A Nightmare On Elm Street 2010 Film full HD movie download free with screenpaly story, dialogue LYRICS and STAR Cast

Kris Fowles (Katie Cassidy) goes to the Springwood Diner to meet with her friend, Dean Russell (Kellan Lutz), who falls asleep at the table and meets a man covered in burn scars, wearing a clawed glove on his hand. The burned man cuts Dean's throat in the dream, but in reality it appears that Dean is cutting his own throat as his friend, waitress Nancy Holbrook (Rooney Mara), looks on with Kris. At Dean's funeral, Kris sees a photograph of her and Dean as children, but cannot recall ever knowing Dean before high school. Kris begins to dream about the burned man herself and refuses to go to sleep for fear that she will die in her dreams. Jesse Braun (Thomas Dekker), Kris's ex-boyfriend, shows up to keep her company while she sleeps, but Kris meets the burned man in her dreams and is murdered. Covered in her blood, Jesse runs to Nancy's house and learns that Nancy has been having dreams about the same man: Freddy Krueger (Jackie Earle Haley). Jesse tells Nancy that they need to stop this and tells her not to fall asleep then runs off.

Jesse is apprehended by the police under suspicion of murdering Kris. Jesse tries his hardest not to fall asleep but is killed by Krueger when he accidentally falls asleep in his jail cell. With her friends dying, Nancy begins to question what everyone's connection is to each other, given that none of them can remember each other before their teenage years. Nancy and her friend Quentin Smith (Kyle Gallner) discover that all of them attended Badham Preschool. Nancy's mother, Gwen (Connie Britton), reluctantly tells Nancy and Quentin that there was a gardener at the preschool, Fred Krueger, who was accused of abusing Nancy and the rest of the kids. Gwen explains that Nancy was his favorite, and that she came home one day telling her mother about a hidden space in Krueger's room and the things he did to her there. Gwen claims Krueger skipped town before he was arrested. Nancy does not believe her and attempts to track down the remaining kids from the school. She discovers that all of the other kids have been killed, most of them in their sleep and after Jesse’s death, only she and Quentin are left.

Quentin tries to accept that his nightmares are nothing more than repressed memories, but he falls asleep during swim practice and witnesses what really happened to Krueger: Everyone's parents hunted down Krueger and burned him alive. Quentin and Nancy believe that Krueger wants revenge on them for lying as children. As a result of their insomnia, they begin sporadically dreaming while they are still awake. To try to stop Krueger, they decide to go to the preschool and learn what they can. On the way, Nancy falls asleep and is attacked by Krueger, but when Quentin wakes her up, they discover she has pulled a piece of Krueger's sweater out of the dreamworld and into reality. Quentin takes Nancy to the hospital; there, he steals some adrenaline to help them stay awake. At the preschool, Quentin uncovers Krueger's hidden room and evidence that proves Krueger was in fact abusing all of the children; Krueger actually wants revenge on them for telling the truth.

Nancy decides the only way to end this is to pull Krueger out of their dreams and kill him in reality. Quentin tries to stay awake long enough to pull Nancy out of her dream when she has Krueger, but he falls asleep and is attacked. Krueger goes after Nancy, and explains that he intentionally left her for last so she would stay awake long enough that, when she finally fell asleep, she would no longer be able to wake up. Quentin uses the adrenaline to wake up Nancy, who pulls Krueger into reality. She uses a broken blade to cut Krueger's gloved hand off, and then slice his throat. She then torches the secret room, with Krueger's body inside, and she and Quentin leave. Nancy and her mother return home from the hospital; Krueger suddenly appears and kills Nancy's mother by stabbing her through her eyes before pulling her body through a mirror while Nancy screams.

A Nightmare on Elm Street was originally going to follow the same design as Platinum Dunes' other remake, Friday the 13th, with the writers taking what they thought were the best elements from each of the films and creating a single storyline with them. Eventually, they decided to use Craven's original storyline, and try to create a scarier film. That being, they decided to remove the one-line quipping Freddy, who had become less scary and more comical over the years, and bring him back to a darker nature; this included developing the character as a true child molester, something that Craven wanted to do originally in 1984 but changed to a child killer instead.

The decision was also made to bring Freddy's physical appearance closer to that of an actual burn victim, and the use of computer-generated imagery was used in certain sections of Haley's face to further assist in that vision. A Nightmare on Elm Street was primarily filmed in Illinois because of the positive experience the producers of Platinum Dunes had when filming other films in the same area.

Robert Englund, who portrayed Krueger in the previous eight films, voiced his support of the remake and the casting of Haley in the role. A Nightmare on Elm Street was officially released in North America on April 30, 2010, and later released in foreign markets on May 8, 2010. The film was met with primarily negative reviews from film critics, as well as audience members who scored the film a C+. Regardless, A Nightmare on Elm Street broke the record for midnight openings for a horror film. The film has brought in over $63 million at the domestic box office, and over $115 million worldwide.

Development

On January 29, 2008, Variety reported that Michael Bay and his Platinum Dunes production company would be rebooting the Nightmare on Elm Street franchise with a remake of the original 1984 film. In an interview, producer Brad Fuller initially explained that they were following the same line they did with their Friday the 13th remake, by abandoning the things that made the character less scary—the film's antagonist, Freddy Krueger, would not be "cracking jokes" as had become a staple of his character in later films—and focusing more on trying to craft a "horrifying movie". Fuller expressed how everyone at the studio loved the concept of being killed if you fell asleep. The producer stated that the film would be a remake of the 1984 film, but clarified that they would be borrowing certain character deaths and dream sequences from the entire Nightmare series.

In February 2009, The Hollywood Reporter announced that Samuel Bayer was hired to direct the film. According to New Line production chief Toby Emmerich, Michael Bay advocated heavily for Bayer's hiring, as Bay, Bayer, and director David Fincher came up as commercial directors together. It is Bay's opinion that Bayer had "the ability to capture the kind of seductive and unsettling imagery that would make Nightmare feel like a fresh, visually arresting moviegoing experience". Bayer declined Platinum Dunes' offer; twice. It was not until Bay sent the director an email "talking about the business", and explaining what kind of opportunity it would be for Bayer that he finally agreed.

In a June 9, 2009 interview, Craven expressed his displeasure in the remaking of his 1984 film, primarily because the filmmakers chose not to have him as a consultant to the film, unlike with the 2009 remake The Last House on the Left where he "shepherd it towards production". In contrast, Robert Englund, who portrayed Freddy throughout the film series, felt it was time for A Nightmare on Elm Street to be remade. Englund liked the idea of being able to "exploit the dreamscape" with CGI and other technologies that did not exist when Craven was making the original A Nightmare on Elm Street in 1984. Subsequently, Bayer believed that the film is designed to pay homage to what Craven did in 1984, but not replicate it entirely. Bayer recognized that Craven attempted to put more meaning into his films, and that the character of Freddy Krueger was one that affected the lives of a certain generation of people. For Bayer, remaking A Nightmare on Elm Street was about bringing that feeling to a new generation, with a new spin on the character and story.

Fuller and Form likened the new Nightmare film to their 2003 remake of The Texas Chain Saw Massacre, and retracted an earlier statement when they said they did not plan to "cherry pick" the best elements of the franchise, like they did with the reboot of the Friday the 13th franchise they released in 2009. Instead, the 2010 film is more of a reimagining. The pair also explained that A Nightmare on Elm Street would have a different tone than the Friday the 13th remake. Form states, "I think a Friday the 13th movie like we made was really fun. You know, sex, drugs and rock and roll, and I think a Nightmare movie is not that."

When asked why New Line was rebooting the Nightmare on Elm Street film series, Emmerich explained, "The Nightmare films are profoundly disturbing on a deep, human level because they're about our dreams. It's why we thought that we could reach an especially broad audience with a new film, since the feeling of having your dreams being invaded was something that would translate to any country and any culture." Overall, Bayer wanted to create a darker Nightmare on Elm Street, one he felt would fit into what he describes as "a darker world". Bayer said there is subtext within the film, which is designed to get the audience to ask, "What makes a monster?" Bayer wants the audience to think about whether a monster is something that exists purely from a physical appearance—someone with a scarred face and a clawed glove on their hand—or can a monster be something that is deeper, and within the man himself without a scarred face and bladed glove?

Writing

Wesley Strick was initially hired to pen a script for a new A Nightmare on Elm Street, after he impressed Emmerich with a prequel script he wrote for the 1995 film Seven; the film was never produced. Eric Heisserer was subsequently hired to provide a rewrite of Strick's script before the film moved into pro