his works, and invites him to a dinner party she is throwing later that night. After singing with French children on the way home ("I Got Rhythm"), Jerry goes up to Milo's apartment. He quickly finds out the "party" is actually a one-on-one date, and tells Milo he has no interest in being a paid escort. When he attempts to leave after giving her money back, she insists she is only interested in his art.

They go to a crowded bar, and Milo offers to sponsor an art show for Jerry as a friendly gesture. Some of Milo's friends arrive, and while sitting with them, Jerry sees Lise seated with friends at the next table, and is instantly smitten. He ignores Milo and her acquaintances, and instead pretends to know Lise already and dances with her. She is standoffish and gives Jerry a wrong phone number, but is innocently corrected by someone at her table. Heading home, Milo tells Jerry he was very rude cavorting with a girl he does not know while in her presence; tired of Milo, Jerry gets out of the car and bids her farewell.

The next day, Jerry calls Lise at her work, but she tells him to never call her again. Jerry and Milo meet at a cafe, and she informs him a collector is interested in his paintings and she arranged a showing later that day. Before going to the showing, he goes to the parfumerie where Lise works and she consents to a late dinner with him,. She does not want to be seen eating with him in public, but they share a romantic song and dance on the banks of the Seine River in the shadows of Notre Dame. However, she quickly rushes off to meet Henri after his performance ("I'll Build a Stairway to Paradise"), where Henri tells her he has been asked to go on a tour of America and asks her to marry him.

Later, Adam humorously daydreams he is performing Gershwin's Concerto in F for Piano and Orchestra for a gala audience in a concert hall. As the scene progresses, Adam is also revealed to be the conductor, other members of the orchestra, and even an enthusiastic audience member applauding himself at the end.

Milo gets Jerry an art studio and tells him she has planned an exhibition of his work in three months. He initially refuses the studio because he does not have the money for it, but eventually accepts it under the condition he pay Milo back when his art proceeds allow him. Roughly a month later and after much courting, Lise abruptly runs off when she and Jerry arrive by taxi at his apartment. When Jerry complains to Adam, Adam is shocked to realize both Henri and Jerry are involved with the same woman. Henri and Jerry discuss the woman they each love ("'S Wonderful"), unaware she is the same woman.

That night, Jerry and Lise reunite in the same place on the banks of the Seine close to Notre Dame. She informs him she is marrying Henri the next day and going to America. Lise feels a sense of duty to Henri, to whom she feels indebted for keeping her safe during World War II. She and Jerry proclaim their love for each other.

Feeling slighted, Jerry invites Milo to the art students' masked ball and kisses her. At the raucous party, with everyone in black-and-white costumes, they meet Henri and Lise, and Jerry finally tells Milo about his feelings for Lise—soon, Henri overhears Jerry and Lise saying goodbye to each other, and realizes the truth. As Henri and Lise drive away, Jerry daydreams about being with Lise all over Paris to the tune of the George Gershwin composition An American in Paris. His reverie is broken by a car horn, the sound of Henri bringing Lise back to him. They embrace as the Gershwin composition (and the film) ends.

• Gene Kelly as Jerry Mulligan
• Leslie Caron as Lise Bouvier
• Oscar Levant as Adam Cook
• Georges Guétary as Henri "Hank" Baurel
• Nina Foch as Milo Roberts
• Eugene Borden as Georges Mattieu
• John Eldredge as Jack Jansen (uncredited)
• Anna Q. Nilsson as Kay Jansen (uncredited)

Hayden Rorke, best known for playing Dr. Alfred Bellows on the TV series I Dream of Jeannie (1965–70), has an uncredited part as a friend of Milo. Noel Neill, later to portray Lois Lane on the TV series The Adventures of Superman, has a small role as an American art student who tries to criticize Jerry's paintings. Jazz musician Benny Carter plays the leader of a jazz ensemble performing in the club where Milo first takes Jerry.

Madge Blake, best known for playing Bruce Wayne's aunt Harriet Cooper on the TV series Batman (1966–68), has an uncredited part as a customer in the perfume shop in which Lise works. Judy Landon, better known for her appearance in Kelly's next musical Singin' in the Rain (and as the wife of Brian Keith), and Sue Casey appear as dancers in the "Stairway to Paradise" sequence.

The 17 minute ballet sequence, with sets and costumes referencing French painters including Raoul Dufy, Pierre-Auguste Renoir, Maurice Utrillo, Henri Rousseau, and Toulouse-Lautrec, is the climax of the film, and cost the studio approximately $450,000 to produce. Production on the film was halted on September 15, 1950. Minnelli left to direct another film, Father's Little Dividend. Upon completion of that film in late October, he returned to film the ballet sequence.

Bosley Crowther of The New York Times gave a mostly positive review largely on the strength of the closing dance number which he called "one of the finest ever put upon the screen," as well as Leslie Caron's performance, writing that the film "takes on its own glow of magic when Miss Caron is on the screen. When she isn't, it bumps along slowly as a patched-up, conventional music show." Variety called the film "one of the most imaginative musical confections turned out by Hollywood in years ... Kelly is the picture's top star and rates every inch of his billing. His diversified dancing is great as ever and his thesping is standout." Harrison's Reports deemed it "an excellent entertainment, a delight to the eye and ear, presented in a way that will give all types of audiences extreme pleasure." Richard L. Coe of The Washington Post called it "the best musical movie I've ever seen," praising its "spirit of crisp originality and sophistication rarely found in a screen musical." John McCarten of The New Yorker called it "a thoroughly pleasant musical film ... Never too tightly confined by its slender story, 'An American in Paris' skips from love in the moonlight to handsome ballets with the greatest of ease, and Mr. Kelly is always ready, willing, and able to execute a tap dance." The Monthly Film Bulletin called it "merely a good musical, far more attractive than most, but considerably less than the material seemed to promise. This is due in part to unimaginative use of the Paris settings—a very obvious tourist's view—and to the rather curious way in which the story, after building up interest in Jerry's painting and in his one-man show, simply shelves the whole issue."

Reviewing the film in 2011, James Berardinelli wrote that it "falls into the category of a weak Oscar winner. The movie is enjoyable enough to watch, but it represents a poor choice as the standard-bearer of the 1951 roster ... It's a fine, fun film with a lot of great songs and dancing but there's nothing about this production that causes it to stand out when compared to one of dozens of musicals from the era."

According to MGM records, the film earned $3,750,000 in the U.S. and Canada and $3,231,000 in other countries during its initial theatrical release. This resulted in the studio making a $1,346,000 profit.

Academy Awards

Wins

• Academy Award for Best Picture: Arthur Freed, producer
• Academy Award for Best Art – Set Decoration, Color: E. Preston Ames, Cedric Gibbons, F. Keogh Gleason, and Edwin B. Willis
• Academy Award for Best Cinematography, Color: John Alton and Alfred Gilks
• Academy Award for Best Costume Design, Color: Orry-Kelly, Walter Plunkett, and Irene Sharaff
• Academy Award for Best Music, Scoring of a Musical Picture: Saul Chaplin and Johnny Green
• Academy Award for Best Writing, Story and Screenplay: Alan Jay Lerner

Nominations

• Academy Award for Best Director: Vincente Minnelli
• Academy Award for Best Film Editing: Adrienne Fazan

Golden Globes

Wins

• Golden Globe Award for Best Motion Picture – Musical or Comedy

Nominations

• Golden Globe Award for Best Director – Motion Picture: Vincente Minnelli
• Golden Globe Award for Best Actor – Motion Picture Musical or Comedy: Gene Kelly

Others

Kelly received an Academy Honorary Award that year for "his versatility as an actor, singer, director and dancer, and specifically for his brilliant achievements in the art of choreography on film." It was his only Oscar.

The film was entered into the 1952 Cannes Film Festival.

In 1993, An American in Paris was selected for preservation in the United States National Film Registry as being "culturally, historically, or aesthetically significant".

American Film Institute recognition

• 1998: AFI's 100 Years...100 Movies – #68
• 2002: AFI's 100 Years...100 Passions – #39
• 2004: AFI's 100 Years...100 Songs – #32
  • "I Got Rhythm"
• 2006: AFI's Greatest Movie Musicals – #9

AFI also honored star Kelly as #15 of the top 25 American male screen legends.

In 2011, the film was digitally restored by Warner Bros. for its 60th anniversary.