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Alien Nation is a 1988 American buddy cop neo-noir science fiction action film directed by Graham Baker. The ensemble cast features James Caan, Mandy Patinkin and Terence Stamp. Its initial popularity inaugurated the beginning of the Alien Nation media franchise. The film depicts the assimilation of the "Newcomers", an alien race settling in Los Angeles, much to the initial dismay of the local population. The plot integrates the neo-noir and buddy cop film genres with a science fiction theme, centering on a union between a veteran police investigator (Caan) and an extraterrestrial (Patinkin); the first Newcomer detective. The duo probe a criminal underworld while attempting to solve a homicide.

Alien Nation
Theatrical release poster
Directed byGraham Baker
Produced byGale Anne Hurd
Richard Kobritz
Written byRockne S. O'Bannon
Starring
  • James Caan
  • Mandy Patinkin
  • Terence Stamp
Music byCurt Sobel
CinematographyAdam Greenberg
Edited byKent Beyda
Production
company
20th Century Fox
American Entertainment Partners
Distributed by20th Century Fox
Release date
  • October 7, 1988 (1988-10-07)
Running time
91 minutes
CountryUnited States
LanguageEnglish
Box office$32,155,047

The film was a co-production between American Entertainment Partners and 20th Century Fox, which distributed it theatrically. Alien Nation explores murder, discrimination and science fiction.

Alien Nation was released in the United States on October 7, 1988, and grossed over $32 million worldwide, becoming a moderate financial success. The film was met with mixed critical reviews before its theatrical release, although it has since gained a cult following. The motion picture spawned a short-lived television series, five television films, a set of comic books, as well as a number of novels, all in an attempt to continue the character development surrounding the fictional alien culture.

Screenplay

The year is 1991; three years since an unidentified flying object bearing 300,000 enslaved aliens, the Newcomers, landed in the Mojave Desert on planet Earth. Los Angeles later becomes their new home.

Matthew Sykes (Caan), a police detective, loses his partner Bill Tuggle (Brown) in a shootout; the detectives had been trying to stop two Newcomer criminals murdering another Newcomer named Porter at a grocery, in what appeared to be a robbery. The next day, Sykes' superior Captain Warner (McCarthy), informs his squad that they will have to work with the newly promoted Newcomer detective Sam Francisco (Patinkin). Although biased, Sykes enlists to work with Francisco to investigate a similar homicide with a Newcomer named Warren Hubely, feeling that if he investigates that crime, he will also find opportunities to investigate his partner's death (which he is officially forbidden to do).

While at a crime lab, trying unobtrusively to establish a connection between the two cases, Francisco detects an abnormality on the body of one of the Newcomer criminals who was killed in the robbery. Later, Sykes and Francisco are led to a nightclub to investigate a link in the killings with a Newcomer named Joshua Strader (Kober). However, they end up interviewing his girlfriend instead, after Strader is murdered by a criminal ring led by Newcomer businessman William Harcourt (Stamp) and his henchman Rudyard Kipling (Howard).

Harcourt is in the latter stages of launching advanced plans to exploit the alien race by attempting to mass-produce and sell a drug called Jabroka. The drug was used in the past to pacify the Newcomers when they were slaves, but has no effect on humans. The abnormality noticed by Francisco on the body of the Newcomer criminal earlier turns out to have been a visual sign of the drug's influence. In addition, the Newcomers Hubley, Porter and Strader were involved in the planning phases of the operation, but were later murdered due to Harcourt's desire to exclude them from any future financial rewards. Ultimately, Sykes and Francisco track down Harcourt, where he is secretly negotiating a timetable for a release of the potent narcotic. The detectives attempt to foil his plans, as they are later led on a car chase with Harcourt and his cohort Kipling through the streets of downtown Los Angeles. Following a head-on collision where both parties are injured, Harcourt attempts an escape on foot. Sykes pursues and corners Harcourt onto a desolate drawbridge. Harcourt then purposely overdoses on a sample of the stimulant.

As Sykes mistakenly believes Harcourt has died, Harcourt is taken away by an ambulance, but later mutates into a significantly larger and more muscular Newcomer intent on causing violence. The duo pursue Harcourt, catching up with him near a fishing pier. Sykes later ends up in a physical confrontation with Harcourt in the open sea. Harcourt dies, as his body disintegrates due to the effects of direct contact with salt water, which is hazardous to Newcomer physiology. Francisco commandeers a police helicopter, and rescues Sykes from the water. With the Tuggle and Newcomer murder cases solved, the authorities dismantle Harcourt's illicit scheme. Later, Sykes and Francisco – now friends – attend Sykes's daughter's wedding together.

  • James Caan as Matthew Sykes
  • Mandy Patinkin as Sam Francisco ("George")
  • Terence Stamp as William Harcourt
  • Kevyn Major Howard as (Rudyard) Kipling
  • Leslie Bevis as Cassandra
  • Peter Jason as Fedorchuk
  • George Jenesky as Quint
  • Jeff Kober as Joshua Strader
  • Roger Aaron Brown as Bill Tuggle
  • Tony Simotes as Wiltey
  • Michael David Simms as Human Dealer
  • Ed Krieger as Alien Dealer
  • Tony Perez as Alterez
  • Brian Thompson as Trent Porter
  • Frank McCarthy as Captain Robert B. "Bob" Warner
  • Keone Young as Winter

Origins and themes

One out of twenty to twenty-five stories received each week by 20th Century Fox in 1988, the original screenplay for Alien Nation was submitted as a spec–script to producer Gale Anne Hurd. The agency representing the storyline asked the production staff to view it as quickly as possible due to it being submitted to other film studios as well. Both Hurd and her director of development Ellen Collett had the same initial response, seeing the script as a real page-turner. According to Hurd, what really interested her about the film's story was the whole approach to the immigrant setting and the extrapolation of that to a science fiction setting. The genre of science fiction in regards to representing aliens, tends to usually be in the form of one or two beings as shown on network series like Star Trek. Typically, large numbers of stand-ins were not common in film since Planet of the Apes twenty years earlier. Working with co-producer Richard Kobritz, Hurd secured funding from Fox Studios and began casting an experienced makeup team for the creation of the alien society. Later, Hurd contacted cinematographer Adam Greenberg at his home in Israel to work on the production. Caught by surprise, Greenberg recalled, "I was vacationing on the Dead Sea in a kibbutz (it was 125 degrees) and I got a call from Gale. That was the last thing to expect there, ..." Though mostly an action picture, Alien Nation was somewhat of a throwback to other similar genre films such as Planet of the Apes and Silent Running. The alien Newcomers are relegated to a second-class status. Like other minorities, they live in their own neighborhoods, frequent their own clubs and develop their own underground. Following the murder of a policeman, a human must partner up with an alien to solve the murder. Their uneasy alliance creates a social mistrust, dealing with issues such as prejudice and racism. By the end of the saga, the two completely different humanoids have combined their talents and overcome their social barriers to complete their task.

Makeup

We wanted the aliens to be more like a different ethnic race than like lizard people, ... We didn't want our audiences thinking, 'Gee, look how different these aliens are.' Rather, after about five minutes we wanted the audience to accept them as different from us, but not so different that no one is buying the storyline. We wanted the aliens to be characters–not creatures.

—Gale Anne Hurd

Although several makeup effects companies were considered, 20th Century Fox chose Stan Winston Studios. Stan Winston was not directly involved in the pre-production, but left the task to his top artists–Alec Gillis, Shane Mahan, John Rosengrant, Tom Woodruff and Shannon Shea. Producer Gale Anne Hurd commented on creating the foundation for the makeup setting saying, "The primary problem was how to sell an alien race that was humanoid without making it look like people in rubber suits—and how to make it affordable. We knew there was going to be a lot of makeup application time and removal time—that was a given." Artist Gillis recalled his involvement in the project saying, "We were involved in everything from designing and sculpting the aliens to supervising a crew of about thirty people. We sculpted the main characters, supervised the molding and production of their appliances and oversaw the sculpting of the secondary and background characters." During the design phase, the producers supported the subtlety of the makeup and trying to make the aliens look as human as possible. Hurd explained, "We wanted the aliens to be more like a different ethnic race than like lizard people, ..." She added, "We didn't want our audiences thinking, 'Gee, look how different these aliens are.' Rather, after about five minutes we wanted the audience to accept them as different from us, but not so different that no one is buying the storyline. We wanted the aliens to be characters–not creatures." A preliminary design sketch for the aliens as described by Mahan, was that "the males were going to have spines on top of their heads–kind of like a rooster's comb–and when they got angry, these spines would raise up. That would've required a mechanical headpiece, and Graham Baker thought it was a little too extreme so we went with smooth heads instead." Coming close to a final design for the headpiece makeup, Woodruff explained how the masks had "heavier brows and a heavier skin texture that looked more leathery, and there were more pronounced lumps on the backs of their heads. After we went into production on these masks, Graham Baker decided that he wanted the aliens to look even more subtle, so we streamlined the design once we started doing the principal characters." Mike Spatola was head of the painting crew for the mask design. Hairless by design, the coordinators felt the masks should have spotted marks where hair would be present on humans. Each alien headpiece had to be custom painted with a spotting pattern to match every backup secondary piece used for individual characters. Each of the actors who played aliens also had their hands painted in a spot pattern, as an original plan of supplying them with appliances for hand pieces was discarded.

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