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Amélie (also known as Le Fabuleux Destin d'Amélie Poulain; French pronunciation: ?; English: The Fabulous Destiny of Amélie Poulain) is a 2001 French romantic comedy film directed by Jean-Pierre Jeunet. Written by Jeunet with Guillaume Laurant, the film is a whimsical depiction of contemporary Parisian life, set in Montmartre. It tells the story of a shy waitress, played by Audrey Tautou, who decides to change the lives of those around her for the better, while struggling with her own isolation. The film was a co-production between companies in France and Germany. Taking in over $33 million in a limited theatrical release, it is to date the highest-grossing French-language film released in the United States, and one of the biggest international successes for a French movie.

Amélie
French theatrical poster
Directed byJean-Pierre Jeunet
Produced by
  • Jean-Marc Deschamps
  • Claudie Ossard
Screenplay byGuillaume Laurant
Story by
  • Guillaume Laurant
  • Jean-Pierre Jeunet
Starring
  • Audrey Tautou
  • Mathieu Kassovitz
Narrated byAndré Dussollier
Music byYann Tiersen
CinematographyBruno Delbonnel
Edited byHervé Schneid
Production
companies
  • Canal+
  • France 3 Cinéma
  • UGC
  • UGC Fox Distribution
Distributed byUGC-Fox Distribution
Release date
  • 25 April 2001 (2001-04-25) (France)
  • 16 August 2001 (2001-08-16) (Germany)
Running time
123 minutes
Country
  • France
  • Germany
LanguageFrench
Budget$10 million
Box office$174.2 million

The film received critical acclaim and was a major box office success. Amélie won Best Film at the European Film Awards; it also won four César Awards in 2002 (including Best Film and Best Director), two BAFTA Awards (including Best Original Screenplay), and was nominated for five Academy Awards.

Screenplay

 
Amélie works at the Café des 2 Moulins in Montmartre

Amélie Poulain (Audrey Tautou) is born in June 1974 and raised by eccentric parents who – incorrectly believing that she has a heart defect – decide to home school her. To cope with her loneliness, Amélie develops an active imagination and a mischievous personality. When Amélie is six, her mother, Amandine (Lorella Cravotta), is killed when a suicidal Canadian tourist jumps from the roof of Notre-Dame de Paris and lands on her. As a result, her father Raphaël's (Rufus) withdrawal from society worsens. Amélie leaves home at the age of 18 and becomes a waitress at the Café des 2 Moulins in Montmartre, which is staffed and frequented by a collection of eccentrics. She is single but not a virgin; she lets her imagination roam freely, and finds contentment in simple pleasures like dipping her hand into grain sacks and cracking crème brûlée with a spoon.

On 31 August 1997, startled by the news of the death of Diana, Princess of Wales, Amélie drops a plastic perfume-stopper which dislodges a wall tile and accidentally reveals an old metal box of childhood memorabilia hidden by a boy who lived in her apartment decades earlier. Amélie resolves to track down the boy and return the box to him. She promises herself that if it makes him happy, she will devote her life to bringing happiness to others.

After asking the apartment's concierge and several old tenants about the boy's identity, Amélie meets her reclusive neighbour, Raymond Dufayel (Serge Merlin), an artist with brittle bone disease who repaints Luncheon of the Boating Party by Pierre-Auguste Renoir every year. He correctly recalls the boy's name as "Bretodeau". Amélie quickly finds the man, Dominique Bretodeau (Maurice Bénichou), and surreptitiously gives him the box. Moved to tears by the discovery and the memories it holds, Bretodeau resolves to reconcile with his estranged daughter and the grandson he has never met. Amélie happily embarks on her new mission.

Amélie secretly executes complex schemes that affect the lives of those around her. She escorts a blind man to the Métro station, giving him a rich description of the street scenes he passes. She persuades her father to follow his dream of touring the world by stealing his garden gnome and having a flight attendant friend airmail pictures of it posing with landmarks from all over the world. She starts a romance between her hypochondriacal co-worker Georgette (Isabelle Nanty) and Joseph (Dominique Pinon), one of the customers in the bar. She convinces Madeleine Wallace (Yolande Moreau), the concierge of her block of flats, that the husband who abandoned her had sent her a final conciliatory love letter just before his accidental death years before. She uses gaslighting tactics on Collignon (Urbain Cancelier), the nasty greengrocer. Mentally exhausted, Collignon no longer abuses his meek but good-natured assistant Lucien (Jamel Debbouze). A delighted Lucien takes charge at the grocery stand.

Mr. Dufayel, having observed Amélie, begins a conversation with her about his painting. Although he has copied the same painting 20 times, he has never quite captured the look of the girl drinking a glass of water. They discuss the meaning of this character, and over several conversations Amélie begins projecting her loneliness onto the image. Dufayel recognizes this, and uses the girl in the painting to push Amélie to examine her attraction to a quirky young man, Nino Quincampoix (Mathieu Kassovitz), who collects the discarded photographs of strangers from passport photo booths. When Amélie bumps into Nino a second time, she realizes she is falling in love with him. He accidentally drops a photo album in the street. Amélie retrieves it.

Amélie plays a cat-and-mouse game with Nino around Paris before returning his treasured album anonymously. After arranging a meeting at the 2 Moulins, Amélie panics and tries to deny her identity. Her co-worker, Gina (Clotilde Mollet), concerned for Amélie's well-being, screens Nino for her; Joseph's comment about this misleads Amélie to believe she has lost Nino to Gina. It takes Dufayel's insight to give her the courage to pursue Nino, resulting in a romantic night together and the beginning of a relationship. Amélie finally finds happiness for herself.

  • Audrey Tautou as Amélie Poulain
    • Flora Guiet as young Amélie
  • Mathieu Kassovitz as Nino Quincampoix
    • Amaury Babault as young Nino
  • Rufus as Raphaël Poulain, Amélie's father
  • Serge Merlin as Raymond Dufayel, "The Glass Man"
  • Lorella Cravotta as Amandine Poulain, Amélie's mother
  • Clotilde Mollet as Gina, a fellow waitress
  • Claire Maurier as Suzanne, the owner of Café des deux moulins
  • Isabelle Nanty as Georgette, the resident hypochondriac
  • Dominique Pinon as Joseph
  • Artus de Penguern as Hipolito, the writer
  • Yolande Moreau as Madeleine Wallace (Wells, in English subtitled version)
  • Urbain Cancelier as Collignon, the grocer
  • Jamel Debbouze as Lucien, the grocer's assistant
  • Maurice Bénichou as Dominique Bretodeau
    • Kevin Fernandes as young Dominique
  • Michel Robin as Mr. Collignon
  • Andrée Damant as Mrs. Collignon
  • Claude Perron as Eva, Nino's colleague
  • Armelle as Philomène, air hostess
  • Ticky Holgado as Man in a photo
  • Fabienne Chaudat as The woman in a coma
  • Franck-Olivier Bonnet, Alain Floret, Jean-Pol Brissart, and Frédéric Mitterrand as additional voices
 
Au Marché de la Butte, Rue des Trois Frères, Paris, used as the location of Monsieur Collignon's shop

In his DVD commentary, Jeunet explains that he originally wrote the role of Amélie for the English actress Emily Watson; in the original draft, Amélie's father was an Englishman living in London. However, Watson's French was not strong, and when she became unavailable to shoot the film, owing to a conflict with the filming of Gosford Park, Jeunet rewrote the screenplay for a French actress. Audrey Tautou was the first actress he auditioned having seen her on the poster for the 1999 film Venus Beauty Institute.

The movie was filmed mainly in Paris. The Café des 2 Moulins (15 Rue Lepic, Montmartre, Paris) where Amélie works is a real place.

The filmmakers made use of computer-generated imagery and a digital intermediate. The studio scenes were filmed in the Coloneum Studio in Cologne (Germany). The film shares many of the themes in the plot with second half of the 1994 film Chungking Express.

The film was released in France, Belgium, and French-speaking western Switzerland in April 2001, with subsequent screenings at various film festivals followed by releases around the world. It received limited releases in North America, the United Kingdom, and Australasia later in 2001.

Cannes Film Festival selector Gilles Jacob described Amélie as "uninteresting", and therefore it was not screened at the festival, although the version he viewed was an early cut without music. The absence of Amélie at the festival caused something of a controversy because of the warm welcome by the French media and audience in contrast with the reaction of the selector.

Critical response

On Rotten Tomatoes, the film has an 89% approval rating, based on 178 reviews, with an average rating of 8.1/10. The website's critical consensus reads, "The feel-good Amélie is a lively, fanciful charmer, showcasing Audrey Tautou as its delightful heroine". On Metacritic, the film has a score of 69 out of 100, based on 31 critics, indicating "generally favorable reviews".

Alan Morrison from Empire Online gave Amélie five stars and called it "one of the year's best, with crossover potential along the lines of Cyrano De Bergerac and Il Postino. Given its quirky heart, it might well surpass them all".

Paul Tatara of CNN praised Amélie's playful nature. In his review, he wrote, "Its whimsical, free-ranging nature is often enchanting; the first hour, in particular, is brimming with amiable, sardonic laughs".

The film was attacked by critic Serge Kaganski of Les Inrockuptibles for an unrealistic and picturesque vision of a bygone French society with few ethnic minorities. Jeunet dismissed the criticism by pointing out that the photo collection contains pictures of people from numerous ethnic backgrounds, and that Jamel Debbouze, who plays Lucien, is of Moroccan descent.

Award Category Recipient Result
Academy Awards Best Foreign Language Film Jean-Pierre Jeunet Nominated
Best Original Screenplay Guillaume Laurant and Jean-Pierre Jeunet Nominated
Best Cinematography Bruno Delbonnel Nominated
Best Production Design Aline Bonetto and Marie-Laure Valla Nominated
Best Sound Mixing Vincent Arnardi, Guillaume Leriche, Jean Umansky Nominated
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