A Matter Of Life And Death Film full HD movie download free with screenpaly story, dialogue LYRICS and STAR Cast

On 2 May 1945, Squadron leader Peter Carter is a Royal Air Force pilot trying to fly a badly damaged and burning Lancaster bomber back to his base in England after a mission over Germany. He has ordered his crew to bail out, without revealing that his own parachute has been shot up. He manages to contact June, an American radio operator based in England and talks with her for a few minutes before jumping without a parachute.

Peter should have died at that point, but Conductor 71, the guide sent to escort him to the Other World, misses him in the thick fog over the English Channel. The airman wakes up on a beach near June's base. At first, he assumes he is in the afterlife but, when a de Havilland Mosquito flies low overhead, discovers to his bewilderment that he is still alive.

Peter meets June cycling back to her quarters after her night shift, and they fall in love. Conductor 71 (a French aristocrat guillotined in the Revolution) stops time to explain the situation, urging Peter to accept his death and accompany him to the Other World, but Peter demands an appeal. While Conductor 71 consults his superiors, Peter continues to live. Conductor 71 returns and informs him that he has been granted his appeal and has three days to prepare his case. He can choose a defence counsel from among all the people who have ever died, but he has difficulty picking one.

Peter's visions are diagnosed by June's fascinated friend Doctor Reeves as a symptom of a brain injury—chronic adhesive arachnoiditis from a slight concussion two years earlier—and he is scheduled for surgery. Reeves is killed in a motorcycle accident while trying to find the ambulance that is to take Peter to the hospital. Reeves' death allows him to act as Peter's counsel.

Reeves argues that, through no fault of his own, his client was given additional time on Earth and that, during that time, he has fallen in love and now has an earthly commitment that should take precedence over the afterlife's claim on him. The matter comes to a head—in parallel with Peter's brain surgery—before a celestial court; the camera zooms out from an amphitheatre to reveal that it is as large as a spiral galaxy. The prosecutor is American Abraham Farlan, who hates the British for making him the first casualty of the American Revolutionary War. Reeves challenges the composition of the jury, which is made up of representatives who are prejudiced against the British. In fairness, the jury is replaced by a multicultural mixture of modern Americans whose origins are as varied as those they replace.

Reeves and Farlan both cite examples from British and world history to support their positions. In the end, Reeves has June take the stand (Conductor 71 makes her fall asleep in the real world so she can testify) and proves that she genuinely loves Peter by telling her that the only way to save his life is to take his place, whereupon she steps onto the stairway to the Other World without hesitation and is carried away, leaving Peter behind. The stairway comes to an abrupt halt and June rushes back to Peter's open arms. As Reeves triumphantly explains, "... nothing is stronger than the law in the universe, but on Earth, nothing is stronger than love."

The jury rules in Peter's favour. The Judge shows Reeves and Farlan the new lifespan granted to the defendant; Reeves calls it "very generous", and Farlan jokingly complains, then agrees to it. The two then engage in supportive banter with one another, and against the stern Chief Recorder, who protests against the breach of law. The scene then shifts to the operating room, where the surgeon declares the operation a success.

In order of appearance:

Cast notes:

Goring was offered the role of the Conductor, but insisted that he wanted to play Peter instead; however, Powell and Pressburger were set on Niven playing the part, and eventually told Goring that the Conductor was his only choice: if he turned it down, they would approach Peter Ustinov to play the part.

Powell and Pressburger went to Hollywood to cast the role of June with no possible actress in mind except, possibly, Betty Field, who was in a play in New York at the time. The suggestion of Kim Hunter came from Alfred Hitchcock, who had recently used her to read lines from behind the camera for Ingrid Bergman's screen test for Spellbound. Hunter had stage experience and had been under contract to David O. Selznick for two years. Powell and Pressburger decided that she was right for the part almost immediately on their first meeting, and arranged with Selznick to use her.

A Matter of Life and Death was filmed at D&P Studios and Denham Studios in Denham, Buckinghamshire, England, and on locations in Devon and Surrey. The beach scene was shot at Saunton Sands in Devon, and the village seen in the camera obscura was Shere in Surrey. Production took place from 2 September to 2 December 1945, used 29 sets, and cost an estimated £320,000, equivalent to £12,670,000 in 2016.

A Matter of Life and Death had an extensive pre-production period due to the complexity of the production: The huge escalator linking this world with the other, called "Operation Ethel" by the firm of engineers who constructed it under the aegis of the London Passenger Transport Board, took three months to make and cost £3,000, equivalent to £119,000 in 2016. "Ethel" had 106 steps, each 20 feet (6.1 m) wide, and was driven by a 12 hp engine. The full shot was completed by hanging miniatures. The noise of the machinery prevented recording the soundtrack live — all scenes with the escalator were dubbed in post-production.

There was a nine-month wait for film stock and Technicolor cameras because they were being used by the US Army to make training films. The decision to film the scenes of the "other world" in black and white added to the complications. Where the "other world" is seen, it was filmed in Three-Strip Technicolor, but the colour was not fully developed, giving a pearly hue to the black and white shots, a process cited in the screen credits as "Colour and Dye-Monochrome Processed in Technicolor". (As Conductor 71 remarks during an early transition, "One is starved for Technicolor up there.")

Other sequences also presented challenges, such as the stopped-action table-tennis game for which Hunter and Livesey were trained by champions Alan Brooke and Viktor Barna; the scene where Carter washes up on the beach, the first scene filmed, where cinematographer Jack Cardiff fogged up the camera lens with his breath to create the look he wanted; and the long, 25-minute trial sequence, which required a set with a 350-foot (110 m) long by 40-foot (12 m) high backcloth.

A Matter of Life and Death was chosen for the first ever Royal Film Performance on 1 November 1946 at the Empire Theatre, in London. The performance was in aid of the Cinematograph Trade Benevolent Fund and £30,000 (£1,142,009 in 2018 pounds) was raised. It then went into general release in the UK on 15 December 1946. The film subsequently had its US release in New York on 25 December 1946 under the name Stairway to Heaven.

According to trade papers, the film was a "notable box office attraction" at British cinemas in 1947.

In 1986 the film was screened out of competition at the Cannes Film Festival.

Upon its premiere in New York City, Bosley Crowther said "the delicate charm, the adult humor and visual virtuosity of this Michael Powell—Emeric Pressburger film render it indisputably the best of a batch of Christmas shows...he wit and agility of the producers, who also wrote and directed the job, is given range through the picture in countless delightful ways: in the use, for instance, of Technicolor to photograph the earthly scenes and sepia in which to vision the hygienic regions of the Beyond (so that the heavenly 'messenger', descending, is prompted to remark, 'Ah, how one is starved for Technicolor up there!'."

According to a 2006 book, "A spate of movies appeared just after the ending of the Second World War, including It's a Wonderful Life (1946) and Stairway to Heaven (1946), perhaps tapping into so many people's experience of loss of loved ones and offering a kind of consolation."

In December 2017, a digitally restored version was shown in British Cinemas. Kevin Maher, writing in The Times, said the restoration was "crisp" whilst describing the film as being a "..definitive fantasy classic" and also as "essential viewing."

The Academy Film Archive preserved A Matter of Life and Death in 1999.

The title

According to Powell in his A Life in Movies, the United States was the only market in which the film's name was chang